Studio B – Peter Poole

Studio B 1990

Photos by Peter Poole, no reproduction without permission.

I probably took these photos some time about 1990. A few years later a major refurbishment took place updating all equipment except the sound desk. I did all I could to get a new mixer but due to lack of money it was not possible. The old mixer was kept in good working order by Pebble Mill’s excellent engineers. These men and women are the unsung heroes of the BBC and without them no programmes could be made or broadcast. During the gallery refurbishment we moved to Studio C’s gallery while still using Studio B’s studio area. When the studio area was refurbished the Foyer and later radio Studio 1 was used. Studio 1 was designed for classical music recording so had quite a long reverberation time. This was not ideal for a news programme and a few people asked why ‘Midlands Today’ sounded different. After another few years a new sound desk was fitted.

Deferred Facilities

If Television Centre or Broadcasting House encountered a major event and were unable to produce its network output Pebble Mill could take over. In the pre-digital TV and radio era network radio and TV would be routed via Pebble Mill’s Communications Centre and then distributed to the transmitter network. Radios 1 to 4 would be allocated their own studios to ensure network output was maintained. BBC 1 and 2 would also be allocated TV studios.  Studio B would become Network News. The regional presentation studio would become network TV presentation.

I worked on the rehearsals for Network News.  The News production team and presenters would travel from London to Pebble Mill. A full 6 pm News programme would then take place as if for real. The London team always seemed impressed by Pebble Mill’s professional staff and facilities. I don’t think Pebble Mill was ever called to do this for real.

Peter Poole

Mike Workman added the following information on the Pebble Mill Facebook Group:

‘just to clear up the contingency plans:
BBC One pres to come from Gallery-C and VT-B
BBC Two pres to come from Pres and VT-F
BBC Choice and Knowledge fold to One.
BBC World pres to come from an Edit C and VT-D
Domestic News was to set up in Studio-B (the Midlands Today studio)
BBC World News was to set up in Studio-A and VT-A
News 24 was to collapse into BBC World.
Weather used Birmingham’s regional weather facilities in Studio-B and Studio-B Annex/Pres.

I’ll also add, at the time lots more digital widescreen material was being made and transmitted by the BBC and Pebble Mill didn’t have any DigiBeta decks, so they had to order more of these to facilitate the Disaster Recovery Plans, Anything coming from B going to NET1 would be routed via A (which had been refurbed at this point) where it’d be ARCd to 14:9 Ratio (that horrid half widescreen thing the BBC did in the late 90s and early 00s) before transmission – this way it didn’t look like it was coming from an antiquated 13/14 year old gallery! BBC World got Studio and Gallery A, both widescreen which was funny as at this time BBC World wasn’t widescreen, Network BBC One was. The source for all this is somebody I know only as ‘deejay’ from a TV presentation site…’

Pebble Mill Roof – Tom Poole

Photo from Tom Poole, no reproduction without permission.

This 360 degree photo shows the roof of Pebble Mill, including satellite dish.

‘My view from 6th floor was kinda great, the trees of Edgbaston a view of the Uni clock tower and the cricket ground.

They destroyed a lot more than just a building when they made the expensive decision to move to Mailbox!’

Tom Poole

 

Frank Carson at Pebble Mill

Frank Carson

 

 

 

 

 

 

 

 

 

 

 

 

Photo copyright resides with the original holder.

It was Belfast comic, Frank Carson’s funeral today.

Stephen Davies remembers that one December, Frank Carson was a guest on ‘Pebble Mill’ and afterwards went to the staff canteen.  It was the day of the staff Christmas dinner, and Frank decided to join in.  He had everyone in hysterics.

The following comments are from the Pebble Mill Facebook page:

Barbara Harrison: ‘I remember that Christmas lunch. It was the best ever and he was such a natural.’

Naomi Bishop: ‘He came in through the double doors, saw an audience in party hats and went for it. He was fabulous. It was a real treat. Took our mind off sprouts that had been cooking since September.’

Caroline Officer remembers being the researcher looking after Frank Carson on ‘Pebble Mill’ that day: ‘When he arrived, he told me his flight back home to Blackpool wasn’t until 6pm, so we had to find something for him to do, the Christmas lunch was a Godsend. Ironically Engelbert Humperdinck was on the show too and we invited him to the lunch too, but he didn’t want to come, couldn’t stop Frank though.

I love the earlier comments because since that day I’ve felt slightly guilty at disrupting everyone’s lunch. He was a lovely man, but I remember being glad to get him into the taxi and on his way to the airport – exhausting! Norman Wisdom was the same.’

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Pebble Mill Reception – photo by Tom Poole

 

 

 

 

 

Photo from Tom Poole, no reproduction without permission.

Here is a 360 degree photo of the Pebble Mill Reception area, which makes it look even more spacious than it actually was.

Included in the photo are Receptionists Lin Pillage and Bridget Vaughan.

Radio Birmingham Shop in New Street

Photo from Pete Simpkin, no reproduction without permission.

The photo shows the Radio Birmingham shop in New Street, Birmingham.  Producer and presenter Pete Simpkin points to the entrance!

The following information was added on the Pebble Mill Facebook page:

Michael Fisher: ‘Yes I remember when it opened up. Carol was the receptionist who looked after the shop. The small studio came in handy at times for news reports rather than dashing back to Pebble Mill. It also provided a city centre profile for the radio station and was very close to the City Hall but was on the edge of the New St shopping area. However it was probably an idea before its time as local radio later branched out. Pete Simpkin will recall that at the time we had “Sinky” in Coventry & covered Wolverhampton & Black Country (Chris Phipps programme) as well as parts of rural Worcs. Warks. & Staffs. almost extending as far as Cannock. I managed to get Nuneaton covered in the non-league soccer that I started for Jim Rosental to go with our six league clubs Blues, Villa, Sky Blues, Wolves, Albion & Walsall who I enjoyed reporting on.

Pete Simpkin: ‘Well remembered Michael, in fact I went on to replace Barry Lankester who had followed Chris Phipps to Wolverhampton and spent an enjoyable year ar the Queen sreet studio. Representing the BBC I was included as one of Wolverhamptons 1000 people in their millenium year!’

Andy Walters: ‘We moved out of the Queen Street studio in 2002. There’s now a radio & TV facility in Wolverhampton by the Wolves ground.’

Pete Simpkin: ‘Thanks Andy,I wonder if all the old files and tapes moved with you? I well remember having to do a live lunchtime discussion programme from the little studio at Queen St, we only had two microphones and I really needed four so I went round to Tandy’s and bought two table mics, plugged them into the mixer and it all worked perfectly.There was no way these unofficial items would ever be claimable on exes so as they were mine I took them home and used them in retirement jobs for many years!’