Tag: Carol Drinkwater

‘Master of the Marionettes’ – John Greening



Copyright resides with the original holder, probably Willoughby Gullachsen, no reproduction without permission.

These photos are from the 1989 ‘Play on One’ drama: ‘Master of the Marionettes’, produced by Michael Wearing at Pebble Mill.  It was written by Guy Hibbert, directed by Pedr James, with Hilary Salmon the script editor.

The Radio Times billing read:  “Teddy Rose’s passion is security – selling alarm systems to prosperous yet fearful suburban homes, one of which he and his family inhabit with conspicuous success. Then one Saturday morning a violent street encounter starts a chain of events which calls into question his every assumption and changes his life for good.”

The play starred Kenneth Cranham, as Teddy; Kenneth Colley as Tennyson; Carol Drinkwater as Maggy; John Duttine as Tim; and David Bradley as Harry.

The first photo includes, left to right: Pedr James (director), Terry Ford (props), John Greening (1st AD), Paul Woolston (camera).

The second photo includes, left to right: (partially hidden) Peter Potter (props), (partially hidden) Terry Ford (Props) Gareth Williams (AFM), John Greening (1st AD), Pedr James (director).

Thanks to John Greening for making the photos available.

A Master of the Marionettes – photo from John Greening

Copyright resides with the original holder, probably Willoughby Gullachsen.

‘A Master of the Marionettes’ was  a 1989 ‘Play on One’ produced at Pebble Mill by Michael Wearing, with Pedr James directing.  The drama was written by Guy Hibbert, with Hilary Salmon the script editor.

L to R: Pedr James, behind Pedr is Guy Hibbert (writer), ?, Helen Smith, Rod Litherland (lighting. By the van (right) – Gareth Williams (AFM), Bobby Chapman (script supervisor). Eric Crouch (electrician) with the cloth cap at the back, Peter Wood-Fisher (Technical Manager) on the right.

The play starred Ken Cronham, John Duttine, Fiona Victory, Carol Drinkwater, David Bradley and Kenneth Colley.

The drama was about a group of salesmen, and their complicated and intertwined private lives.  The Radio Times billing read: “Teddy Rose’s passion is security – selling alarm systems to prosperous yet fearful suburban homes, one of which he and his family inhabit with conspicuous success. Then one Saturday morning a violent street encounter starts a chain of events which calls into question his every assumption and changes his life for good.”

Thanks to John Greening for making the photo available.

Lesley Weaver adds the following memories about working on the drama:

“I was the make up designer on this drama. It was shot around Oct/Nov 1988. It was the first production I worked on when I return to work after the birth of my eldest son.

I was really down about leaving my 5month old baby but there were mutiple great stab wounds ( by a chisel) for me to distract me. My assistant Helen Smith helped me keep them looking fresh on location. The exteriors were very cold so the injuries became hard & kept falling off the actors skin, then started to melt in once in the hospital scene because it was too hot! Filmed on locations around Solihull I think, in the studio at Pebblemill and the hospital scenes were shot at the Walsgrave Hospital in Coventry if I remember correctly. It had a great production crew with a nice cast, who were lovely to work with especially David Bradley & Kenneth Colley.  My 1st assistant was (Bafta award winning) Paul Gooch & the costume designer was called John Lynlard ( someone will prob correct his surname for me).”

All Creatures Great and Small – Les Podraza’s photos

Photos from Les Podraza, no reproduction without permission.  Les was a scene hand on ‘All Creatures Great and Small’, which was filmed on location around Askrigg in the Yorkshire Dales, with the interiors being recorded in Pebble Mill Studio A.  The series was produced by the BBC in London, but hosted out of Pebble Mill.

There were 91 episodes of ‘All Creatures’ which were transmitted between 1978 and 1990.  Christopher Timothy starred as James Herriot, with Robert Hardy as Siegfried Farnon and Peter Davidson as Tristan Farnon.  Carol Drinkwater played the role of Helen Herriot until Lynda Bellingham took over in 1988.  The series follows the adventures of  vet James Herriot in the 1930’s Yorkshire Dales, when he is working for Siegfried Farnon’s practice.

Les’s photos feature Carol Drinkwater and Christopher Timothy, as well as other members of the cast and crew.  Also included are shots of the crew’s digs in Askrigg, the special effects team at work, and the camera rig on James Herriot’s car .

Les with Carol Drinkwater

‘All Creatures Great & Small’ – Make Up Artist, Maggie Thomas

Maggie Thomas Make-up Artist

The First Series Of ‘All Creatures’

Christopher Timothy, Peter Davison and Carol Drinkwater were with us all the time, since most of the storylines required them to be ready for their scenes all day. My main responsibility was Chris and Carol. How lucky was that? They soon became my dearest friends and keeping Chris’s period haircut neat was really the most make-up I needed to do for him. We were really aiming for the totally natural country look and with Carol it was a matter of controlling her beautiful natural curls into a slightly more old- fashioned look. So, apart from hats on and off and making sure that wind-blown pieces of hair were in the same place for continuity, the actual make-up job seemed pretty minimal, until we realised that every storyline had an injured animal in it and that my Designer and I would, as far as possible, be doing them!

What we didn’t know was that every animal injury in the storyline would require a lot of attention from the Make- up Department. It soon became very clear that we were going to have our work cut out to achieve some believable looking animal injuries and other problems that I will now relate to you. Another lovely job that came our way was mud – on and off at all relevant times, i.e. when an artiste slipped over in a cowshed or an animal had a sudden and unexpected movement that made the artiste get dirty. So, at the start of every day we had to mix up our bucket of artificial mud that went everywhere with us, just in case! That was not the worst thing we had to produce. Every day the script would throw up things like puss in the horse’s hoof which had us propositioning the catering wagon for a mixture of mustard and mayonnaise which we then put into the hole in the horse’s hoof that the real vet Jack Watkins had cut out in readiness and then we put some of the horny hoof bits back over it so that when Chris (Mr. Herriot) started to use the hoof implement the puss would ooze out.

Excerpt from ‘Dishing the Dirt’ by Maggie Thomas, available from Amazon, authors on line