Real Rooms – Children in Need special

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Copyright resides with the original holder, no reproduction without permission.

These photos are of the Real Rooms team, during a makeover to coincide with Children in Need day. The show went out on Friday 21st November 1997, and was the last episode of that series. The makeover was of a centre used by special needs children, somewhere in south Birmingham.

Included in the first photo are left to right: back row, Elaine Walker, Jon ?, Richard White, John Gregg, Robert David, ?,  front row Beverley ?, Leah ?, Kieran Kelly, Simon Biagi (presenter), Fiona Quigley, Dee Mortimer.

Working on Real Rooms was my first programme as a series producer, with Mark Kershaw as executive producer, and Roger Casstles as Managing Editor. We had an initial commission for 20 programmes, but the series proved very popular and it was recommissioned many times over. I worked on the first 80 programmes, before moving on to other series.

It was one of the first programmes at Pebble Mill to extensively use self shooting by researchers and assistant producers, on Sony VX1000s. Some of the quality was mixed, but it was only through self shooting that the programmes were cost effective. We used to have a full Beta crew for all presenter, Simon Biagi’s pieces to camera, and the opening and reveal, as well as the ‘inspiration’ and ‘shopping’ trips. The self shooting was reserved for the makeover happening in the actual room.

Vanessa Jackson

 

We are BBC Birmingham

We are BBC BirminghamWe are BBC Bham PeopleWe are BBC Bham, FinanceWe are BBC Bham Marketing
Copyright resides with the original holder, no reproduction without permission.

This, We are BBC Birmingham brochure was given to members of staff moving from Pebble Mill to the new Mailbox building in summer/autumn 2004.

There are other sections which name some of the then current productions, both radio and television, but I will post those separately.

The leaflet highlights the work of internal departments like HR, Finance, Marketing, Talent Rights, Libraries and IT.

Thanks to Dharmesh Rajput for keeping the leaflet safe for the last decade, and for sharing it.

The following comments were left on the Pebble Mill Facebook page:

Andy Walters: ‘I remember those being taken. I am on the first B. We were assembled on the grass at the back of the building with the photographer on the roof.’

Jane Green: ‘I’m on a B too. I miss Pebble Mill’

Paul Hunt: ‘Am on the bottom of C having dashed back from a meeting at the Mailbox!’

Claire Bennett: ‘Eleven years? Did I miss all the big ten year anniversary celebrations there must have been for a decade of glory at the Mailbox then?’

Steve Peacock: ‘I think they threw that party in Bristol’

Sheila Brown RIP

Sheila Brown sadly died on 14th April 2015, at the Queen Elizabeth Hospital, Birmingham. Sheila started work as a secretary in Personnel, and then later in the Press Office and PR department, organising visitor tours of Pebble Mill.

Sheila is shown in the right of this photograph, which was taken at the Friday Night at the Mill party in 2004. The party which marked the closing of the Pebble Mill building, prior to its demolition in 2005.

Clara Hewitt, Janet Collins, Margaret Barton, Sheila Brown

Clara Hewitt, Janet Collins, Margaret Barton, Sheila Brown. Photo by Ruth Barretto, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

The following comments were left on the Pebble Mill Facebook page:

Andy Bentley: ‘Remember Shiela well, she received an MBE if I remember right. Lovely Lady.’

Malcolm Hickman: ‘We used to take parties around the Mill, including parties of staff newly arrived at Bush House. Sheila used to organise the catering and for some inexplicable reason, there was always one or two bottles of red wine left over. A very sweet lady and an accomplished ballroom dancer in her younger days.’

Jane Ward: ‘Wasn’t she a keen ballroom dancer?’

Conal O’Donnell: ‘I remember Sheila very well- quite mischievous on her way & always good fun .I am sorry to learn of her passing.’

Julian Hitchcock: ‘What a lovely, funny soul she was: her very memory brings a warm smile to all who knew her. I do hope she enjoyed her later years.’

Tim Manning: ‘I’m so sorry to hear the news about Sheila; she was – as others have said – a lovely lady, and someone who cared deeply about Pebble Mill. And yes, Jane Ward, she was a very keen and skilled ballroom dancer; when I was directing a film for The Golden Oldie Picture Show, she loaned me all her trophies and lots of memorabilia.’

Marie Phillips: ‘Sheila was very kind to me when CIN was regarded as something of a misfit in the Press Office. Very very efficient. A well deserved MBE.’

Andy Caddick: ‘We used to have long chats on the No1 bus on the way to Pebble Mill. So sad, lovely lady.’

Pebble Mill Props Cages

10269346_10152452206602139_1156570742662719721_nPhoto by Karen Bond, no reproduction without permission.

This photo shows some of the props cages at Pebble Mill, together with a man in a very bright florescent vest! Props cages tended to be stored either in the basement of the building, or near the scene dock on the ground floor. They had wheels on the base, and so could be wheeled around easily. They were mostly used for dramas, although the studio and make-over shows also used them. I remember sometimes the cages weren’t where you’d left them, because they had been wheeled away by someone, which was rather disconcerting!

The following comments were left on the Pebble Mill Facebook page:

Steve Johnson: ‘I remember these. I used to work in the News Library next to the newsroom so was often in the basement looking for tapes or film reels.’

Andy Walters: ‘There are still a couple of props cages in the Horsefair car park. They still have the names of the last home makeover shows they were used for scribbled on the side in chalk.’

Marie Phillips: ‘Lovely House Services comandeered several each October for storing my Children In Need merchandise in the cabin loaned for free every year. Also – one Appeal Night me and Gyn Freeman got stuck in a lift behind one and had to keep going up and down until there was someone to rescue us. If you know Gyn and I you will know how funny that was !!’

Carol Churchill: ‘I remember the Props parties, well when l say remember that may be stretching the truth!’

Scott Holdsworth: ‘There were loads of these throughout the basement. I remember when Can’t Cook Won’t Cook finished and all the brand new pans were stored there for years. When there was a clear out I ended up with a kitchen full of lovely new utensils.’

Andy Bentley: ‘Props was great for fun when on nights, when we were in the old Security office at the back of the building we got a head from props. We put the head on a long pole and put it up to the edit suite window above the office. I reckon they could hear Trudy [Offer] and Ingrid [Wagner]’s screams in town. It looks more like Mervin in the photo.

Ruth Kiosses: ‘Best memories of the Props/costume store best known as Smelly (Oak). The Props Lads as they were affectionately known were real characters, especially Jacko who gave himself a wonderful long title which meant props lad. They had a tea room furnished in old Howards’ Way set so the drawers were dummies but it looked swish. I remember a lot of practical jokes after shooting a sex shop scene for a ‘murder mystery’? Series (title eludes me) although I remember costumes really well, lead lady in full Burberry check trousers etc, fabulous purple suede suit! Anyway the props as you can imagine were inflated and used for all sorts of interesting decorations!!!’

Teresa Fuller: ‘Was only privileged to visit Pebble Mill once, on an induction day. But when I worked at The Mailbox, we had storage cages over at the multi storey car park (the one with local rats and the fear of having a friendly local resident chucking something from the adjacent tower block as you walked back from your hire car drop-off)! Anyway, we used the cages to store props for To Buy or Not to Buy and one day a colleague and I had the pleasure of cleaning a cage out that was covered in mouse droppings. Nice.’

Andy Bentley: ‘There was also the skeleton propped up against a door in the basement so when Ted went on patrol and opened the door it fell out on him. Again I reckon the screams could be heard in town.’

Children in Need 2000

CIN 2000 running order front page, Chris Harris CIN 2000 vision gallery Chris Harris on racks CIN 2000 Studio 1 Chris Harris

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

These stills are from the regional Children in Need output from November 2000.

The still with Pudsey is the front page of the running order for the evening show. The second photo is of the Vision Gallery controlling Studio 1. Chris Harris is on racks. The third photo is of the floor in Studio 1, which was usually a radio studio, but could be converted to TV, and was so during any re-fitting of Studio A.

Thanks to Chris Harris for sharing the stills.