Country Tracks

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Copyright resides with the original holder, no reproduction without permission.

Country Tracks was described as an offbeat countryside guide. There were several series of the show in the 1990s, with different presenters. These included Ray Mears and Pete McCarthy. The show had very high production values, and came out of John King’s department. Many of the team who worked on the series had come from The Clothes Show, like Kath Moore and Colette Foster.

I’m not sure which series of the show this titles grab is from.

Thanks to Ian Collins for sharing the grab.

The following comments were left on the Pebble Mill Facebook page:

Adam Trotman: ‘This was my first full on VT assistant job…. moving up the ranks to actually editing the later series…. was first called Tracks….. not sure why they added Country.’

Nicola Silk: ‘I directed on Country Tracks with Pete Mccarthy. title grab could be from 1998 or 1999 which was the last series. great programme to work on. It was under John King then later Andrew Thorman. The days when you never really saw the execs. no idea why they added the word Country either?’

Russell Parker: ‘I loved Pete McCarthy, was overjoyed to get to speak with him once, and cried like a girl when I heard he’d died.’

Robin Sunderland: ‘Always enjoyed shooting for tracks. Remember filming an owl once, on a very blustery day. Owner was reluctant to let it fly, but the director persuaded him. He let it go and the wind just carried it away ….we never saw it again! Oops!’

The Clothes Show

The Clothes Show, Jeff Banks, Selina Scott JR

Copyright resides with the original holder, no reproduction without permission.

Thanks to costume designer, Janice Rider, for sharing the photo.

The photos shows The Clothes Show presenters, Jeff Banks and Selina Scott. The item obviously had a 1950s rock and roll theme.

The Clothes Show was a fashion magazine show, which went out weekly on a Sunday between 1986-2000. It was devised and produced by Roger Casstles. The series became well known for its high production values and stylish inserts, which often used innovative DVE transitions, canted shots and contemporary chart music.

The following comments were left on the Pebble Mill Facebook page:

Annie Gumbley-Williams: ‘Ivor Williams, and Brian Watkiss plus other editors on the Clothes Show won a BAFTA for editing the Clothes Show, and were also nominated a second time. The BAFTA disappeared from Pebble Mill when it closed. Anyone know where it went?’

Jane Clement: ‘It was a rock n roll edition of The Clothes Show back in our era – I remember they had a local rock n roll club there dancing, who are probably the people in the background. Roger Casstles and Claire Stride producing, of course, and Janice Rider would have been on wardrobe – fun job for her. Can’t remember who else worked on it though.’

Claire Cotton: ‘Remember it well as one of BBC Birmingham’s big hits, with its spin off event Clothes Show Live still going. I loved working on it, with Jane Galpin running the London office and Colette Foster and Roger Casstles our Birmingham Office. I am still in touch with many ex Clothes Show people including James Strong (who went on to direct Dr Who and Downtown Abbey) and James Morgan who went on to do Springwatch, the Apprentice and won a BAFTA for Big Blue Live.’

The Last Pebble Mill at One – photo from Mark Kershaw

Copyright remains with the original holder, no reproduction without permission.

This photo was taken just after the last ever ‘Pebble Mill at One’ on 23 May 1986.  In fact you can just see the last few members of the audience leaving on the left hand side of the photo.

Included in the photo are:

Back row: Michael Smith (celebrity chef), David Lancaster (glasses), Caroline Marshall, Steve Weddle.

Next to back: Julian Hitchcock (with pink balloon), Chris Wright, Roger Sutton (just behind the others), possibly Barrie Edgar peeking out behind, Tony Rayner, Peter Urie, Peter Hercombe, Claire Chambers, Norma Scott, Mary Clyne, Mark Kershaw, Trudy Stanton, Steph Silk, Richard ?.

Third row from back:  Girl in red dress below Tony Rayner is Jacqui Goodwin, Fran Groves, Ann Varley, Di Reid (red dress), Margaret Allen (with belt), John Westcott (FM), Annie Gumbley Williams (standing purple dress)

Back seated row: Sue Ashcroft, Debbie Hood, Caroline Matthews, Denny Hodge , Paul Coia

Middle seated row: Gareth Williams, Jo Buchan, Magnus Magnusson, Marian Foster, Bob Langley, Bev Wildman (Thompson), David Weir

Fron row: Tom Ross (standing), Eileen Bayliss just behind Tom, Maggy Whitehouse, Jane Clement, Viv Ellis, Peta Newbold, Colette Foster (central short brown dress), Nicky Barfoot, Claire Stride, Jane McLean, Jo Dewar

Please add a comment if you can fill in any of the people not identified.

Thanks to Mark Kershaw for making the photograph available.

 

 

 

 

The Clothes Show 100th episode – Ivor William’s photos

The Clothes Show cake

Photos from Ivor Williams, no reproduction without permission.

This cake was made to celebrate the 100th episode of The Clothes Show.  Ivor Williams was one of the VT editors who worked on the popular Sunday afternoon fashion magazine show.  The spelling of IROV on the cake was an in-joke.  The ‘SM’ on the cake, I think stands for Steve May, also a VT editor.

The Clothes Show went out between 1986 and 2000.  It was executively produced at Pebble Mill by Roger Casstles. Series producers included Colette Foster and Jane Lomas. The show grew out of ‘Pebble Mill at One’ fashion items, and became a huge brand, leading to the BBC magazine of the same name and the annual ‘Clothes Show Live’ exhibition at the NEC.

Breakfast Time’s Selina Scott and designer Jeff Banks  were the series’ first presenters.  Other presenters over the years included Caryn Franklin, Tim Vincent, Brenda Emmanus, Richard Jobson, and Margherita Taylor.  The show included catwalk and high street fashion, including make-overs.  The title music was a remix by Arthur Baker of the Pet Shop Boys’ ‘In the Night’ (off the 1986 ‘Disco’ album).

What really set the show apart were the high production values and innovations in digital video editing.  The editing team were rewarded with a craft BAFTA award.