Countryfile – Ken Pollock

 

Countryfile team

Countryfile team. Copyright resides with the original holder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

Regarding Countryfile, it is fun to look at the photograph and recognise old friends/colleagues.
My involvement was to be a producer on Farming, with Martin Small, and Exec John Kenyon. We wanted to acknowledge the large “over the shoulder” audience we had on Farming, and hence wrote the brief for Countryfile. I remember it well, sitting in John Kenyon’s office sketching in the idea, and kicking around names. I came up with the Countryfile name, although we may have thought it should be two words…
Michael Grade, Controller BBC1 accepted the idea, the team went from 4 to 24, and the Countryfile bandwagon started rolling.
After poor Brain Strachan died, there was a vacancy on Top Gear, and John Kenyon told me to get some broader experience, before applying to run Countryfile. So I did, but they did not want me to run Countryfile, as I was supposedly too biased to the farming community and Mike Fitzgerald got the gig.
I stuck with Top Gear and the rest is history…

Ken Pollock

The following comments were left on the Pebble Mill Facebook page:

Patrick Flavelle: ‘I started on a rolling weekly contract working with Fitz surfacing potential stories at the fag end of Farming…led to working on the show for its first 11 years. Happy days and incredibly boozy Xmas do’s…the one after this photo was very messy!’

Mick Murphy: ‘3rd from right, 2nd row – Sue Lloyd, Director. 1st on the left, front row – Barry Paine, former BBC producer / wildlife narrator, who used to voice over some of our films. Girl behind Fitz is called Sarah…? Great picture. ‘

Jane McLean: ‘John Clarke on the left .. who I went to Russia and Siberia with for Countryfile in 1989. Should try & find the Russian pix. Talk about an eye opener. The director was Dick Colthurst (what happened to him?) and the crew was Nigel Davey, Barrie Foster, Keith Rodgerson and Andy Frizzell. We were force-fed vodka shots 24/7 – honestly! ‘

Pam Relton: ‘Dick is very successful Jane – he went to BBC Bristol after CountryFile and is now MD at Tigress Productions.’

Jane McLean: ‘Good on him. Never heard of Tigress Prods – am SO out of the loop these days re anything telly!’

Viv Ellis: ‘I recognise Yasmine O’Grady looking glam – as ever. I worked on Farming for a few months’

Roy Thompson: ‘Spent a very happy attachment to Countryfile from Wood Norton even getting to direct a piece on arts in rural communities. Very supportive and friendly team.’

Andrea Buffery: ‘This picture would look amazing next to the Countryfile team today. It consists of 30 plus people.’

Steve Johnson: ‘I worked on Countryside for a short time in mid nineties, arranged the filming of the brand new RSPB reserve at Conwy.’

Pam Relton: ‘As a real City girl, CountryFile opened my eyes to so many things. I remember my first shoot – in a battery hen farm, a barn the size of a hanger filled with chickens in cages no bigger than themselves, floor to ceiling, the noise!! I’ve not knowingly eaten anything other than free range, outdoor-reared produce since. I learned so much about the pressures on farmers and producers to comply with the big supermarkets. This was the great thing about working on programmes like this – that open up the issues to do with farming and the countryside to everyone.’

Jane McLean: ‘I was country born & bred Pam – my brother was a pig farmer – and I know exactly what you’re talking about from the other side! ‘

Tracks

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Copyright resides with the original holder, no reproduction without permission.

Here are a couple of titles stills from the stylish, offbeat countryside guide, Tracks
circa 1995-7.

Here is the Radio Times entry for the episode transmitted on 4th July 1995:

http://genome.ch.bbc.co.uk/ec2920a7ab4f40a1900a5cce24b58dea

“The weekly guide to the countryside. In tonight’s programme, Lindsay Cannon talks to champion trainer
Ian Openshaw about the secret life of working dogs such as the labrador, golden retriever and springer spaniel and learns, amongotherthings, that labradors were originally bred for catchingfish.
Undaunted by the cerebral palsy that slows his movement, disabled mountaineer John Hawkridge – who has previously tackled Everest and Annapurna – embarks on a trek among some magnificent prehistoric ruins in Orkney. There he indulges his passion for neolithic sights and visits
Maeshowe and the Ring of Brodgerat midnighton Midsummer’s Day.
David Stafford looks at Rattus rattus, also known as the black rat, which may be the most endangered mammal in Britain. Far outnumbered by the brown rat, the black rat gains little sympathy for its plight, having been responsible for the spread of the Black Death. Plus the animated Tracks guide to trees continues with the native yew. Steeped in myth and legend, it has unusual growth characteristics.
Producer Kathryn Moore ; Series producer Dick Colthurst”

The series was re-titled Country Tracks from 1998.

Each episode contained a distinctive animated sequence, which I think was drawn by Pebble Mill graphics designer, Tony Fisher.

Thanks to Ian Collins for making the grabs available.

The following comments were left on the Pebble Mill Facebook page:

Tracey Bagley: “Tracks was briefly part of my portfolio when I joined the dept as Unit Manager. I recall Tony Fisher definitely doing animation for one of my series and out of them all, I think it could only be this.”

Kath Moore: “Tony did them all – with his usual dedication and inimitable, incredible professionalism. He asked such In-depth questions about the characters – in order that that looked right and lived in the right house / environment we created a biog for each of the main souls…from scratch. Tony was as one in a million.”