The Groundling and the Kite – Jenny Brewer

‘The Groundling and the Kite’ was a drama in the Play for Today anthology.

Crew photograph from 1983
This was the last Play For Today made out of Pebble Mill. Shot during the very hot summer of 1983 in and around Hampstead in London and transmitted on BBC1 in 24 July 1984. This was the last show I worked on as a Production Assistant before becoming a Production Associate. I have discovered the full play is available on You Tube should you wish to watch: https://www.youtube.com/watch?v=4clkwmzOHlE

 


The Groundling and the Kite crew. Thanks to Jenny Brewer for sharing the photo.

From front row R to L Keith Froggatt, Cameras; Charles Bond, Designer; Alan Miller (with the bald head) Gaffer Spark from Lee Electric with 3 sparks alongside him

Next row Colin Rogers, Producer; Graham ??; Prop and Support Vehicles

Next row Ian MacNulty; Grip; Jenny Brewer, Production Assistant; John Duttine, Actor; Peter Jefferies, Director; Carol Parks, Production Associate

Next Row William Hartley, Production Manager; Lenny Preston, Writer and Actor; John Kenway, DOP; Liddy Bennett, Assistant Floor Manager; Geoff Nawn, Design; John Parker, Sound Recordist

Next Row John Cole, Sound; Chap from Costume ?; Gwen Arthy, Make Up Designer; Trevor Elwell, Scene Crew Supervisor; alongside Nigel ?? and others on the scene crew; Tom Beech, Props Buyer; Nigel Roberts next to Tom Beech, Ray Clulow, carpenter, behind Nigel & one of the painters behind Ray. Hiding behind the pillar might be Phil Hawkins, scene crew supervisor.

Back Row Mark Thompson Unit Driver; Lesley Weaver, Make Up; Sue Peck, Costume Designer; and ?? from Costume

 

 

 

‘Master of the Marionettes’ – John Greening



Copyright resides with the original holder, probably Willoughby Gullachsen, no reproduction without permission.

These photos are from the 1989 ‘Play on One’ drama: ‘Master of the Marionettes’, produced by Michael Wearing at Pebble Mill.  It was written by Guy Hibbert, directed by Pedr James, with Hilary Salmon the script editor.

The Radio Times billing read:  “Teddy Rose’s passion is security – selling alarm systems to prosperous yet fearful suburban homes, one of which he and his family inhabit with conspicuous success. Then one Saturday morning a violent street encounter starts a chain of events which calls into question his every assumption and changes his life for good.”

The play starred Kenneth Cranham, as Teddy; Kenneth Colley as Tennyson; Carol Drinkwater as Maggy; John Duttine as Tim; and David Bradley as Harry.

The first photo includes, left to right: Pedr James (director), Terry Ford (props), John Greening (1st AD), Paul Woolston (camera).

The second photo includes, left to right: (partially hidden) Peter Potter (props), (partially hidden) Terry Ford (Props) Gareth Williams (AFM), John Greening (1st AD), Pedr James (director).

Thanks to John Greening for making the photos available.

A Master of the Marionettes – photo from John Greening

Copyright resides with the original holder, probably Willoughby Gullachsen.

‘A Master of the Marionettes’ was  a 1989 ‘Play on One’ produced at Pebble Mill by Michael Wearing, with Pedr James directing.  The drama was written by Guy Hibbert, with Hilary Salmon the script editor.

L to R: Pedr James, behind Pedr is Guy Hibbert (writer), ?, Helen Smith, Rod Litherland (lighting. By the van (right) – Gareth Williams (AFM), Bobby Chapman (script supervisor). Eric Crouch (electrician) with the cloth cap at the back, Peter Wood-Fisher (Technical Manager) on the right.

The play starred Ken Cronham, John Duttine, Fiona Victory, Carol Drinkwater, David Bradley and Kenneth Colley.

The drama was about a group of salesmen, and their complicated and intertwined private lives.  The Radio Times billing read: “Teddy Rose’s passion is security – selling alarm systems to prosperous yet fearful suburban homes, one of which he and his family inhabit with conspicuous success. Then one Saturday morning a violent street encounter starts a chain of events which calls into question his every assumption and changes his life for good.”

Thanks to John Greening for making the photo available.

Lesley Weaver adds the following memories about working on the drama:

“I was the make up designer on this drama. It was shot around Oct/Nov 1988. It was the first production I worked on when I return to work after the birth of my eldest son.

I was really down about leaving my 5month old baby but there were mutiple great stab wounds ( by a chisel) for me to distract me. My assistant Helen Smith helped me keep them looking fresh on location. The exteriors were very cold so the injuries became hard & kept falling off the actors skin, then started to melt in once in the hospital scene because it was too hot! Filmed on locations around Solihull I think, in the studio at Pebblemill and the hospital scenes were shot at the Walsgrave Hospital in Coventry if I remember correctly. It had a great production crew with a nice cast, who were lovely to work with especially David Bradley & Kenneth Colley.  My 1st assistant was (Bafta award winning) Paul Gooch & the costume designer was called John Lynlard ( someone will prob correct his surname for me).”