Giorgio Locatelli: Pure Italian

Giorgio 1

Giorgio 2

Giorgio 3

Giorgio 4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

Article, about chef Giorgio Locatelli – I can’t remember the magazine, but possibly the Observer.

In 2001/2 BBC Pebble Mill made a 15 part cookery series, which was Giorgio Locatelli’s first TV cookery. I was lucky enough to be the series producer. Even though we had a tiny budget, of around £22,500 per half hour – I seem to remember, we loved making this series. The self shooting directors were Paul Vanezis and Paul Newman, who recorded the show on the Sony DSR 200. We used a professional sound recordist. Julie Richards was the researcher, and it was the first series that Ant Smith edited. We hired a terraced house with a beautiful kitchen in Kentish Town (fortunately the owner was abroad, as we rather took over the whole place), and recorded one show a day for three weeks. Giorgio was great to work with, and there was always good food to eat! Giorgio seemed to know everyone who was worth knowing – and even lived next door to Kate Winslet!

The motorbike, shown in the photo, was a mixed blessing. During the production period Giorgio had a bit of an accident on his motorbike – fortunately he was ok, but it shook us all up.

Vanessa Jackson

The following comments were left on the Pebble Mill Facebook page:

Joolz Richards: ‘It was, by far, the best programme I ever worked on. Hard work, very short turnaround time, great fun and incredible opportunities. Vanessa had to go into the edit after the first week of filming leaving me to direct Giorgio which was a challenge!!! Plus Federico, lovely Federico who made us lunch every day. Great memories.’

BigScreen Birmingham (Paul Newman): .’….and Steve who prepped the food and ate everything afterwards. I still make a couple of Giorgio’s recipes – the shoot was quite relentless but great fun – and our visits to markets and restaurant kitchens were unforgettable.’

Home Front in the Garden

Home Front in the Garden

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

Pebble Mill was asked to produce a series of 8 episodes of the garden design programme, ‘Home Front in the Garden’, presented by enigmatic designer Diarmuid Gavin.  They went out weekly from October 2002.  The still shows Diarmuid relaxing in the company of project manager Sean Cunningham.

The series was producer by Patrick Flavelle, with David Symonds directing the first transmitted show, a garden in Chingford.

It was a challenging series to work on, with Diarmuid sometimes not turning up on location when he was supposed to, and getting fed up with most members of the production team at one time or another.  By the end of the series almost no one who was working on the show originally was still there!

The following information was added by assistant producer, Julie Richards:

“I was one of two AP’s on the series. We had an incredibly hard-working team but, one-by-one, they were deemed “unsuitable” by Mr Gavin which left us scrabbling around, working ridiculous hours, with some being on-site for weeks at a time. Memorable gardens were built, including one in Birmingham which involved installing a garage car-ramp which could raise the garden up over 10ft, a giant disco-ball shed, 100 white rabbits, a copper garden retreat and one “jungle” with a building clad entirely in cedar (I was banned from that garden so never saw how it turned out!!). The series ran over budget by an eye-watering amount as Diarmuid spent without our being able to control him. I was invited to a lunch with the then head of BBC2 who, once I’d recounted the goings-on, merely replied with a smile, “oooo he’s a one that Diarmuid, isn’t he”. However, I have a couple of lasting friendships from that series – it truly was one that, once you’d gone through it, you really felt like you’d been through a war, rather than merely making a television programme. David did a fabulous job in the face of some very trying circumstances and, due to all the overtime, I managed four days in Hoar Cross Hall. Not all bad then…”