Telly Addicts

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Copyright resides with the original holder, no reproduction without permission.

Thanks for VT editor, Ian Collins for making these grabs available.

Telly Addicts was a gameshow which went out between 1985 and 1998 on BBC1, with all the questions being based on television shows past or present. Most questions were introduced via clips. It came out of John King’s department, and was presented by Noel Edmonds. The format of the shows changed a bit over the years, and there were some celebrity versions and Christmas specials.  Usually there were two teams of four contestants, and a tournament structure which produced an overall winning team at the end of the series.

The show was recorded in Studio A.

The following comments were left on the Pebble Mill Facebook group:

Maria Needle: ‘Ah yes I was the production secretary on Telly Addicts, Sue Williams was the PA, Louis Robinson was the producer, Sue Robinson the Director I think. I learnt to drink on this show!’

Ruth Kiosses: ‘We did loads of light entertainment costumes for Telly Addicts either from Selly Oak stores or sent up from Wales Farm Road and ones that were made especially (usually at pretty late notice I recall?) Mr Blobby often arrived in a box for various of  Noel shows not sure whether he appeared on Telly Addicts?’

Clare Cotton: ‘Aghhh happy days! We had such a laugh making telly addicts-great production team, great characters one and all…’

Jane Green: ‘Noel always gave me a panic by arriving at the last minute in his helicopter but was always ready on set on time and wanted no special treatment. I once found him standing on a chair in his dressing room trying to get a signal on a new thing called a mobile phone. It was the size of a shoebox.’

Julian Hitchcock: ‘Like Jane, I floor managed it. I also directed it once on some sort of wheeze, and was a terrible Assistant Producer on the show. Richard Lewis was the producer, working with the very talented Louis Robinson as (correct me, Louis) AP cum scriptwriter. Marino Katchmaryck was the genius AP, who (unlike me,- who didn’t possess a TV and preferred books and radio) knew everything about every programme since the birth of Logie Baird. John King presided fatuously over all, assisted by Tim Manning. King’s slightly dubious interests in the supposed format rights helped my interest in intellectual property, which I’ve practiced for 17 years now.
In my view, the sycophancy displayed towards Edmonds, which he seemed to expect, probably contributed to the fatality on a different programme that he presented. Edmonds himself appeared to loathe the contestants. It was, however, very easy and very successful.’

Becky Rogers: ‘Worked on sadly the last series of the show in @ 1998 with Helen Hands (nee Lott) as producer, Sue Robinson as director, together with Nick Harris, Sarah Proctor, Kate Hillman, Simon Lupton, Dan sorry can’t remember surname…… Richard Lewis was exec producer. Happy memories – especially the celebrity edition featuring a very young Ant and Dec!! Left telly in 2000 for life in the lakes and the world of commercial radio. Got married last December and hubby surprised me with a personal video message from Noel during the speeches. Despite it being 14 years since I’d worked briefly with him, it was genuinely lovely of him to ‘share’ our day. Many many happy memories of my time at Pebble Mill!’

Julian Hitchcock: ‘I had no idea that it went on so long after I left in ’92. I meant to mention Helen Lott. Nick Hurran directed, presumably before Sue. Possibly Annette Martin, briefly, too. There wasn’t exactly a lot of scope for directors or camera operators; two cameras on each side and a wide angle in the middle!
During my stint, there was a dreadful family (stars of auditions we did in the Clifton something hotel in Bristol) that kept on winning. Of course, being supreme couch potatoes, Pearl and her family were utterly boring. Noel hated them and beseeched us to hit them with harder questions, but it was useless…’

Nick Harris: ‘Such a happy show – remember being paid as a researcher to literally watch TV for six months choosing clips. The longer you’d been there the better the series you got to watch. I started with Triangle and ended with Ab Fab! Then followed three months of auditions around the country. A sifting out the dopes. (One guy thought Noel was called Norman!) and then three months of studio. Two very happy years of my life – in fact I was reminiscing with Noel about exactly that a couple of weeks ago at Deal Or No Deal…’

Julian Hitchcock: ‘The name, of course, was extraordinary. Addiction was not the best thing for a government-funded broadcaster to paint in such a positive way, but King, who was not quite of this world (where does one begin?!) thought it was so good that he tried another series, simply called “Addicts”…’

Thea Harvey: ‘I was PA and worked with Tim, Richard, Helen, Marino, Andrea and, Nick Hurran now a famous (??!!) movie director. They were happy days and we used to have great Christmas lunches! ‘

Ann Gumbley Williams: ‘I worked as PA as we were called then on the pilot shows of Telly Addicts. I think it was first called Telly Quiz . Memories of who worked on the pilot show not good. I think it was Annette Martin who was the producer. Does anyone else remember? They took ages to get the format and edit at first. I didn’t do the programmes after it was commissioned. I was probably off having a baby!’

Lynn Cullimore: ‘I did work on one of the Addicts programmes with Claire Rayner at her house. I just stepped in as another Production Assistant was sick. I enjoyed the day filming at claire’s house – she was lovely and had made us all cake! Telly Addicts was very popular I remember and I did go to one of the shows – just as a member of the audience so i could show my husband what went on!’

Gail Herbert: ‘I was the copyright researcher on Telly Quiz. Producer was Bill Jones, Prod Sec Julie Whittaker, Studio Director Mike Derby. It was great fun doing that series. I then went to work as John King’s PA on Golden Oldies, etc.’

Going for a Song – Sue Robinson

Sue Johnston – Autocue, Jane Mclean, Dave Brazier, Sue Robinson

Claire Hobbs, Jane Mclean, Kate Southcott (now Hillman)

Roger Sutton, Sue Robinson, Jane Mclean, Claire Hobbs

Gallery A lighting – Mark Smithers, Dave Ashton, Ian Cull, Pete Eggleston, John Cooke

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photos from Sue Robinson, no reproduction without permission.

These photos are from the daytime antiques quiz show: ‘Going for a Song’.  The show was recorded in Studio A.  Claire Hobbs was the series producer, Sue Robinson the studio director, Kate Southcott (now Hillman) was an assistant producer on the series and Jane Mclean was the gallery production assistant.  Dave Brazier was the floor manager, and Roger Sutton, the vision mixer.

The photos date from Christmas 1998, the show was presented by Michael Parkinson and Penny Smith, with Eric Knowles as the antiques’ expert.

This was Jane Mclean’s last ever programme before leaving the BBC.

The following information was added via the Pebble Mill Facebook Group:

Stuart Gandy: ‘Also note that by that date this was the new digital widescreen refurbished Studio A, you can tell that by the purple colour scheme as well. It went into use in the spring of 1998 and as we all know only lasted 3 years until its closure as a fully fledged studio in 2001.’

Mike Workman: ‘Yes, the equipment was either left to rot or sent down to London, why didn’t Midlands Today get dibs on any of it?! Interestingly enough though, does that purple colour scheme not remind anybody of the Mailbox, look the Mill was forward thinking, even predicted how its sucessor would look!’

Points of View – photo from Gail Herbert

‘Points of View’ was produced at Pebble Mill for many years.  The programme gave viewers the right to reply about what they loved or hated about BBC programmes.

It tended to be recorded on location at a hotel near presenter Terry Wogan’s home a couple of days before transmission, and then edited either in London, or at Pebble Mill.

Viewers wrote letters or emails in with their complaints or congratulations.  The ones chosen by the production team were usually voiced by BBC members of staff.  Clips of the programme they were talking about also had to be sourced and edited in to the 15 minute show, which usually went out on a Sunday afternoon.

The photo was taken during the recording of the Points of ViewChristmas edition in the mid 2000s.

The photo features (left to right), Ian Thomas (director), can’t see next two properly, Belinda Essex (researcher), Kate Hillman (A.P.), Sue Watson (producer), Helen Wogan (Terry’s wife), then Bina Mistry (researcher), with Gail Herbert (P.A.) behind, then Terry, and Nick Patten (Exec producer) seated, the camera crew is behind him.

‘Points of View’ is still produced by BBC Birmingham, although Terry Wogan handed over the presentation of the show to Jeremy Vine in April 2008.

Thanks to Nick Patten and Gail Herbert for additional information.