David Hughes

David Hughes, copyright resides with the original holder, no reproduction without permission

David Hughes died recently and his funeral was held on Monday 5 Dec. Here is an obituary for him from Louise and Roger Willcox, which David’s widow, Marian, is happy to be shared.

 
“David Hughes moved to BBC Pebble Mill in 1974 after having established his credentials at Television Centre in London. He was encouraged to move to this Birmingham Audio Unit by the then head of department, Bryan Forgham, who knew David from his time at Television Centre. The Audio Unit serviced both radio and television programmes – studios, outside broadcasts and post, and promised a greater variety of work.
 
David’s specialism was sound for multi-camera drama – Pebble Mill was the home of the English Regions Drama department and hosted a lot of drama from London production teams. At Television Centre he had been one of the sound supervisors to mix series 1 and 2 of Doctor Who, so it was obvious that, when the Doctor Who story Horror of Fang Rock was to be recorded at Pebble Mill, David should be chosen as the sound supervisor. The story involved the fourth Doctor, played by Tom Baker. The ‘hurry-up and wait’ nature of making television was even more true for a Doctor Who episode, as everyone had to wait for the special effects team to finish their preparations before a safe recording could begin. Horror of Fang Rock was made at Pebble Mill because engineering work at Television Centre had reduced studio availability and it was the only Doctor Who story of the earlier series’ to be made outside London.
 
At Pebble Mill, studio multi-camera drama sound supervisors followed their dramas into the dubbing theatre. David was a skilled dubbing mixer and was a great advocate of this continuity, arguing that sound design decisions taken in the studio often made dubbing easier and quicker, and the final sound design more polished.
 
David was part of the team that mixed the three innovative and iconic Pebble Mill shows: the daily Pebble Mill at One – for those too young to remember, think The One Show, but at 1pm for an hour, with a large audience. Live music in every show and the whole building wired for sound and cameras. The studio was the huge marble-floored reception area, with floor to ceiling windows overlooking Pebble Mill’s front lawns and tree-lined Pebble Mill Road. Items were many and varied: live band; celebrity interviews in the foyer studio – often actors (including Tom Baker) working in the studio next door; gardening items from Pebble Mill’s many landscaped areas; occasional visits from military bands trouping on the front lawns with the odd helicopter fly past, shot from the roof, thrown in; once, a Harrier Jump Jet landing – live and to the timed second – in the field next to the Pebble Mill car park! Pebble Mill at One ran from 1972 to 1986. In the same stable were the occasionally anarchic foyer-based Saturday Night at the Mill chat show (think Graham Norton, but with a smaller budget!) and Pop at the Mill – Pebble Mill’s mini-Glastonbury, from the back garden. Wall to wall music – with all the technical challenges that that involved. David’s talent navigated through them all.
 
Pebble Mill was also the home of a new Asian Unit, which David was involved with. He was well respected for – and very proud of – his Asian music mixing skills; stylistically so different from western music. In recognition of his work, David and his wife were invited by the Unit’s producers to the Ravi Shankar 50 years in broadcasting celebration – a big event at Pebble Mill.
 
When David arrived in Birmingham, the Audio Unit made mono programmes for television, but stereo programmes for radio. Television didn’t start broadcasting in stereo until August 1991, but Pebble Mill’s Audio Unit staff were well prepared – not least because, in 1985 David was the first sound supervisor to mix a multi-camera drama in stereo. The series was called Late Starter, about a retired university professor (Peter Barkworth) starting again after his wife walks out, leaving him penniless. Making this series helped the BBC to decide, and define, the ‘format’ (usually centre speech, stereo music and effects) for the broadcast industry, and informed the wider BBC audio community on the operational challenges associated with stereo recording for TV.
 
In retirement, David went on for twenty years organising and making cassette tapes for the local Talking Newspaper for the Blind. He also did many talks for local organisations called Grampa’s Gramophone
 
where he took along numerous 78 records of Music Hall songs and others and played these on his grandfather’s wonderful old gramophone which had a large wooden horn. The audience were soon singing along.
 
When David was admitted into care, five and a half years ago, he still continued his life of music. Each night he conducted silently beside his bed. If anyone asked him where the music was he just replied “It’s all in my head”. He told his wife that he would only ever pass away if and when this music disappeared.
 
Not long before he died, he said the music was fading….
 
David passed away on 14th November 2022, he was 90.”
 
Louise and Roger Willcox

Warren Clarke 1947-2014

Actor Warren Clarke died 12 Nov, aged 67, after a short illness. Warren Clarke appeared in several BBC Pebble Mill dramas including: Battle of Waterloo 1983, Nice Work 1989, and perhaps most famously, Dalziel and Pascoe 1996-2007.

Warren was born in Oldham, and began acting at the Liverpool Playhouse. He appeared in the controversial, 1971, Stanley Kubrick film, A Clockwork Orange. He has been described as having a ‘hangdog’ expression, perfect for rather grumpy character parts, like Vic in Nice Work, and the detective,  Dalziel, in Dalziel and Pascoe.

I remember seeing Warren Clarke at several Midlands, Royal Television Society Awards ceremonies, where he was frequently nominated, and often won awards – he seemed to enjoy a good party!

(Copyright on the photographs resides with the original holders, no reproduction without permission)

Warren Clarke and Haydn Gwynne. Nice Work

Warren Clarke and Haydn Gwynne. Nice Work

 

Warren Clarke, Battle of Waterloo

Warren Clarke, Battle of Waterloo

Warren Clarke, Nice Work

Warren Clarke, Nice Work

Warren Clarke, Colin Buchanan, Dalziel & Pascoe

Warren Clarke, Colin Buchanan, Dalziel & Pascoe

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The following comments were left on the Pebble Mill Facebook page:

Julia Jones: ‘Very sad. I worked with Warren on four series of Dalziel and Pascoe. He certainly did enjoy a party and was always a great supporter of Pebble Mill.’

Mark James Southall: ‘Was a great friend of Pebble Mill and was one who was always fond of the talent that was in the area.’

Chris Marshall: ‘Nice Work was fabulous and Warren Clarke was fabulous in everything he did.’

Steve Peet: ‘Was lucky enough to see the great man at work on D and P back in 2002/3, a complex soul and totally committed to the role, but in a sometimes difficult arena when you’re the trainee he found time for a chat and words of encouragement.’

Patricia Hodge Robinson: ‘He also starred in ‘The Locksmith’ with Chris Gascoyne and a very young John Simm. Made by Fair Game Films but staffed out of Pebble Mill. I have very fond memories of working with him on this and D & P. He leaves behind an impressive body of work and was an excellent character actor.’

Veronica Butt: ‘I went to meet Warren from B’ham New Street when he appeared as a guest on the pilot series of The One Show, created in Birmingham! He insisted we had a couple of drinks at the bar at the Malmaison before we went through! He was a lovely, down to earth man and a great actor.’

Nick Hennegan: ‘My partner was an actor in The Locksmith and a mentor produced D and P. He was a lovely man.’

Roulla Xenides: ‘He and Nigel Havers were guests on Pebble Mill together when they appeared as Soviet agents in the BBC1 comedy drama Sleepers in 1991. I remember we used some outtake clips of them talking in Russian. I think the series concept was Warren’s.’

One Show pilot run

One Show Andrew Morland

Copyright resides with the original holder, no reproduction without permission.

This cutting is about the pilot run of The One Show, in the summer of 2006, which was a BBC Birmingham production at the Mailbox, before the series moved to London. A temporary studio was built outside the back of the Mailbox building.

The photo includes left to right: Tessa Finch, executive producer; Nadia Sawalha, co-presenter; Adrian Chiles, co-presenter; Chris Rybczynski, series editor.

The show built on the legacy of Pebble Mill shows like Pebble Mill at One, and Good Morning with Anne and Nick, the latter which Tessa Finch was editor of for several years in the 1990s.

Thanks to Andrew Morland for sharing the cutting.

The following comments were added on the Pebble Mill Facebook group:

Andy Walters: ‘I remember the portakabins and the scanner sat in the Mailbox loading bay. A lot of the tie circuits are still there. Wasn’t that the first thing to come from the Mailbox in HD?’

Stephen Neal: ‘Andy – afraid not. The One Show was SD in Birmingham (and also in London until Summer 2010) We did use Visions HD1 – an HD scanner – to make it – but we were running the truck in SD, and had SD cameras (rather than HD cameras running in SD mode).’