Pebble Mill Christmas Card

Pebble Mill Christmas Card  Ruth Kiosses

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

Thanks to Ruth Kiosses for sharing this Pebble Mill Christmas card. From the BBC logo, it looks like the card dates from the early 1990s.

The following comments were left on the Pebble Mill Facebook page:

Ruth Kiosses: ‘Found it in a box with my staff job offer letter pay scale etc from Kate Horton in HR and my pension info. The letter looks so ancient done on a type writer! Card definitely early 90s.’

Terry Powell: ‘It’s fab bringing back so many memories cheers’

Susan Astle: ‘Such happy and fun times….still miss it!’

Jim Woolley: ‘I Remember walking on the set of Howard’s Way.’

 

Pebble Mill Props Cages

10269346_10152452206602139_1156570742662719721_nPhoto by Karen Bond, no reproduction without permission.

This photo shows some of the props cages at Pebble Mill, together with a man in a very bright florescent vest! Props cages tended to be stored either in the basement of the building, or near the scene dock on the ground floor. They had wheels on the base, and so could be wheeled around easily. They were mostly used for dramas, although the studio and make-over shows also used them. I remember sometimes the cages weren’t where you’d left them, because they had been wheeled away by someone, which was rather disconcerting!

The following comments were left on the Pebble Mill Facebook page:

Steve Johnson: ‘I remember these. I used to work in the News Library next to the newsroom so was often in the basement looking for tapes or film reels.’

Andy Walters: ‘There are still a couple of props cages in the Horsefair car park. They still have the names of the last home makeover shows they were used for scribbled on the side in chalk.’

Marie Phillips: ‘Lovely House Services comandeered several each October for storing my Children In Need merchandise in the cabin loaned for free every year. Also – one Appeal Night me and Gyn Freeman got stuck in a lift behind one and had to keep going up and down until there was someone to rescue us. If you know Gyn and I you will know how funny that was !!’

Carol Churchill: ‘I remember the Props parties, well when l say remember that may be stretching the truth!’

Scott Holdsworth: ‘There were loads of these throughout the basement. I remember when Can’t Cook Won’t Cook finished and all the brand new pans were stored there for years. When there was a clear out I ended up with a kitchen full of lovely new utensils.’

Andy Bentley: ‘Props was great for fun when on nights, when we were in the old Security office at the back of the building we got a head from props. We put the head on a long pole and put it up to the edit suite window above the office. I reckon they could hear Trudy [Offer] and Ingrid [Wagner]’s screams in town. It looks more like Mervin in the photo.

Ruth Kiosses: ‘Best memories of the Props/costume store best known as Smelly (Oak). The Props Lads as they were affectionately known were real characters, especially Jacko who gave himself a wonderful long title which meant props lad. They had a tea room furnished in old Howards’ Way set so the drawers were dummies but it looked swish. I remember a lot of practical jokes after shooting a sex shop scene for a ‘murder mystery’? Series (title eludes me) although I remember costumes really well, lead lady in full Burberry check trousers etc, fabulous purple suede suit! Anyway the props as you can imagine were inflated and used for all sorts of interesting decorations!!!’

Teresa Fuller: ‘Was only privileged to visit Pebble Mill once, on an induction day. But when I worked at The Mailbox, we had storage cages over at the multi storey car park (the one with local rats and the fear of having a friendly local resident chucking something from the adjacent tower block as you walked back from your hire car drop-off)! Anyway, we used the cages to store props for To Buy or Not to Buy and one day a colleague and I had the pleasure of cleaning a cage out that was covered in mouse droppings. Nice.’

Andy Bentley: ‘There was also the skeleton propped up against a door in the basement so when Ted went on patrol and opened the door it fell out on him. Again I reckon the screams could be heard in town.’

Director Chris Wright on Pebble Mill at One – Steve Weddle

Director, Chris Wright, deep in thought, during Tom O'Connor Roadshow. Photo Jane Mclean

Director, Chris Wright, deep in thought, during Tom O’Connor Roadshow. Photo Jane Mclean

 

 

 

 

 

 

 

 

 

 

 

 

That’s a classic Chris Wright pose. He would often wander off on his own to think things through prior to going into the gallery or scanner. Mind you, there was that time on a certain infamous edition of Pebble Mill At One when, dressed as a teddy boy, he leapt out of the director’s chair, to be replaced by Mark Kershaw, so he could dance a rock and roll routine downstairs, on camera, in the foyer. It worked a treat, except one of the prgramme guests had imbibed too much and went on air somewhat worse for wear. Consequently, the entire edition went under the microscope, and questions were asked in high places why the programme director was to be seen rocking and rolling with Josephine Buchan, the presenter. How do I know this? … I was Producer of what was our last show before Christmas in that particular year…circa 1984. Hope you don’t mind me mentioning this Chris. It still makes me smile.

Steve Weddle

Mark Kershaw directing Pebble Mill at One. No reproduction without permission

Mark Kershaw directing Pebble Mill at One. No reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

The following comments were left on the Pebble Mill Facebook Page:

Jane Clement: ‘All the shows leading into Christmas were great fun. And – given the generosity of the green room – inebriated guests were not exactly a rarity, but never a big problem. I’m having a drink with Chris this afternoon, as it happens. We both live in the same city (Auckland, New Zealand) so I expect we’ll be reminiscing about old times.’

Steve Weddle: ‘I should stress that Chris was totally sober when he danced on the show. It was the guest who was was worse for wear! If Chris was a celebrity he would have been on Strictly by now!’

Ruth Kiosses: ‘Drunken guests! I want to know what they put in the audience’s tea? That warm-up guy telling the audience the cameraman would be like a rat up a drainpipe if legs weren’t kept together on the front row. Must have heard that over the monitor everyday for years! It always livened them up with giggles.’

Betti Moretti: I’ was a bit late to Pebble Mill… but I had so much fun there! I remember a particularly merry Pudsey Bear after a long Children in Need taking a tumble from top to bottom of the stairs into the green room where Anne & Nick were based… wiped a couple of people out at the bottom – Jeremy Paxman included… so many funny memories… happy days indeed’

 

Children in Need

Marie Phillips_0005Marie Phillips_0004

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photos from Marie Phillips, no reproduction without permission. Marie Phillips was the Midlands Children in Need organiser at this time.

Here are a couple of photos of the Children in Need fund raising trailer, at Pebble Mill on Children in Need night. The vehicle would tend to be parked at the front of the building, attracting as many visitors as possible, for the regional broadcasts.

The lower photo is from 1990, and includes: Melissa from the Press Office, Pauline Logan from the Press Office who sadly died at a young age a few years ago, Marie Phillips,  Jeanette Read who was Barry Smith’s Secretary and when she retired, worked for Marie for a couple of days a week. It used to be so manic at Appeal Time that Marie and Jeanette became known as Stan and Ollie which they still call each other to this day.

The following comments were left on the Pebble Mill Facebook group:

Marie Phillips: ‘Appeal Nights were such fun and a wonderful opportunity to meet fundraisers as well as funded groups. CIN was my life for nine happy and fulfilling years. My “real” job was administering the Midlands and East donations once grants had been allocated by our dedicated Appeals Committee and making sure that the money raised by the public was used effectively and properly. I had amazing support from so many people at Pebble Mill who never turned down my frequent begging requests for help with events and merchandise sales (£100,000+) and visits to funded projects. Yes, Jean, Great times and the best times.’

Siobhan Maher Kennedy: ‘I got a big break from CIN night ..I think 1986 or 87 I was allowed to present some of the BBC Midlands sections as i was a researcher on a 6 month contract for Mike Fitz and we went live on national tv for one and I got a job at CBBC in London to be a presenter in children’s pres.Oh but that’s a very long run on sentence…I never do that on Telly lol!’

Ruth Kiosses: ‘Loved CIN parties on the front of PM. Busiest week of the year for wardrobe, costume vans galore arriving from Wales Farm Road In London. Always great fun though.’

Jean Palmer: ‘Loved CIN at Pebble Mill raised lots of money in the club Sue Lowe, Angie and myself doing a turn on the stage. the best one was our take on the three degrees. great night. great times.’

Peter Poole: ‘Pebble Mill always put on a great show. I remember the funfair on the front lawn. This attracted a large crowd. Plenty of money for CIN and great PR for the BBC. Many viewers told me the Pebble Mill opt-out was the best bit. The BBC needs good PR these days. Such a shame that Birmingham no longer does a CIN opt-out like the old days.’

Mary Sanchez: ‘I worked on many CIN s at PM – what epics! Front /back lawns – fire engines / helicopters landing on field by bar ….sooooo busy, brilliant – must dig out some photos – I have one somewhere of all floor staff in space outfits …(?!)’

Patrick Flavelle: ‘My first gig at Pebble Mill – supporting David Nelson, a cracking producer. Met some celebs and tasted live telly for the first time….happy days!’

BBC Leave Form

Leave Form PP

Copyright resides with the original holder, no reproduction without permission.

This was the standard BBC Leave Form, for staff to request holiday.

Staff used to get around 25 days annual holiday a year. ‘Compensatory’ leave, was accrued by working extra days, for example if you worked at least 4 x 12hr days in one BBC calendar week (Sunday to Saturday), and came in to work on the 5th day, then you were entitled to an extra day off. ‘Additional’ leave was given for various reasons, e.g. you used to get 2 days off for moving house, and the same for paternity leave, and long service leave was earned at the rate of 2.5 days a year, after you’d worked for the BBC continuously for ten years. You earned 20 hours extra leave for each year over ten you’d worked. Long service leave could be carried over, and couldn’t be taken for periods of less than a week. It meant that you could take a very long holiday of a couple of months or longer, if you’d worked for the Corporation for a long time.

If you were paid weekly, then you could get a cash advance, from the Cash Office, to get your pay in advance.

The following comments were left on the Pebble Mill Facebook group:

Stephen Martin: ‘You had to give your “leave address”. There was no escape.’

Stuart Gandy: ‘Those were the days when we actually had a cash office. Very useful it was too for cashing personal cheques (I think you were allowed up to £50, but my memory is fading a bit on that point!) as in those days cash machines were not that common and the nearest bank to Pebble Mill was quite a long way away.’

Ruth Kiosses: ‘Talking of the cash office, what about the purchasing forms in multi coloured layers? We could only pay cash at Makro because finance were so long settling bills they refused our purchase forms. We had a hole put in our Makro card if I remember rightly? This labelled us as bad payers!’

Marc Price: ‘Wasn’t there also a form of leave called “Bisque”? It was leave that couldn’t be refused by management or something like that?’

Ruth Kiosses: ‘And gardening leave? I’m sure my boss had that once?’

Ray Lee: ‘Any overtime could also be taken as Comp Leave. Overtime was normally paid at 1.25T (irregular hours contract) but if you took comp leave instead you were paid the 0.25T balance and accrued comp hours at the 1T rate.’

Pete Simpkin: ‘Yes Marc that’s right, usually for desperate times like sudden bereavements etc and remarkable for the fact that the system was respected by most staff. Incidentally I seem to remember there was a spectacular payment if you had to work on Christmas Day, at one time there had to be two engineers on duty at every studio centre which had a control room for the Queen’s Christmas Day Broadcast so most people had at least one of these payments during their career.’