Going for a Song – Sue Robinson

Sue Johnston – Autocue, Jane Mclean, Dave Brazier, Sue Robinson

Claire Hobbs, Jane Mclean, Kate Southcott (now Hillman)

Roger Sutton, Sue Robinson, Jane Mclean, Claire Hobbs

Gallery A lighting – Mark Smithers, Dave Ashton, Ian Cull, Pete Eggleston, John Cooke

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photos from Sue Robinson, no reproduction without permission.

These photos are from the daytime antiques quiz show: ‘Going for a Song’.  The show was recorded in Studio A.  Claire Hobbs was the series producer, Sue Robinson the studio director, Kate Southcott (now Hillman) was an assistant producer on the series and Jane Mclean was the gallery production assistant.  Dave Brazier was the floor manager, and Roger Sutton, the vision mixer.

The photos date from Christmas 1998, the show was presented by Michael Parkinson and Penny Smith, with Eric Knowles as the antiques’ expert.

This was Jane Mclean’s last ever programme before leaving the BBC.

The following information was added via the Pebble Mill Facebook Group:

Stuart Gandy: ‘Also note that by that date this was the new digital widescreen refurbished Studio A, you can tell that by the purple colour scheme as well. It went into use in the spring of 1998 and as we all know only lasted 3 years until its closure as a fully fledged studio in 2001.’

Mike Workman: ‘Yes, the equipment was either left to rot or sent down to London, why didn’t Midlands Today get dibs on any of it?! Interestingly enough though, does that purple colour scheme not remind anybody of the Mailbox, look the Mill was forward thinking, even predicted how its sucessor would look!’

PAs’ Leaving Party – photo by Sue Robinson

 

 

 

 

 

 

 

 

 

 

 

Photo by Sue Robinson, no reproduction without permission.

The photo was taken in the BBC Club bar in Dec 1998, when the staff Live Production Assistants left Pebble Mill. They include, left to right: Sue Williams, Jane Mclean, Anne Varley, Sylvia Lloyd.  The stop-watch cake was a very good idea!

Jane Mclean adds the following information: ‘The only thing I can tell you about it is that it was THE BEST PARTY EVER. And that not just from me!’

Good Morning – Gallery C

Sue Robinson, Jane Mclean

Roger Sutton, Vision Mixer

Peter Knowles, Sound Supervisor

Photos from Sue Robinson, no reproduction without permission.

These photos are of Gallery C, probably from a ‘Good Morning with Anne and Nick’ show.

The first photo is of multi-camera director, Sue Robinson, and live PA, Jane Mclean.

The second photo is of vision mixer, Roger Sutton.

The third is of sound supervisor, Peter Knowles.

Gallery A – photo by Sue Robinson

 

 

 

 

 

 

 

 

 

 

Photograph by multicamera director Sue Robinson, no reproduction without permission.

The photo is of the Gallery for Studio A, which was Pebble Mill’s largest television studio, used for dramas as well as entertainment shows, like ‘Pebble Mill’, ‘Going for a Song’, and ‘Call My Bluff’ .

Included are (left to right): Keith Knowles (vision engineer); Dave Bushell (lighting director); Pete Eggleston (vision engineer); Pete Hodges (vision supervisor).

 

Midlands at Westminster in Strasbourg

 

 

 

 

 

 

 

 

 

 

Photo from Sue Robinson, no reproduction without permission.

The photo is of a ‘Midlands at Westminster’ shoot in Strasbourg. Featured, left to right are: Sarah Foley, Jim Knights (camera), Naomi Goldsmith (producer), Gordon Nightingale (sound).  Merrick Simmonds was the director.

The following comments were left on the Pebble Mill Facebook Group:

Sarah Foley: ‘Was great fun! In the days of a full crew. Definitely very early 1990’s. Interesting, very busy, lovely weather, and snails in garlic butter are the things I remember!’

Peter Poole: ‘Mike Greatorex and I worked on ‘The Midlands at Westminster’ from its start. It was broadcast live from the Foyer. The director was John Taylor. I think the first presenter was David Davies. Other presenters include Peter Hobday, Steve Le Fevre, Michael Collie and Naomi Goldsmith. At a later date the programme moved to Studio B. Patrick Burns always produced high quality programmes. He also seemed to manage a very happy production team. I have many happy memories of working with you all.’