Telly Addicts – Page 3 – What Was Pebble Mill?

John Kimberley blog

OB Scanner CM1 (1980s)

I joined Pebble Mill in 1974 and was a staff Studio and O.B. engineer until we lost the O.B. fleet in 1992, after which I became a freelance engineer. I did do some contract work at the Mill afterwards until 1997, then I became a full freelancer working for Sky, BBC and ITV via various O.B. facilities companies. I retired this year, but if offered an O.B. which appeals to me, I guess I’ll take up the offer! Regional Engineers, as we were known were expected to work in Telecine and Videotape as well and we were trained to work in Communications (‘Comms Centre’ and Radio Links) if required.

During my first few years at the Mill, Studio A was usually working 6 days a week, with 2 sets of 2 day dramas and 2 days of Pebble Mill at One; during the latter there would be a complete scenery and lighting reset for the following production. I worked on the last series of Poldark, various series of All Creatures Great and Small, Angels, Juliet Bravo and countless Plays for Today. Amongst memorable Studio A productions were a series of live dramas for BBC 2 around 1980. We were using the very first colour cameras, EMI 2001s, and the first incarnation of the studio technical facilities. Despite the age of the equipment, all the plays went out without a hitch, and much alcohol was consumed afterwards as we all came down from the adrenaline ‘high’. A great breakthrough came with the inclusion of Light Entertainment programmes in the late ’70s, a welcome change from a constant diet of drama productions. I thoroughly enjoyed the specials with Showaddywaddy, Elky Brookes and Don McLean and have very fond memories of doing Basil Brush shows on Saturdays. Oh, and I nearly forgot Saturday Night at the Mill! In the 80s, drama became a single camera operation, usually on location rather than in the studio. However, the studio seemed to be just as busy doing many other productions like Telly Addicts, The Adventure Game and Young Scientist of the Year. When London decided to kill off Pebble Mill at One, there were many spin off daytime programmes involving D.I.Y., fashion (The Clothes Show), and cooking, mainly done using Gallery C. A house was built in the back quadrangle for some productions! Studio B shouldn’t be remembered as only doing Midlands Today – I worked regularly in there on Farming Today and various programmes for Asian immigrants. There were often innovative ideas for the regional opt-out programmes, some of which went on to be networked – Top Gear being a good example. We even did a rock music show in there, and on one occasion, the sound travelled through the building and was picked up on the microphones in Studio A which was doing a Play For Today at the time.

I worked briefly with CMCR9 during my first ever O.B. stint in 1980, but it was moved to Manchester to become ‘North 3’ during that time, and we had CMCR10 for a few months until our new scanner, CM1 arrived. An O.B. stint then was very varied in programme type. It would include football, rugby, swimming, cycling, snooker, horse racing, cricket, party political conferences, inserts to Pebble Mill at One or to drama productions. After I went freelance, all I seemed to do was football!

I have so many lovely memories of my life at Pebble Mill, and it’s great to see that everyone else remembers it fondly and that we are all keeping in touch. I remember that when I left in 1992 I felt like I had suffered a divorce and a bereavement at the same time and it took a long time for me to come to terms with the fact that I no longer worked there. I must say that I don’t feel that way about retiring now as the industry has changed so much and has completely different principles from those with which I’m familiar. I completely agree with the idea that we saw the Golden Age of Television in the 70s and 80s!

John Kimberley

Telly Addicts – Hooferdoofer

One of the characteristics of ‘Telly Addicts’ was a specially made ‘remote’, which Noel Edmonds would use to cue the clips for the contestants. This device was called the ‘hooferdoofer’.

The ‘hooferdoofer’ was built by Dave Pick from engineering, ‘It was unusual in that it didn’t use infra red light like a TV remote, it used low frequency radio picked up by a wire loop that ran all round the set. This meant that Noel didn’t have to point it in any particular direction. The three buttons operated three lights in the gallery via tie-lines from the studio floor.’

Louis Robinson came up with the name of the remote:‎ ‘”Hooferdoofer” was a word I stole from my grandmother to describe the remote.The requirement was – if I remember – Jules May wanted Noel’s hooferdoofer to signal her as the director giving her freedom to cue the clips thus keeping her control of the studio. The tightness of the relationship between Noel’s intro and the start of the clip was 90% done by the excellent editing in post production.’

Studio A Sound Desk – Peter Poole

Studio A Sound Desk

I took these photos about 1980. They show the Neve sound desk fitted with 48 channels. This enabled complex sound mixing for live and recorded programmes. Many drama and light entertainment programmes were produced in Studio A. They include ‘Howard’s Way’, ‘All Creatures Great and Small’ and many other dramas. Light entertainment programmes include ‘Telly Addicts’, ‘Call My Bluff’ and the final series of ‘Pebble Mill at One’.

In 1997 a major refurbishment of Studio A started at a cost of £2.2 million. The studio reopened in 1998 with vision and sound facilities which compered with the very best in the country. The new sound desk was a 60 channel Calrec Q series. However a few years later the studio was closed. This followed a decision by BBC senior management.

I visited Pebble Mill shortly after it’s closure. The studio doors were padlocked but I was able to have a look in the gallery. The new installation was superb. This together with Pebble Mill’s talented crews should have kept Studio A very busy. It’s such a shame that it closed after so little use.

Peter Poole

Telly Addicts Christmas Special

The photo includes left to right: Back Row, Pat Mifflin, Richard Lewis, Annette Martin, Noel Edmonds, Steve Pierson, John King; Front Row, Jennifer Hassall, Rajinder Ram, Tim Manning, Sue Williams, Denny Hodge (Comedy Workshops).

‘Telly Addicts’ was a BBC 1 Game Show produced at Pebble Mill, which ran between 1985 and 1998. Noel Edmonds was the host, who tested contestants on their knowledge of television shows. Alongside the regular series were a number of Christmas Specials. This photo was taken after the recording of one of these Christmas shows.

Stuart Gandy remembers the little gadget that engineering made for Noel, known as the hooferdoofer, that he used to indicate to the gallery with. Looked a bit like a TV remote with a few buttons on. Louis Robinson remembers borrowing the word ‘hooferdoofer’ to describe the remote, from his grandmother!

Thanks to Tim Manning for making the photo available.

Telly Addicts Question Card – from Tim Manning

‘Telly Addicts’ was a BBC 1 Game Show based on contestants’ television knowledge. It was hosted by Noel Edmonds. The series was recorded in Studio A, and was transmitted between 1985 and 1998. It was produced by John King’s department at Pebble Mill. First producer was Juliet May, followed by John Smith, Tim Manning and Richard Lewis.

Thanks to Tim Manning for making this Question Card available.