Gosta Green Revisited photos

Lez Cooke introducing the screenings. Photos from Izzie Archer of Flatpack, no reproduction without permission

Lez Cooke introducing the screenings. Photos from Izzie Archer of Flatpack, no reproduction without permission

Lez Cooke, Peter Booth and Joyce Hawkins. Photo from Izzie Archer of Flatpack, no reproduction without permission

Lez Cooke, Peter Booth and Joyce Hawkins. Photo from Izzie Archer of Flatpack, no reproduction without permission

Photo from Izzie Archer of Flatpack, no reproduction without permission

Photo from Izzie Archer of Flatpack, no reproduction without permission

Audience for Gosta Green screenings. Photos from Izzie Archer of Flatpack, no reproduction without permission

Audience for Gosta Green screenings. Photos from Izzie Archer of Flatpack, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

These photos are from the Gosta Green Revisited screenings, held at the Midlands Arts Centre on the 15th October 2016.

The photos are from the Flatpack Film Festival organisers, who arranged the screenings.

The screenings included: Rainbow City, The Newcomers, and Sinking Fish Move Sideways and were followed by a question and answer session with cameraman Peter Booth, and costume designer Joyce Hawkins, interviewed by academic researcher, Lez Cooke.

In the audience photo you can see Ann Chancellor-Davies in the front row, and in the second row, towards the right, Jenny Brewer, Peter Ansorge, and me (Vanessa Jackson).

Please add a comment if you can identify others.

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Sir Terry Wogan 1938-2016

Dave Baumber (sound) with Terry Wogan (photo by Paul Vanezis, no reproduction without permission)

Dave Baumber (sound) with Terry Wogan (photo by Paul Vanezis, no reproduction without permission)

Vanessa Jackson (producer) with Terry Wogan (photo by Paul Vanezis, no reproduction without permission)

Vanessa Jackson (producer) with Terry Wogan (photo by Paul Vanezis, no reproduction without permission)

Steve Saunderson (camera), Vanessa Jackson, Gail Herbert (PA), Michelle Furey (AP) with Terry Wogan (photo by Paul Vanezis, no reproduction without permission)

Dave Baumber (sound, crouching), Michelle Furey (AP) Steve Saunderson (camera), Vanessa Jackson, Gail Herbert (PA), ?, ?, with Terry Wogan (photo by Paul Vanezis, no reproduction without permission)

Terry Wogan, Vanessa Jackson (photo by Paul Vanezis, no reproduction without permission)

Terry Wogan, Dave Baumber, Vanessa Jackson (photo by Paul Vanezis, no reproduction without permission)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Terry Wogan died today (31st January 2016) after a short battle with cancer.

“It’s very sad that Terry Wogan is no longer with us. I remember an old BBC special, an hour of watching fireworks and fronted by Tel! He actually made it sound exciting. I only worked with him once in 2002, but I took these in September 2004, when the BBC opened Europe’s most modern, state of the art studios, promising the people of the Midlands broadcasting security for the next 25 years at least. Of course, that was a lie. But none of us knew that then, not even Terry who was presenting here a Points of View special. On camera, Steve Saunderson, producer Vanessa Jackson. Sound is by the late, great Dave Baumber. Gail Herbert is in there as well, as is Michelle Furey. Just 11 years ago.”

Paul Vanezis

 

“I remember this shoot well, especially how patient and generous Terry was with members of the public who were continually asking to have their photo taken with him – the rest of the production team certainly weren’t as patient about that! I used to really enjoy writing the Points of View script for Terry, it was very easy to get his voice in your head as you were writing. I also loved the way he would look over the script in a couple of minutes, and ‘Terryise’ it – changing the odd phrase, so that it sounded like he’d written it in the first place. I also remember Gail Herbert, who was the production assistant on Points of View for many years, saying to me that Terry Wogan was someone she considered a real star – and she was right, he really was!”

Vanessa Jackson

Gardeners’ World – Lavender July 1990

Gardeners' World lavender photo VJ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

The photo is from the Radio Times, July 1990, and is of me (Vanessa Jackson) in a Norfolk lavender farm, with some expert, whose name I forget! I was a researcher on Gardeners’ World at the time, and I couldn’t understand why the Radio Times wanted a photo of me, with the expert, rather than one of the presenters, especially as I was at least seven months pregnant at the time!

This was shortly before the series was handed over to Catalyst Television, and produced independently for 10 years.

Here is the Radio Times entry for the episode, courtesy of the BBC Genome project: http://genome.ch.bbc.co.uk/3d4dfe567db54f5d9544599bfd5a5728

“A visit to Dr Stefan Buczacki ‘s low-maintenance garden in Stratford-on-Avon; the lowdown on lavender, the sweet-smelling herb for edging and hedging; jobs for the week from Barnsdale; and a report on the mail-order bugs business – breeding predators and parasites to prey on white fly and other garden pests. With Geoff Hamilton , Nigel Colborn and Pippa Greenwood. Executive producer Stephanie Silk, Editor Dennis Adams
Plant list on Ceefax page 617. “

Vanessa Jackson, Good Morning with Anne and Nick

Vanessa Jackson

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

This is a photo of me, Vanessa Jackson, taken for the Pebble Mill Press Office, circa 1992. It was taken when I was a producer on Good Morning with Anne and Nick. I worked with Alex Fraser at the time on the VT inserts, and we commissioned Independent production companies to make the pre-recorded strands which went out on the magazine show.

Production co-ordinator, Gail Herbert gave me the photo, which she found in the basement of Pebble Mill, when the building was cleared prior to being demolished in 2004/5.

The following comments were left on the Pebble Mill Facebook page:

Alexandra Fraser: ‘Wow feels like yesterday and this gorgeous photo brings it all back!’

Jane Mclean: ‘Don’t look any different! Not sure what to say about it being found in the basement!’

Ruth Kiosses: ‘I’ll have you know all the very best people were in the basement at Pebble Mill!!!’

Steve Johnson: ‘I worked on Good Morning with Anne and Nick at the last series, looking after the ‘hotliner’ students.’

Real Rooms – Children in Need special

realrooms2

 

realrooms1

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

These photos are of the Real Rooms team, during a makeover to coincide with Children in Need day. The show went out on Friday 21st November 1997, and was the last episode of that series. The makeover was of a centre used by special needs children, somewhere in south Birmingham.

Included in the first photo are left to right: back row, Elaine Walker, Jon ?, Richard White, John Gregg, Robert David, ?,  front row Beverley ?, Leah ?, Kieran Kelly, Simon Biagi (presenter), Fiona Quigley, Dee Mortimer.

Working on Real Rooms was my first programme as a series producer, with Mark Kershaw as executive producer, and Roger Casstles as Managing Editor. We had an initial commission for 20 programmes, but the series proved very popular and it was recommissioned many times over. I worked on the first 80 programmes, before moving on to other series.

It was one of the first programmes at Pebble Mill to extensively use self shooting by researchers and assistant producers, on Sony VX1000s. Some of the quality was mixed, but it was only through self shooting that the programmes were cost effective. We used to have a full Beta crew for all presenter, Simon Biagi’s pieces to camera, and the opening and reveal, as well as the ‘inspiration’ and ‘shopping’ trips. The self shooting was reserved for the makeover happening in the actual room.

Vanessa Jackson