Network – Page 14 – What Was Pebble Mill?

Tony Fisher – graphic artist and one time producer

Tony Fisher

Copyright resides with the original holder, no reproduction without permission.

Tony Fisher sadly died on Wednesday 15^th January 2014.

Tony was an extremely talented graphic artist, who joined BBC Pebble Mill in 1984, and worked there until the Graphics Department closed, a little while before the building shut in 2004. He was a real gentleman, and always impeccably dressed – he was definitely the best-turned out man at Pebble Mill!

I had the privilege of working with Tony on several occasions, but the one I remember most was on a series called Countdown to Christmas. Tony had applied for an attachment as a producer, and was taken on by Executive Producer Steph Silk, on the factual Christmas series – I was his researcher. It was the winter of 1989. Pebble Mill was so busy at the time that we had to use offices in Selly Oak, next to the BBC costume store. The series was a five parter, which went out daily at 10.30am on BBC 2 in the run up to Christmas – 4-8^th December. Bob Davies, then known as Bob Chippriott, was the director, and Marian Foster was the main presenter. The main location was the On The House house, set in the back garden of Pebble Mill, which operated as the studio.

I can remember a little about the programme. It was a magazine show packed with helpful advice about how to survive Christmas. There was a daily cookery strand, presented by the Observer food journalist and writer, Katherine Whitehorn; a guide to the must have presents; and a wrapping and decorating insert with a very camp window dresser and stylist from Libertys in London.

Tony found the producing part of the programme quite stressful, but what he really relished was the planning and designing of the title sequence and graphics. He commissioned a friend of his, who I think worked at Bournville College, to make a series of models, of almost childlike figures of a family, preparing for Christmas. The figures moved around a board with Christmassy activities. I think it was stop-frame animation. The title sequence was probably the best part of the programme, and Tony was very proud of it!

The whole experience of working on Countdown to Christmas was enough of a foray into production for Tony, and after the series was transmitted he returned to the Graphics Department, and subsequently designed the titles and graphics for many Pebble Mill programmes. I remained firm friends with Tony from then on.

Vanessa Jackson

The following are some of the comments left on the Pebble Mill Facebook page:

Liz Munro: ‘What a lovely tribute, Vanessa. And how sad. I do remember him because he was impeccably turned out. Also, he sounds typical of quite a few people at Pebble Mill – quietly talented and unassuming. As for the chap from Liberty’s, I think that if the recent series is anything to go by, it is not altogether surprising. Your comments made me smile.’

Dharmesh Rajput: ‘Oh how sad – as Liz says – he was such a gentleman and always took time to chat – and yes personifies a specific time and atmosphere at the beeb particularly at Pebble Mill that was pretty wonderful’

Janice Rider: ‘Very sad news . Lovely , witty, immensely talented , gentle soul and the Dandiest dresser of Pebble Mill . Worked with Tony on Boogie Outlaws and we seemed to instinctively both come up with a matching colour palette for the record producing character played by Ian Hogg . Always remember that moment of osmosis . My heart goes out to Camilla and his daughter .’

Louise Bagley: ‘So sorry to hear the sad news about Tony Fisher. Such a lovely guy, always impeccably turned out, a true gent!’

Pam Renoata: ‘Tony was a wonderful and hugely talented man. I met Tony through my husband Gurpreet Renoata who worked with him in the graphic design department. They’ve stayed good friends long after the section closed. Tony was always such fabulous company. Witty, charming, articulate, cultured, modest. A true gent. His passing is a tremendous loss to everyone who knew him and indeed the world. Talking about him in the past tense just doesn’t feel real. It’s lovely he’s being remembered here. Thank you.’

Dharmesh Rajput: ‘If I’m not mistaken – I’ve just remembered he creates the map for Silver Street on BBC Asian Network.’

Harriet Fisher: ‘Thank you for writing this fond tribute Vanessa. It is lovely to read about other parts of Dad’s life and how many people he touched. And to all the other kind people who have written, thank you. Pam, what lovely words. I only wish he could read these comments and see the cards, flowers and tributes that have arrived. He deserves to see them, there are so many people that love him. He was a inspirational man, so kind, dignified, stylish and warm. He was witty and quick, even until the day he left us. I will miss my wonderful Dad forever. Thank you for your kind words’

John Greening: ‘So sorry to hear this sad news. I had the privilege to work on a number of shows with Tony, the most stylish man I ever met. If you seek a suitable memorial to his genius just watch the opening titles of “Martin Chuzzlewit”…’

Jane Brocklehurst Curry: ‘So sorry to hear about this. I worked for a long time in the Graphic Design department at Pebble Mill and Tony was such a charming colleague. As everyone else has pointed out – a true gentleman. I’ve great memories of working with him and of his fabulous Christmas and graphic design dept invites.’

Ian Wood: ‘Greatly saddened to hear this. Tony was supremely talented, a wit and a gentleman – always had been, from the days when he taught Graphic Design while I was at Bournville School of Art in 1981-2, when he and Chris Brett steered and cajoled me into my degree course. It was a pleasure to renew my acquaintance with him when he joined Pebble Mill.’

Marie Phillips: ‘Tony Fisher is someone you never forget when you think of kindness and a willingness to help. He was never too busy when I asked for cards posters, leaflets etc for Children in Need. Aside from that, he willingly gave my daughter, Ruth, invaluable help with a major project for her Art and Design studies. A man a pleasure to have known.’

John Peries: ‘Yes, Tony created the drawing of the Silver Street location that got it out of our imaginations and onto the page to share with others. He was lovely to work with, and it was always good to see him when he passed by Pebble Mill or The Mailbox.’

Mandy Glynn: ‘Really sorry to hear the sad news. I worked with Tony in the Graphics Department at Pebble Mill for 7 years. Tony was a lovely, kind, caring and very talented man. A true gentleman.’

Kim Finch: ‘Lovely Tony took me on as work experience many years ago when I was at uni. It was his enthusiasm that led me to work in the fab graphics department for six years. Lovely memories. Thank you Mr Fisher.’

New Midland H.Q. Planned for BBC

Birmingham Mail news cutting from Monday, May 14th, 1962, about the building of BBC Pebble Mill.

Here is the copy of the article:

New Midland H.Q. Planned For BBC

Will be world’s first TV-radio centre

“Mail” TV Correspondent

The world’s first combined radio and television centre is to be built in Birmingham.

Mr H. J. Dunkerley, BBC Midland Region Controller, announced today that work is to start within a year on the erection of the new Broadcasting House for Midland Region. It will be on the nine-acre site at Pebblemill Road, Edgbaston.

Plans have been prepared by Mr J. Madin the Birmingham architect, and when it is brought into operation in 1965 it will replace the existing administrative and studio centres at Carpenter Road, Edgbaston, Broad Street and Gosta Green.

Final details of the structure are still being considered by the architect and BBC officials.

“There is no comparable project anywhere in the world as far as we have been able to discover,” said Mr Dunkerley, “for in every other area sound and TV have developed separately.”

3,000 episodes

In November the BBC is to hold a three-day exhibition at Birmingham Town Hall to celebrate the Corporation’s 40^th anniversary. The first transmission in the Midlands was on November 15, 1922.

On July 27, “The Archers,” radio’s longest running serial, will reach its 3,000^th episode.

Mr Dunkerley said that although there had been some fall in the size of its mid-week audience, it now appealed to an audience averaging 10,000,000 when the omnibus edition goes out on Sunday mornings.

Studio 6 – Presentation Suite

Thanks to Peter Poole for sharing this facilities list for Radio Studio 6 at Pebble Mill, which was a self-op studio, used for Radio 2’s night time programming. It was quite a nice studio and sometimes used by audio unit for SM driven shows. It had a small kitchen to keep the presenters happy.

The following comments were left on the Pebble Mill Facebook group:

Pete Simpkin: ‘I believe it was used by Alex Lester for his very early morning show on R2.’

Andy Walters: ‘Those two studios were replicated in the Mailbox and are now used mainly by the Asian Network. Studio 6 and 6+ could work as two independent studios and did the last live radio programmes to come out of Pebble Mill running as late as December 2004 I think (Local Radio and Asian Network were the first to leave in Summer 2004). The sound desks went to Cardiff prison for the fledgling prison radio project. The digispot system was upgraded to a basic RCS playout system as used in some commercial radio stations. I think Janice Long used 6+ and Alex Lester used the slightly smaller 6. Radio 1 at Yalding House also used those Eela sound desks until 2005 as did the Asian Network in Leicester when they were based at Epic House.’

Chris Marshall: ‘You’re right Pete, it was primarily used for R2 overnights. Alex Lester, Annie Nightingale, Mo Dutta, Katrina (she of the waves) er, I can’t remember any others! R2 we’re always hugely suspicious of the digital play out system, believing that anything other than DJs playing their own CDs was the work of the devil. We always were way ahead of our time. Trying to recall the name of the consultant (and subsequently producer) who set it up. Robin Valk, I think? And in the day, we used it mostly as an editing suite, I think. Can’t remember recording in there.’

Kulwant Sidhu: ‘Remember it well. Often in there with mo dutta on the early Saturday and Sunday morning shows for R2.’

Unique Sound & TV Base for B’ham 1962

This cutting is from the Wolverhampton Express and Star, May 14th 1962.

The article heralds the arrival of BBC Pebble Mill, ‘the only comprehensive broadcasting centre for television and sound that is being designed anywhere in the world’.

The building, designed by John Madin, is planned to open in 1965! In fact, Pebble Mill did not open until 1971!

New programmes are also revealed in the article, including a 20 minute local news programme to go out week nights at 6pm, as well as a six part drama-doc about smuggling, entitled The Net. The Archers was coming up for its 3,000th episode – and it is still going strong now!

The following comments were left on the Pebble Mill Facebook group:

Pete Simpkin: ‘Fascinating cutting! Incidentally at the end of the article there is mention of the 40th anniversary of the BBC in B’ham. For the 60th in 1982 Barry Lankester presented a detailed four part history of the BBC in the Midlands with many clips some of which had not been heard for thirty or forty years.’

Stuart Gandy: ‘Interesting too how it talks about the value of bringing departments together under one roof. The exact opposite of what happened when we moved to Mailbox.’

1984 Spring and Summer line-up

This page from the 1984 Pebble Mill News, includes an article about David Waine’s press briefing about Pebble Mill’s output: 500 hours of network TV, 1,000 hours of network radio, and 160 hours of regional television. Highlights include a new Saturday night light entertainment show, new series of Top Gear, Kick Start and Top Sailing, as well as Now Get Out of That, Gardeners’ World, Asian Magazine, and Gharbar. On the drama front there is mention of The Groundling and the Kite, Phoebe, The Amazing Miss Estelle, and Morte d’Arthur.

Network Radio was also busy, with a new Radio 4 series of Enterprise, and Rollercoaster, as well as hosting a Schools Radio Festival hosted by Sue Lawley, Rolf Harris and Duncan Goodhew.

In regional television there were new series of, Midlands Sound and Midlands Tonight, and a television version of Malcolm Stent’s Radio WM series, In the Barmaid’s Arms.

The following comments were left on the Pebble Mill Facebook group:

Peter Poole: ‘I worked on The Barmaid’s Arms in Studio A. They had a good band called The Nightriders. This was before producer choice. After that regional TV could never afford Studio A.’

Pete Simpkin: ‘As producer of the Radio version of the Barmaids it was quite pleasant to be a member of the audience with the real beer and not have to worry about anything! I do remember that someone had crafted a tiny hole in the chest of Malc’s shirt to take the cable for his personal mic.’

Lynn Cullimore: ‘Yes, Peter it was Mike Sheridan and the Nightriders…I was the PA and I loved it. Malc was wonderful to work with and i did many programmes with him. Malcolm is still going too..doing shows and things. Mary someone or other did a brilliant set for it…cannot remember her other name but she was very good.’

Peter Poole: ‘Hi Lynn, it was great when regional TV could do shows like this. Do you remember who the producer was? Malcolm often did warm up for PM at One. He always did a great job entertaining the audience.’

Lynn Cullimore: ‘The Producer was John Clarke whom I worked with for a long time. I did many Studio A programmes at one time – do you remember The Garden Game?’

Stuart Gandy: ‘I do remember The Garden Game. Wasn’t it on during the Friday night opt slot? In those days regional programmes had two opt slots per week.’

Peter Poole: ‘I remember John he was great producer and a very nice man. It’s amazing the programmes produced on such small budgets. I didn’t work on The Garden Game but do remember it. One of the many panel shows in Studio A. I always enjoyed working on regional TV programmes. The production teams were lovely people.’