Martin Chuzzlewit – photos from Jo Mainwaring

Photos provided by Jo Mainwaring, not to be reproduced without permission.

Martin Chuzzlewit was a 6 part dramatisation of the Charles Dickens novel, adapted by author David Lodge.  It was transmitted in 1994 on BBC 1.  Produced by Chris Parr and Directed by Pedr James, it starred Paul Scofield, Tom Wilkinson, Emma Chambers, Philip Franks, Keith Allen, Pete Postlethwaite, Julia Sawahla and Lynda Bellingham.  The story concentrates on the wealthy Chuzzlewit brothers and their contrasting destinies.

‘All Creatures Great & Small’ – Make Up Artist, Maggie Thomas

Maggie Thomas Make-up Artist

The First Series Of ‘All Creatures’

Christopher Timothy, Peter Davison and Carol Drinkwater were with us all the time, since most of the storylines required them to be ready for their scenes all day. My main responsibility was Chris and Carol. How lucky was that? They soon became my dearest friends and keeping Chris’s period haircut neat was really the most make-up I needed to do for him. We were really aiming for the totally natural country look and with Carol it was a matter of controlling her beautiful natural curls into a slightly more old- fashioned look. So, apart from hats on and off and making sure that wind-blown pieces of hair were in the same place for continuity, the actual make-up job seemed pretty minimal, until we realised that every storyline had an injured animal in it and that my Designer and I would, as far as possible, be doing them!

What we didn’t know was that every animal injury in the storyline would require a lot of attention from the Make- up Department. It soon became very clear that we were going to have our work cut out to achieve some believable looking animal injuries and other problems that I will now relate to you. Another lovely job that came our way was mud – on and off at all relevant times, i.e. when an artiste slipped over in a cowshed or an animal had a sudden and unexpected movement that made the artiste get dirty. So, at the start of every day we had to mix up our bucket of artificial mud that went everywhere with us, just in case! That was not the worst thing we had to produce. Every day the script would throw up things like puss in the horse’s hoof which had us propositioning the catering wagon for a mixture of mustard and mayonnaise which we then put into the hole in the horse’s hoof that the real vet Jack Watkins had cut out in readiness and then we put some of the horny hoof bits back over it so that when Chris (Mr. Herriot) started to use the hoof implement the puss would ooze out.

Excerpt from ‘Dishing the Dirt’ by Maggie Thomas, available from Amazon, authors on line

Sophia & Constance – Maggie Thomas’s photos

These photos were taken by Makeup Artist, Maggie Thomas, on location in France (Paris and Rouen), in the Black Country Museum in Dudley, and in Studio A at BBC Pebble Mill.  ‘Sophia & Constance’ was a 6 part period drama, transmitted by the BBC in 1988.  It was an adaptation of Arnold Bennett’s novel: ‘The Old Wives’ Tale’.  It is set in 1964 in the town of Bursley in the potteries.  It is the tale of 2 sisters: Sophia and Constance.  Constance is the older and quieter sister, and is content to live and work in the family’s draper’s shop, whilst Sophia is more adventurous and outrages the family by becoming a schoolteacher.  The series was directed by Allison Romey and David Hugh, and produced by John Harris.  The Executive Producer was Colin Rogers.  The cast included: Catherine Cusack, Melissa Greenwood, Patricia Routledge, Alfred Burke, Nigel Bradshaw, Freda Davies and John Scott Martin.

Paul Balmer – Memories of working at Pebble Mill

I worked at Pebble Mill for 17 years from 1974.

I initially worked as a sound guy on many of the continuing dramas including many Second City Firsts and Classic Serials.

I also worked developing the soundscapes for the BBC’s first stereo drama serial – Juliet Bravo.

As a musician I was the ‘off screen’ guitarist for Alison Steadman in ‘Nuts In May’ – Mike Leigh’s direction was “No! No, worse much WORSE!” (difficult for a trained classical guitarist). I was in the dubbing suite for ‘The Boys From The Blackstuff’.

Alan Platers ‘Curriculi Curricula’ was also a major undertaking – the first lightweight on location electronic drama also with stereo sound – ‘hand synced’ by Roger Guest and videoed on location at Birmingham University!

I stood next to the writer on the very first ‘All Creatures Great and Small’ as the horse produced copious manure and the props guys argued over whether poo was an action prop or litter?

I also wrote music for Pebble Mill at One films – McClouds Mysteries – re enacted ghost stories! – Great fun. I have VHS copies somewhere!

I became a radio producer for Radio 1/2/3 and 4 and eventually a TV director having moved to Television Centre writing and  directing multi camera drama for BBC Schools TV.

At Pebble Mill In 1976 I had met Stephane Grappelli  – the great violinist and wrote his biography, produced a 1 hour biog on Radio 2 and a two hour DVD which was nominated for a BAFTA in 2002.

I also directed the multi award winning ‘Africa I Remember’ – shot on location in Africa.

Pebble Mill was an amazing place to work – in the same day you could work on Radio 3, The Archers and the local news!

One day I staged a ZULU charge on the front lawn.

Faintly bizarre in hindsight! But truly wonderful.

I now work as a full time writer.

All the best

Paul Balmer,

Author ‘The Haynes Guitar Manuals’, Penguin Encyclopaedia of Music, Julian Bream etc