This is History Gran – photo from John Greening

Copyright resides with the original holder, probably Willoughby Gullachsen, no reproduction without permission.

‘This is History Gran’ was written by Robert Holman and produced at Pebble Mill in 1986. It was set in the 1930’s and present day and starred Paul Jesson, Liz Bradley, Gina McKee, Martin Walker, Mark Rylance and Peter Howell.

Sarah Pia Anderson the director, Carol Parks the producer, Sue Bennett-Urwin 1st assistant director, Bill Hartley the production manager, John Greening the assistant floor manager. John Kenway was the director of photography.

The story involves Lord Edward Langbaurgh making a shocking discovery whilst walking in the grounds of his country home. The discover affects the Chapman family in a nearby town. Christopher Chapman decides to investigate.

The Bollywood Story – Photos by Andy Frizzell

Photos by Andy Frizzell, no reproduction without permission.

‘The Bollywood Story’ was a two part documentary, produced at Pebble Mill by Narendhra Morar, about the history of Indian cinema from 1913.  It went out in 1989.  The film editor was Mike Duxbury, assisted by Victoria Trow.

These photos are from a trip to India (Bombay, mostly). The documentary title was The Bollywood Story’.  I think we spent four weeks in and around the Indian film industry in Bombay interviewing stars, prospective stars and key people from the industry. 
We spent a lot of time following Anil Kapoor who was a big star in India then. He will be better known to British film goers as Prem Kumar the ‘Chris Tarrant’ character in Slumdog Millionaire.

The crew were Paul Sen, Director; Cameraman was John Kenway; Assistant/Second camera Keith Froggatt; Sound Alex Christison PA was Douglas ???  He was one of only two male PA’s in the Beeb at the time and there was a researcher, Harbinder Minhas. We had a fixer called Uday who made my life a lot easier with the hired in crews for the studio shoot.

The studio we had was previously used for filming parts of ‘Ghandi’.  There were some dubious bits of kit. The crane looked like it was made from giant Meccano and the overhead lighting ‘gantry’ was just scaffold boards and rope.

 Conversation on arrival: John Kenway: (to me)

“You’re not going up there!….”

Me: “Damned right I’m not!”

As if he needed to tell me!

  I had a crew of twenty in that studio which was pretty good considering I only had fifteen lights!  
The dodgy wiring and mechanical lighting effect were both seen on set at another studio and both involved exposed conductors.  I’d like to point out they were nothing to do with me and I didn’t use them!

Andy Frizzell

The Clothes Show – Latvia – Photo from Andy Frizzell

Photo from Andy Frizzell, no reproduction without permission.

The photo is of a ‘Clothes Show’ special recorded on location in Latvia, at some point between 1988-92.

Jeff Banks (in the pinky shirt on the left) was the presenter, Roger Casstles the director (crouching by the camera monitor), John Kenway the cameraman, Tony Wass – sound (not shown – probably taking the photo), Andy Frizzell – lighting (holding the reflector by the tree).

All Creatures Great and Small – photos by Kevin Lakin


Photos by Kevin Lakin, no reproduction without permission.

These photos are from ‘All creatures Great and Small’ I think from around 1989.. first pic John Kenway on camera… bloke in white shirt is Mike Brayshaw director… Barrie Foster camera assistant… then Bob Farr design… John Cole sound.. electrican, I don’t name… Girl in sunglasses is Helen Mays costume.

A funny thing happened at this location, there was a tapping all the way through the take, there a big inquest were the the tapping was coming from 2 takes were ruined cos this constant tapping, sound man was going crazy. till it was discovered … it was a Thrush with a snail in its beak, tapping the snail on a stone, trying to break the snails shell. 2nd pic is Mike Brayshaw the Director.
Kevin Lakin
(Murray Clarke (sound recordist) added the following comment about ‘All Creatures’: My first assignment as a freelance sound recordist was a fortnight’s filming on ACGS. I borrowed what was an awful amount of money (in those days) from the Bank to finance the purchase of a brand new Nagra 3 and a few microphones. It pissed down with rain for the whole of the two weeks and all the gear got very wet!! I was very upset!!!)

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Witchcraft – photos by Willoughby Gullachsen

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photos by Willoughby Gullachsen, no reproduction without permission.

‘Witchcraft’ was a drama serial transmitted in 1992.  It was produced at Pebble Mill in 1991 by Carol Parks, with Barry Hanson as exec producer.  the script was written by Nigel Williams, and directed by Peter Sasdy.  John Greening was the 1st AD, with Will Trotter as Location Manager.  Jane Barton was the PA.  Nigel Jones was the designer, with John Plush his assistant.  John Kenway was the lighting cameraman, Herbie Donnelly the lighting gaffer and Tim Everett the sound recordist.  John Rosser was the film editor.

The storyline features a  film school teacher, Jamie, who chooses 17th-century witchcraft and adultery as the theme of his latest script. As shooting of the film begins, real-life events take on a menacing quality and events from the past seem to be being re-enacted in the present.  Fact and fiction blur, and Jamie suffers a breakdown and becomes possessed by the Witchfinder.

The series starred Peter McEnery as Jamie Matheson, Alan Howard as Alan Oakfield, Lisa Harrow as Meg, Georgia Slowe as Judy, Judy Campbell as Juliet, Clive Wood as Rick, Dorian Healy as Derwent, Rosemary McHale as Ruth, Suzannah Lipscomb as Emma, and Kit Owen as Thomasina.

 

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