Tag: Midlands Today

Royal Show for Midlands Today – Sue Robinson

 

 

 

 

 

 

 

 

 

 

 

Photo from director Sue Robinson, no reproduction without permission.

The photo dates from 1982 or 3.  It was taken at the Royal Show, in Stoneleigh Park, Warwickshire, at an outside broadcast for ‘Midlands Today’.

The photo includes, back row: Dave Brazier (floor manager), Jane Green, Kay Alexander (presenter), Jacqueline Jones (newsroom journalist, who went on to work in news in London), Brian Conway,  front row: Sue Robinson, Tom Brisley.

Peter Poole added the following comment on the Facebook Group: ‘I remember Midlands Today broadcasting from the Royal Show. It was always a great show. I worked on the ‘Farming’ programme covering the Royal Show many years ago. I think the producer was John Kenyon. The sound recordist was Bill Barker. Bill was a great teacher and taught me many tricks of the trade. Sadly Bill passed away shortly after retiring.’

Sony Hi8 recorder

Photos by Ian Collins, no reproduction without permission.

VT editor, Ian Collins took photos of obsolete post-production kit before the 2004 auction of equipment when Pebble Mill was cleared prior to being demolished.

These photos are of a Sony Hi8 video recorder.

Hi8 was an 8mm video format, which had better resolution than the earlier Video8, but pre-dated the introduction of Digi8.  It was an analogue format, and the ‘Hi’ stands for high-band, as opposed to low-band.

The following comments were left on the Pebble Mill Facebook Group:

John Duckmanton: ‘This machine is still in the bay at The Mailbox and is still used occasionally.’

Peter Poole:  ‘I think it was sometimes used for ‘Midlands Today’. The reporter may have used it before the crew arrived.’

 

Studio B – Peter Poole

Studio B 1990

Photos by Peter Poole, no reproduction without permission.

I probably took these photos some time about 1990. A few years later a major refurbishment took place updating all equipment except the sound desk. I did all I could to get a new mixer but due to lack of money it was not possible. The old mixer was kept in good working order by Pebble Mill’s excellent engineers. These men and women are the unsung heroes of the BBC and without them no programmes could be made or broadcast. During the gallery refurbishment we moved to Studio C’s gallery while still using Studio B’s studio area. When the studio area was refurbished the Foyer and later radio Studio 1 was used. Studio 1 was designed for classical music recording so had quite a long reverberation time. This was not ideal for a news programme and a few people asked why ‘Midlands Today’ sounded different. After another few years a new sound desk was fitted.

Deferred Facilities

If Television Centre or Broadcasting House encountered a major event and were unable to produce its network output Pebble Mill could take over. In the pre-digital TV and radio era network radio and TV would be routed via Pebble Mill’s Communications Centre and then distributed to the transmitter network. Radios 1 to 4 would be allocated their own studios to ensure network output was maintained. BBC 1 and 2 would also be allocated TV studios.  Studio B would become Network News. The regional presentation studio would become network TV presentation.

I worked on the rehearsals for Network News.  The News production team and presenters would travel from London to Pebble Mill. A full 6 pm News programme would then take place as if for real. The London team always seemed impressed by Pebble Mill’s professional staff and facilities. I don’t think Pebble Mill was ever called to do this for real.

Peter Poole

Mike Workman added the following information on the Pebble Mill Facebook Group:

‘just to clear up the contingency plans:
BBC One pres to come from Gallery-C and VT-B
BBC Two pres to come from Pres and VT-F
BBC Choice and Knowledge fold to One.
BBC World pres to come from an Edit C and VT-D
Domestic News was to set up in Studio-B (the Midlands Today studio)
BBC World News was to set up in Studio-A and VT-A
News 24 was to collapse into BBC World.
Weather used Birmingham’s regional weather facilities in Studio-B and Studio-B Annex/Pres.

I’ll also add, at the time lots more digital widescreen material was being made and transmitted by the BBC and Pebble Mill didn’t have any DigiBeta decks, so they had to order more of these to facilitate the Disaster Recovery Plans, Anything coming from B going to NET1 would be routed via A (which had been refurbed at this point) where it’d be ARCd to 14:9 Ratio (that horrid half widescreen thing the BBC did in the late 90s and early 00s) before transmission – this way it didn’t look like it was coming from an antiquated 13/14 year old gallery! BBC World got Studio and Gallery A, both widescreen which was funny as at this time BBC World wasn’t widescreen, Network BBC One was. The source for all this is somebody I know only as ‘deejay’ from a TV presentation site…’

Midlands Today – TV Ark link

 

 

 

 

 

 

 

 

 

Here is a link to ‘TV Ark’, a site which includes short clips from a number of ‘Midlands Today’ episodes.  Clips include the first Midlands Today from 1971, as well as excerpts from presenters David Stevens, Alan Towers, Kathy Rochford, Nick Owen, Sue Beardsmore, Kay Alexander, Brian Conway, David Davies, Bernadette Kearney, Andy Knowles, Richard Uridge, Lawrence Lee, Michael Collie, Stuart Linnell and Suzanne Virdee.  The last ‘Midlands Today’ to be broadcast from Pebble Mill is also included.

http://www2.tv-ark.org.uk/bbc_midlands/news.html

The following comments were left on the Pebble Mill Facebook page:

Jane Ward: ‘I vision-mixed that last 6.30 prog….an honour to do it, but very emotional….’

Stuart Gandy: ‘If you spend a few minutes looking at TV ark, you will find quite a lot from pebble Mill. After all we did make a lot of programmes there, probably more than the average viewer realised’

Ewan Kiel: ‘That is great. I probably spent far longer than I should have done on Midlands Today … but looking back, it was really fun and hey, it was where I met my wife – and now I list people people who were – to me – cool: Kay, Brian, Darren, Fiona Barton, Richard (Uridge), Steve (Lee), Pete Lowe, Patrick (thank you, Patrick), Cathy, Martin Dowell, David Davies, Fiona (again), Steph, Pam, Gary (yes, Hudson), Will Trotter, Mike Johnston, Paul Freeman, Ian (Pedersen – very cool man), John Carney, Kathy Rochford (always had a crush), Liz (camera diary – huge crush… huge), Harvinder ( coolest guy in the office), Fiona ( the memory won ‘t go away), Barbara Steele (were the rumours true?), Darren (again coz he is my abiding friend from that time, and I honestly love him … although nothing gay has happened yet!), Jane Green (aaah), Julie (Etchingham … didn’t she do well), Pete Wilson (cool), John McLeod (very, very cool), Peter Poole (loved him), Howard (HOWARD!!?), Sue Beardsmore (especially in that button up the front grey dress), Nick Patten (and his tendency to direct standing up), Merrick Simmonds, Mel and her stockings, Lindsay, Ian Bellion (and his gorgeous sideburns) …and christ, I spent too long there.’

Lynn Cullimore: ‘yep, worked on that….gallery flush as we called it always evident as things went wrong and you had to be on your toes! Dear david stevens too – dont think he is any longer with us. kay alexander too – she is lovely. oh many many names….oh yes geoffrey green – i loved him and he was so funny. Wonder if he is with us still?’

Peter Poole: ‘I will never forget Alan Towers resigning on air and his comments about BBC management. What a great presenter.’

David Stevens, Midlands Today and the self opt

This blog is made up from comments from various contributors on the Pebble Mill Facebook page.

‘David was one of a team of Announcers who in the 70s became both TV and Radio broadcasters reading the radio and TV bulletins and also operating the local TV continuity desks. For a glorious time in the 70s all the Regions had one of these self operated desks, originally placed in the news studios but eventually in their own little cubby hole but using a studio camera wheeled into place after the regional news programme had finished. They shadowed the London announcers doing their own sound and vision mixing ……in vision…… and could call up captions, slides and even telecine.  So the entire evening looked as if it were coming from Pebble Mill. The team consisted of David, Guy Thomas and others and seemed to be a great success.’ (Pete Simpkin)

‘David was always a delight to work with. Many years ago when BBC 1 closed down at the end of the day’s broadcast the Regions would opt out to say goodnight. David was famous for these opt outs and would often show photos from local photographic clubs. One time this opt out carried on after the other had Regions had closed down. The transmitters had a system called RBS. If the line feed failed, the RBS would rebroadcast an off signal, signal from the nearest transmitter. This resulted in all the transmitters switching back on and broadcasting David across the UK!’ (Peter Poole)

‘On the subject of RBS, assuming the tx’s of that era weren’t still being shut off manually at the end of the day (it’s quite possible that the main stations were still manned during operational hours in those days). It would likely be that only stations north of Sutton would carry this extended programme, as the RBS system was designed to work from London outwards it would be unlikely that any transmitters south of Birmingham would’ve stayed on as they would be RBSing from sites in the south, which would likely to have been fed from different regions. The network was strictly one way, a fully meshed configuration would have been a nightmare.’ (Andy Marriott)

‘As an engineer in the Communications Centre on the late shift, I would see David come in around 23:30 and load all his slides from local photographers into the slide scanner for his closedown news bulletin. Depending on how many slides he loaded determined how late we would have to stay!

We would do checks with him from the self op desk to make sure his mic and camera were working ok and then ‘opt him in’ (that is, change the route of BBC 1 Network (from London) from going directly to the transmitters to going via his self opt desk so that when he was cued via Network t/b, he could switch his own output to the transmitters instead of that from London Network)….sometimes there were a lot of slides!
When he had finished, we could put the Network feed back to the transmitters and go home.’ (Brian Johnson)

Contributions from Peter Poole, Pete Simpkin, Andy Marriott and Brian Johnson, and photo supplied by Annie Gumbley Williams