Midlands Today colleagues – photo from Laura McNeill

Copyright resides with the original holder, no reproduction without permission.

The photo of Midlands Today colleagues includes (left to right): Mary Sanchez (floor manager), Lindsay Doyle (Arts Reporter, Midlands Today), Laura McNeill (sound).

It was taken at the launch event of Laura’s sound company, after she left BBC Birmingham

Merrick Simmonds, Film Editor – photo by Peter Poole

Photo by Peter Poole, no reproduction without permission.

This photo shows Merrick editing in one of the film editing rooms. Before PSC (portable single camera) most location programmes were shot on film. Pebble Mill had several film editing rooms. Editors often worked late into the night to meet transmission times.

News was shot on reversal film and processed in Pebble Mill’s film processing unit. I think it took about an hour to process the film. Then it was edited and sometimes a voice over added. This made getting a story to air very slow.

Merrick latter became a director for Midlands Today. After that he directed ‘Pebble Mill At One’ and many other network programmes, including ‘Good Morning with Anne and Nick’.

Peter Poole

Frances Coverdale – Radio Birmingham

Copyright resides with the original holder.

Thanks to Annie Gumbley-Williams for making the photo available.

Frances Coverdale was a BBC East Midlands reporter 1977-80, before joining the BBC national news, first as a reporter and then as a presenter.  She also presented Radio 4’s PM programme.  She is currently involved in media training, of people whose jobs require them to be interviewed on camera etc.

I understand that Frances Coverdale was a news presenter at BBC Pebble Mill on Radio Birmingham in the 1970s.

The following comments and information have been added by former colleagues:

Hedli Nik: She was a news reader and the then editor of The Archers. William Smethurst, called a PC in The Archers James Coverdale in her honour! I know this because reader, I married him!

Michael Fisher: Frances was a news producer (i.e. reporter/newsreader/produc​er) with BBC Radio Birmingham when I joined as a News Trainee in 1975. She was the only female reporter and Pete Simpkin might recall that management had to get special arrangements made for her by the RN when she went to do a programme about HMS Birmingham. She drove a flashy convertible sports car. She also took me out on my first murder story: a man’s body found in a coal bunker. She was given the role of presenting the breakfast programme ‘Heart of the Nation’ (possibly along with David Lloyd if memory serves me correctly). Her skills were recognised and she was taken on by Midlands Today, I think, before moving up the ladder to London. She should be credited with being one of the first female reporters to make the breakthrough on national tv in what was still in the late 1970s a very male-dominated newsroom environment. Thanks for all youe help, Frances. in taking a new lad under your wing and showing him how to report.

Pete Simpkin: We were indeed very proud to see her reading the BBC National News on TV for a short time………..she was the second person from BBC Pebble Mill to achieve this, the other being the late Barry Lankester.

Jo Dewar: When I was an News Transmission Assistant on ‘Midlands Today’ I used to sit inbetween Frances Coverdale and Tom Coyne. It was the first time the programme had 2 presenters and autocue … interesting!

BBC Radio Birmingham – Blog by Nick Owen

I first worked at Pebble Mill in 1973 after I landed a job as a news producer on BBC Radio Birmingham, the forerunner of BBC WM.  It was a case of third time lucky getting into the BBC, having failed twice in the previous months to get a job in the Midlands Today newsroom. I arrived from The Birmingham Post and was overwhelmed with all the technology! I was always hopeless with anything mechanical, so learning to work a tape recorder was terrifying, but I got the hang of it in the end and became pretty adept at editing too, with razor blades and tape etc! I was told I had a fairly boring voice so I had to work on my intonation, to try to sound a bit more interested, but I really felt I had found my vocation. In fact, I loved it.  It wasn’t long before I read my first live bulletin – I was introduced on air by a young disc jockey called Les Ross, but I have no idea what happened to him!

Ultimately, I became Sports Producer, following my friend Jim Rosenthal, and that took me all over the country and Europe following the fortunes of our football teams.  Up the corridor, of course, was the Midlands Today newsroom with such luminaries as Tom Coyne, Alan Towers, Geoffrey Green and Tony Francis ( whom I’d trained with long before I came to Birmingham). I remember one day Tom Coyne said hello to me in the gents and I was so thrilled I nearly had an accident.

I left in 1978 to join ATV but returned to Pebble Mill to present Good Morning with Anne and Nick in 1992. More about that some other time, but I have to say thanks to the BBC at Pebble Mill for giving me my first chance in television back in August 1977.  They were doing a regional opt to herald the start of the football season, but Tony Francis, who would normally have been expected to front it, was away on holiday so they were clearly desperate and asked me!  I co-hosted it with Peter Windows, then a familiar face on continuity, and our studio guest was someone who became a great friend Larry Canning, the former Aston Villa player, then well known as a reporter for Sport on Two. The show was produced by another long standing friend, Rob Kirk, now at Sky News.

Some very happy days!

Nick Owen


Why the ‘6.55 Special’ came from a Radio Studio – Mark Kershaw

Why was “6.55 Special” made in Radio Studio 1?

When the lunchtime programme Pebble Mill at One was first broadcast it was “serviced” by the galleries and cameras of the two proper TV studios at Pebble Mill. Studio A on a Tues and Friday, while the studio was being reset between dramas etc (“All Creatures”, “Basil Brush”, “Great Expectations” etc) and Studio B on a Mon, Wed and Thurs, because its cameras could be re-rigged back from the Foyer in time for the evenings “Midlands Today”.

PM@1 was only on the air Sept to mid May, so for the whole summer the production staff were potentially under-utilised. So in 1982? (not sure when) 6.55 Special was sold to BBC2, a weekday early evening live entertainment and chat show, 6.55-7.30 (I think).

But it couldn’t use the existing studios which were incredibly busy in the evenings.

And that is why Radio Studio 1 (the one used for classical recitals etc) was turned into a TV studio, with an audience rostra and a permanent set with a sofa chat area (seen in the photo for the 6.55 Special post) and a stage as performance area. The sound was mixed in the radio sound control room, where the mobile lighting control desk was also rigged. The “lightweight” OB scanner CM2 was parked outside just off the fire track and used as production and vision control, with VT as well played from the scanner, but also connected up to Pebble Mill’s VT area.

Eventually when the Standby TV Network Continuity Suite needed refurbishing, the area was re-modelled as a full TV gallery – Gallery C (not sure the date but early 80’s).From then on Pebble Mill @ One or any of it’s spin offs came from that discreet gallery, but before then the studio equipment at Pebble Mill was some of the most utilised kit in the whole of the BBC!

6.55 Special moved into the courtyard after the famous movable roof was installed. And that is why for the first series, at least, 6.55 Special came from a radio studio.

Mark Kershaw

Mark Kershaw directing Pebble Mill at One