Pete Simpkin – Page 16 – What Was Pebble Mill?

News Gathering Technology

Thanks to Pete Simpkin for making this cutting from the BBC in-house newspaper, Ariel, available.

The article from 1985 is about how the BBC Micro computer has been helping the editing and transmission of News stories shot on portable single camera, instead of on other formats, like reversal film.

The following information was added by the members of the Pebble Mill Facebook Group:

Stuart Gandy: ‘I remember it well. The BBC Micro was put to good use here and was a software control system that was in use at Pebble Mill well before many of the later systems that have become the norm over the years. The system was designed and built mostly by John Macavoy and Ian Sykes and the other engineers who were based in G41, who at that time mostly concentrated on the Post Prod systems. (I’m not sure if we even called it post prod then?)’

Keith Brook: ‘John Macavoy told me that when the ‘boffins’ at SP&ID talked to him about interfacing his system with the 1″ machines, all they could come up with was a system controlled by relays!! They were decades behind John. Brilliant man!!’ SP&ID stood for ‘Special Projects and something Department. It was a bunch of technicians who designed equipment in-house for the BBC. They made vision mixers, edit suites and stuff like that before the era of buying gear off the shelf. Eventually, I suppose the regime of the awful John Birt closed them down because they couldn’t afford to pay an accountant. They designed the original vision mixing desks in both studios. They also designed the successor to the ‘Studio A’ type desk that was installed at TC and Oxford Road. It was a disaster and kept cutting to black. Not good for live ‘Brass Tacks’.’

Ray Lee: ‘I think a confusion of 2 names for the department have been made. Originally when colour started there were insufficient engineers to equip all the studios. A specialist department was set up called P&ID which was for Planning and Installation Department (known by some as Panic and Indecision Department) . All the first generation colour equipment was made in house by the BBC’s own manufacturing unit, which was part of the Research and Development unit. Later I think after the Phillips report in the late 70’s some re-organisation was done and the P&ID was renamed SCPD. (Studio Capital Projects Department). By this time the BBC was buying in some commercially produced equipment, and quite a lot of BBC designs were licenced out to third party companies.’

Stuart Gandy: ‘As well as SCPD, which was mostly concerned with TV there was also a section called RCPD, which was Radio Capitol Projects. At Pebble Mill, a projects department was set up in the mid 80s and run by John Macavoy and Ian Sykes, together with other engineers who rotated through. They were responsible for many of the bigger home done projects as well as becoming very adept at making the scoring systems for most of the game and quiz shows we did. I can remember working on a few of these quiz systems which usually consisted of a computer, often the BBC micro connected to big buttons for the contestants to press and lamps to show the scores.’

Radio Birmingham’s opening broadcast

Here is the opening broadcast from Radio Birmingham circa 1970. You’ll notice that the presenters have received pronunciation, and there isn’t the trace of a Brummie accent.

Thanks to Andy Caddick for finding and sharing this sound clip.

The following comment was left by Pete Simpkin on the Pebble Mill Facebook Group:

Pete Simpkin: ‘Quite right about the voices Vanessa-I was amazed to be accepted at Radio Birmingham just a few months after being refused a job at Radio Solent in Southampton my home town because my voice was ‘not acceptable’ there! Another aspect of recruitment of staff to many of the Local Radio second wave of stations of which Birmingham was one was that at the time there was quite a bit of relocation of staff as these stations were in effect replacing the old BBC Regions as part of the major re-organisation plan called ‘Broadcasting in the Seventies’.’

Papal Visit 1982 – Pete Simpkin

I came across my Papal Pass for the Pope’s visit in 1982 to Coventry Airport. For security all the Pebble Mill team, Radio and TV, were locked in, for I think 12 hours for the duration. I was the officially approved understudy broadcaster for WM and in the event was never called to duty and remained behind at Pebble Mill…. so the pass was never used!

Peter Simpkin

The following comments were left on the Pebble Mill Facebook Group:

Andy Walters: ‘I covered the last Papal visit. We had to be in at 1.30am but the programme didn’t go on air till 10 and we didn’t even have any power till 6. I fell asleep, missed a fade and was woken up by the Producer who couldn’t reach me, throwing a chocolate bar off my head. As one long serving Engineer in Birmingham said, “These once in a life time things come around too often”.’

Conal O’Donnell: ‘I had to do a background doc for WM which was a nightmare in that because of the Falklands War it wasn’t at all clear whether the Pontiff would come or not..the two versions programme is such a pain especially when you have to ask such luminaries at the Dean of Peterhouse, Dr Edward Norman, to do two i/v versions -he looked at me as if I were mad!!!!!!’

Pete Simpkin: ‘Michael Blood (Rev’d) who was WM’s Religious Programmes organiser adds the following to the Papal Visit 1982 story….”I’ve got one of those labels as well! With memories of a fantastic weekend with fantastic weather! I remember my wife Beryl lovingly packing an enormous bag with food for the entire weekend as we were told to do by the ever competent BBC. Only to arrive to be issued with meal vouchers and ushered into the dining tent for lunch. The first question, from the waiter complete with bow tie, was
“How would you like your duck, sir?” And so it went on from good to better! And the bag of food came home.

The other marvellous moment came at the end of 24 hours of prizewinning broadcasting, and five star catering.
The producer, who shall be nameless, said to the PA “can I have the ROT”. To which she replied, “What ROT? Nobody asked me to make an ROT.” There was a minor explosion as the Sony Award went out of the window!”‘

EMI 201 Vidicon Camera

Photo from Pete Simpkin, no reproduction without permission.

The photo is of a cameraman operating the EMI 201 Vidicon Camera, a smaller, earlier, black and white version of the EMI 2001. These cameras were used at some of the regional newsrooms. Pete used one whilst at Southampton. They came in production at the end of the 1950s, and lasted until the early 1970s.

The following comments were left on the Pebble Mill Facebook Group:

Alan Miller: ‘We had them in Studio B Glasgow when I first started.’

Dave Bushell: ‘And in Studio B Bristol – pretty universal.’

Pebble Mill in the Snow

Photos from Gav Yarnold, no reproduction without permission.

Here are some photos of Pebble Mill in the snow from 2004.

The second photo in the Pebble Mill Club includes Sharuna Sagar, Midlands Today weather presenter, Shefali Oza, Karen Kenworthy and Nigel Craze.

The third photo is of Gav Yarnold at work.

The following comments were added on the Pebble Mill Facebook Group:

Jane Ward: ‘Reminds me of my first day at Pebble Mill…. Departmental meeting in Geoffrey Hewitt’s office ( in one of those offices off the front corridor between Reception and the Network Radio complex/foyer…. Looking out to a snowy Pebble Mill Road. 16th Feb 1987…’

Peter Poole: ‘In snowy weather most of the Pebble Mill at One audience did not arrive. A call went out for staff to fill the audience area.’

Alan Bentley: ‘I did a 30 hour shift there as no one could get in or out, can’t remember the date.’

Pete Simpkin: ‘Reminds me of a great snow in the early eighties when I walked the 7 miles from Shirley to PM to do my afternoon programme phoning in travel news from call boxes on the way. Must have been mad, they don’t do things like that any more!’

Lindsay Doyle: ‘It is Sharuna in the picture, it was January 2004, the night we were snowed in, Pershore and Bristol Roads blocked. I had filmed the lead story for Midlands Today and had to abandon the car half way down Bristol Road and totter in high heels, slipping and sliding at 1730 in a desperate attempt to get back to edit it, fun times.’