New Window Please!

Photographs from Andy Stowe, no reproduction without permission

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Thanks to Andy Stowe and Malcolm Hickman for this tale from Pebble Mill:

Andy’s father, Pat Stowe, supervised the team of glaziers called in to install a replacement window at Pebble Mill in the late 1970’s. As you can see from the photo, it was a huge piece of glass, in the corridor outside Studio A!

Ray Lee added a comment about the cause of the broken glass:

“The incident I remember, was after a Saturday Night at the Mill, which I worked on. There was an item involving Paratroupers landing on the lawn and the Lighting TM had two large lights shining through the windows to illuminate the area. He checked regularly to make sure the windows were not getting hot, and all seemed well.
The program went well, and all the lights were turned off. That night was a very cold night with a sharp frost. At about 3am there was a loud bang heard by security. The thermal stress had proved too much and both windows that had been warmed cracked. A plastic film was applied to the cracked windows to prevent them falling out while replacement glass was arranged, which had to be imported as a special order as the size was too big for any UK Float Glass company.
The cracked windows were there several months before they were replaced, and when they were, it featured as an item on Pebble Mill at One. When the windows were replaced, the top edge needed an extra wide section of “putty” as the glass was about half an inch short of the top frame! I was there on the day they were put in as well, and remember seeing the gap at the top of the glass before the extra “putty” was applied.”

Malcolm Hickman remembers the incident well:

“I was watching as they removed the old glass. They attached these big suckers to it, took all the trim off and started pulling with the crane. It refused to budge, so one of the men claimed onto the frame that had the suckers mounted on it and started bashing the glass around the edges with a big rubber mallet. It came out in 3 big pieces.”

“No hard hats or safety gear. That would have been my dad!” (Andy Stowe)

The following comments were left on the Pebble Mill Facebook page:

Herbie Donnelly: ‘I believe the light didn’t fall over but was placed too close to the window. Its purpose being to live alone for parachutists to see it as they jumped in on Saturday Night At The Mill. The subsequent heat caused the glass to crack.’

Jayne Savage: ‘ I thought the safety film went on after the Birmingham bombings and because of threats to the building but maybe it was this incident.’

Richard Stevenson: ‘Many happy hours sat by those windows in the days when tea breaks were part of the drama schedule and as the trainee, you were dispatched with loose change from the camera crew to get the tea in at the time of the allotted break.’

Keith Ackrill: ‘I also think the film was added to avoid splinters after an explosion. I also believe the light was too close to the glass, but not as a guide for parachutist. I believe it was for some routine to be shot there, and the lamp was left there too long. I cannot recall any parachutist landing on the lawn after dark.’

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A Sort of Innocence – James French

Behind the Scenes; A Sort of Innocence from pebblemill on Vimeo.

Video copyright, James French, no reproduction without permission.

James French has provided the following information about this behind the scenes footage which he recorded on location for A Sort of Innocence, known as ‘The Hereford Project’ at the time. The first sequence is by the river in Hereford and the other involves a low-loader being rigged at Chateau Impney in Droitwich Spa:

This was a two camera shoot using CM2 and I (James French) was second camera, Keith Salmon camera supervisor. The cameras were Philips LDK 514s with Angenieux lenses for the techie-types.

The Director was John Gorrie. You hear him but don’t see him in the first sequence. The 1st AD is Peter Rose, who went on to direct several soaps including Crossroads, Eastenders and Coronation Street. Main actor: Kenneth Cranham. Boy: Neil Jeffery, LD: Barry Chatfield, Sparks: Dave Walter, Sound: Tony Wass, Tim Everett.

It was 1986.

The grip’s name was Ron Fleet, and I think the cable basher is rigger, Barry but can’t remember his surname.

behind the scenes on A Sort of Innocence

behind the scenes on A Sort of Innocence

 

 

 

 

 

 

 

 

 

EM: Dave Robinson, Spark: Roger Hynes (can’t remember the other guy), Director: John Gorrie seen sitting on the kerb in the early panning shot, Engineer: Peter Eggleston, Vision Mixer: Roger Sutton, Rigger: George Stephenson, Editor: Mike Bloore.

Here is the Radio Times entry from the first episode courtesy of the BBC Genome project:

A six-part serial by ALICK ROWE Episode 1 starring
Kenneth Cranham Cheryl Campbell Michael Byrne
Introducing Neil Jeffery Elizabeth Fellowes seems well suited to life in a small cathedral town. Her husband, Mark, teaches at the cathedral school where her son, Tim, is a chorister. Unknown to the family, boardroom battles are taking place elsewhere. These are to have a dramatic effect on their future lives together.
Music composed by RICHARD HARVEY Script editor JENNY SHERIDAN Designers
MYLES LANG. AMANDA ATKINSON Producer RUTH BOSWELL Director JOHN GORRIE

genome.ch.bbc.co.uk/56046536e8054c6fb2167b2d10c5920f

 

 

 

 

 

 

 

 

 

 

 

 

 

The following comments were left on the Pebble Mill Facebook page:

Diana Lester: ‘Thanks James, I cannot believe that was over 30 years ago. …lovely to see faces from the past, many who unfortunately are no longer with us ….and we all look so young !!’

Karen Lamb: ‘Hearing Keith’s voice again was so special saying “don’t point it at the sun” such wonderful memories working on crew 5.’

Dawn/Kevin Hudson: ‘Great memories,the grip was Ronnie Fleet, and the fella brushing the path was affectionately known as Gonzo.’

Richard Stevenson: ‘Great clip. Is Tim booming wearing a tie?! Those were the days.’

James French on music OB

James French on camera, OB Botanical Gardens RSJames French on music OB Botanical Gardens, RS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photos by Richard Stevenson, no reproduction without permission.

The photos show the tough life of the cameraman on location!

The cameraman is James French, on a music outside broadcast at the  Birmingham Botanical Gardens, in July 1989. The top photo seems to show two of the singers rehearsing or warming up.

 

 

 

 

 

 

 

 

 

 

GTC Award to Pebble Mill Camera Department

Copyright resides with the original holders no reproduction without permission

Copyright resides with the original holders no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

This was the presentation of the GTC’s (Guild of Television Camermen) TiCA (Television Cameraman’s Award) to the Pebble Mill camera department for Pebble Mill at One circa 1979.

The names are as follows:

Back (L to R): Doug Smith, Robin Sunderland, Bob Meikle, Don Cooper, Paul Woolston, Tony Wigley, Phil Wilson, Mike Solomons (GTC Chairman from Thames TV), Brian Cave, Jim Gray, Bob Hubbard, Chris Allen, not sure (perhaps Phil Sidey?), Jack Rooke, Keith Salmon, Dave Lawson, Dave Doogood, Dave Wilkins, Pete Edwards, Tim Konewko, Bhasker Solanki.

Kneeling down (L to R): Barrie Foster, Keith ‘Scouse’ Brook, Roger Mulliner, Dave Ballantyne, John Couzens, Eric Wise

(Thanks to James French for providing the names, Annie Gumbley Williams for sending me the photo and to Roger Mulliner for sharing it in the first place).

The following comments were left on the Pebble Mill Facebook page:

Richard Stevenson: ‘That is an amazing picture! I have never seen so many cameramen in ties! Brilliant.’

Lynn Cullimore: ‘They all look so young and thats because they were – then. hah.’

Bob Bishop: ‘There are no women in the photograph, would that be the same today.’

Keith Brook (Scouse): ‘We were told to dress up by management. Bhaskar Solanki, far right (physically, not politically) went on to be a very, very successful news cameraman and is now a senior producer. Good for him!! I should also mention that I’m the only one wearing a waistcoat. Even then, standards were sloppy!!’

Paul Woolston in Lichfield Cathedral

Paul Woolston in Lichfield Cathedral RSPhoto by Richard Stevenson, no reproduction without permission.

This 1990 photo is of cameraman Paul Woolston on a crane in Lichfield Cathedral, on a Songs of Praise outside broadcast. Kevin Gill (floor manager) on the left, and John Trew (grip) on the right.

Apparently, moments later the wheel of the crane disappeared into a heating grate and the crane nearly toppled over, with Paul still on the front of it.

Paul sadly died some years ago.

Thanks to Richard Stevenson for sharing the photo.

The following comments were left on the Pebble Mill Facebook page:

Diane Reid: ‘Paul was lovely to work with and a great cameramen – it was one of my OBs – a Songs of Praise.’

Alex Johnston: ‘Paul was a truly lovely man always friendly and had a wonderful smile.’

Ian Barber: ‘He was a true gentleman, loved working with Paul and Dave Bushell.’

Tracy Cahill: ‘Very first OB I ever went on was at Lichfield cathedral, John Abbot sent me to ‘observe’ how it’s done. I only went cos Fred was the rigger.’

Sarah Beedle: ‘I remember that Songs of Praise – the grating did get broken.’

Helen Betts: ‘Christopher Betts, my son whom I am visiting in Virginia, clearly remembers playing the organ for Songs of Praise in 1990. He was the Cathedral’s organ scholar that year before going to Oxford University. He also says he cannot think of any of TV OBs that year.’

Ed Billington: ‘He was a very nice person and a professional at his job he always spoke to me when I was cleaning the studio.’

Paul Mcdonald: ‘Ah the joys of entrusting your life to the crane operator.’

Dave Ballantyne: ‘The camera is a Phillips/Pye LDK 5, Paul was a colleague and friend over many years, I still miss him, a special man.’

John Hoare: ‘I knew Paul well back in the sixties and seventies – a good friend and a true gentleman’