Blog – Page 316 – What Was Pebble Mill?

Film Sound Transfer Suite – Peter Poole

The Film Sound Transfer Suite

I took the first photo in 1976 shortly after joining the BBC. It shows me (Peter Poole) in the dubbing theatre’s machine room which housed the Perfectone SEPMAG bays. It was also used as the film sound transfer suite when time allowed. As the the number of programmes produced on film increased the dubbing theatre was in constant use. Also a dedicated transfer suite was needed to cope with the increased output. The second photo was taken in 1978 and shows me (Peter Poole) in the new transfer suite. The BBC’s policy was to buy British equipment if possible. This resulted in Pebble Mill being the first and probably the only BBC broadcast centre to buy PAG SEPMAG bays. They were somewhat unreliable. I will never forget pressing the stop button and watching a thousand feet of SEPMAG film being thrown across the room. I was very pleased when the PAG bays were replaced by Perfectone bays.

The photos were taken using a tripod and self-timer.

Peter Poole

Midlands Today colleagues – photo from Laura McNeill

The photo of Midlands Today colleagues includes (left to right): Mary Sanchez (floor manager), Lindsay Doyle (Arts Reporter, Midlands Today), Laura McNeill (sound).

It was taken at the launch event of Laura’s sound company, after she left BBC Birmingham

Top Sailing – photos by Peter Poole

Photos by Peter Poole, no reproduction without permission.

Peter Poole was the sound recordist on this location film shoot for the network series ‘Top Sailing’, broadcast between 1980-83, and produced at Pebble Mill. The photos include cameraman Steve Saunderson, with the beard, with the other person probably being producer Jeremy Pallant. These photos were taken about 1983 in Lymington. Peter developed the photos himself in the Pebble Mill processing lab.

‘Top Sailing’ was a factual series about various aspects of yachting, looking at stories like ‘The Admiral’s Cup’. Different episodes were presented by different sailing enthusiasts including: Martin Muncaster, Clive Gardener, Donny Macleod, Iain Cuthbertson, Anthony Churchill, Bob Fisher, Patrick Mower, Suzanne Danielle.

Pebble Mill Reunion – Pimms in the Park 6th Sept 2011

Thanks to Annie Gumbley-Williams and Keith Ackrill for these photos of the Pebble Mill Reunion at the Midlands Arts Centre in Cannon Hill Park, on 6th September 2011.

The photos include: Steve Weddle, Annie Jenkins, Jane McClean, Jane Hyde, Bob Jacobs, John Couzens, James French, Howie Dartnall, Annie Gumbley-Williams, Julie Knee, Lis Walker. David Weir with Toni & Jenny Fortey & Sarah Costigan. Steve Weddle with Carol Sparrow and (back of) Nicky Barfoot/Savage. Also Sara-Jayne vision mixer, Robin Sunderland, Keith Froggatt, Kath Woolston, Laura McNeill, Neil Murray, Steve Saunderson, Dave Baumber, Dave Ballantyne, Sue Welch (Radio 2), Pete Johnson (Radio 2), Maureen Carter (ex Midlands Today presenter) Keith Ackrill, Cathy Houghton (Midlands Today journalist), Angela Jameson who was secretary to Dick Knigh before being Secretary to Radio Birmingham News, Ken Hodges and Simon Evens from engineering.

A Master of the Marionettes – photo from John Greening

‘A Master of the Marionettes’ was a 1989 ‘Play on One’ produced at Pebble Mill by Michael Wearing, with Pedr James directing. The drama was written by Guy Hibbert, with Hilary Salmon the script editor.

L to R: Pedr James, behind Pedr is Guy Hibbert (writer), ?, Helen Smith, Rod Litherland (lighting. By the van (right) – Gareth Williams (AFM), Bobby Chapman (script supervisor). Eric Crouch (electrician) with the cloth cap at the back, Peter Wood-Fisher (Technical Manager) on the right.

The play starred Ken Cronham, John Duttine, Fiona Victory, Carol Drinkwater, David Bradley and Kenneth Colley.

The drama was about a group of salesmen, and their complicated and intertwined private lives. The Radio Times billing read: “Teddy Rose’s passion is security – selling alarm systems to prosperous yet fearful suburban homes, one of which he and his family inhabit with conspicuous success. Then one Saturday morning a violent street encounter starts a chain of events which calls into question his every assumption and changes his life for good.”

Thanks to John Greening for making the photo available.

Lesley Weaver adds the following memories about working on the drama:

“I was the make up designer on this drama. It was shot around Oct/Nov 1988. It was the first production I worked on when I return to work after the birth of my eldest son.

I was really down about leaving my 5month old baby but there were mutiple great stab wounds ( by a chisel) for me to distract me. My assistant Helen Smith helped me keep them looking fresh on location. The exteriors were very cold so the injuries became hard & kept falling off the actors skin, then started to melt in once in the hospital scene because it was too hot! Filmed on locations around Solihull I think, in the studio at Pebblemill and the hospital scenes were shot at the Walsgrave Hospital in Coventry if I remember correctly. It had a great production crew with a nice cast, who were lovely to work with especially David Bradley & Kenneth Colley. My 1st assistant was (Bafta award winning) Paul Gooch & the costume designer was called John Lynlard ( someone will prob correct his surname for me).”