Directing Midlands Today 1990

Photograph from Rosin Elder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

Female production team in the gallery of Midlands Today in 1990 at Pebble Mill. Left to right: Christine Palmer, vision mixer; Rosin Elder, director; Fiona Barton, PA; Maureen Carter Producer.

The following comments were posted on the Pebble Mill Facebook page:

Richard Uridge: ‘They all look very worried. I was probably presenting that night!’

Jonathon Dick: ‘The VM is Christine Palmer, who went on in later years to become a senior production executive with the BBC OU Production Unit. The Sound Sup is Peter Poole, who was a regular on MTD.’

David Croxson: ‘What a fantastic front desk. There was a right to do and a hoo-hah recently on a friends Facebook when it was shared as a triumph that the whole of a regional news programmes’ production team turned out to be female. Someone else complained that they wouldn’t have shared a similar photo if it was all men.

Perhaps Midlands Today was years ahead of its time!!’

Stephen Neal: ‘Roisin and I worked together at Look East when we were both Regional Station Assistants (aka the best first job in regional TV)! The chap at the back is the sound sup for the show by the look of it.’

Attachment Allowance Claim Form

TandD claim form GH

Copyright resides with the original holder, no reproduction without permission.

Thanks to Giles Herbert for making this 1988 Transfer/Attachment Allowance Claim Form available.

Staff going on Attachment (when staff were transferred temporarily to another department, often in another building elsewhere in the country) would fill in these forms to claim the allowances they were due.

The Attachment scheme was a great way for staff to develop, and try out departments and jobs they might always have wanted to work in, but without either the member of staff or the new department having to commit permanently to the arrangement.  It allowed many members of staff to move from into more challenging positions.

The following comments were left on the Pebble Mill Facebook Group:

Andrew Godsall: ‘I didn’t do attachments at Pebble Mill but did two when I was in London. It was just a great system that allowed you to broaden your horizons in all kinds of ways. It was really forward thinking and one of the best things about being a member of BBC staff.’

Steve Dellow: ‘Hmm…sounds like an good excuse to go in my loft and dig out some T&DE forms, and some of John Malby’s excellent Radio Links planning sheets! Sched A anyone?! My favourites were the Cash Advance forms! ‘

Fiona Barton: ‘What about leave forms – remember when we got bisque (sp?) days? And ERR forms…extra responsibility reward – when did they go?’

Bex Pitt: ‘I used to work for Relocation Unit in Cardiff when it transferred from London. It inspired me to move to Pebble Mill!!’

Stuart Gandy: ‘and remember the cash office on the 6th floor where we often used to collect the results of these forms.’

Andrew Godsall: ‘Oh there were disturbed meal break forms and short turn around between shift forms too….what were they called?’

Stuart Gandy: ‘It was an MHW, meal hour work-through.’

Peter Poole: ‘ERR is extra responsibility reward. It’s paid to staff working at a level above their job description.’

Dave Bushell: ‘As I remember, ERR was calculated by some esoteric formula which meant that even is you were a Technical Assistant standing in for the DG, you only got about an extra 45p a day.’

Pete Simpkin: ‘When I was an engineer I once was away from base for three days covering a cricket match and whilst there had to record the audition of a would-be commentator. In those days each recording had to be accompanied by a recording report . I duly filled this in including the mileage details base to OB site in miles etc.and including the details of the mileage. I missed a tiny box labelled ‘shared’ (with the OB) so when expenses received it my boss was reprimanded for letting me loose on exes for three days including two overnights for a twenty minute recording! Happy days!’

Gail Herbert: ‘Attachments – weren’t they wonderful! I had a terrific year in London at TVC in 1980 working for costume allocations. It was a great place to be then, so vibrant, & I met some lovely people who I sadly lost contact with over the years. Even got to visit the Top of the Pops stuido on a regular basis and stand next to the likes of Rod Stewart. TVC was under seige on those days but it was great fun. And yes, Jimmy Savile was creepy!!!’

Peter Poole: ‘I remember the “Stop Knocking” form. This was given to anyone doing noisy building work. They then had to stop work for the duration of the recording session.’
Susan Astle: ‘We, in make up and costume, had loads of disturbed meal break claims! Susie Bankers.’