A little lump of Pebble Mill

Here is a small piece of broadcasting heritage that has been kept for posterity – a little lump of the cladding from Pebble Mill, near Studio A.

The following comments were left on the Pebble Mill Facebook Group:

Stuart Gandy: ‘Looking back 8 years on, sometimes I ask myself why we had to leave Pebble Mill. It’s a challenge to think of good genuine reasons.’

Mike Workman: ‘Because there are none – nothing that couldn’t be fixed with a cash injection! It’s happened now though, BBC Birmingham is soon to be downsized into nothing more than Midlands Today and WM and there’s nothing we can do about it – the Unions seem powerless!

The arguments used are weak, as a viewer I felt no more connected to the BBC when it went to the Mailbox, it’s just as locked down! In fact, the entire Salford move was to basically “centralise out of London to look good on paper” – the arguments used for that are just as weak as the ones to go from The Mill to the Mailbox! I feel more distanced from the Corporation after 2004/5, like they’re trying to isolate themselves from the rest of the UK.’

Gordon Astley:.’Mike…what Union??? This coming from the first person to strike at the BBC in Birmingham back in the ’70’s. Let’s get a DG with BALLS who will stand up to government and back the staff (by that I mean people who make programmes and don’t have an orgasm at a powerpoint presentation at an awayday!!)’

Caroline Feldon Parsons: ‘I’ve got a piece of Pebble Mill mosaic! And, now the Mailbox is emptying at a rate of knots, maybe my red Mailbox Mug dated 2004 will be interesting someday!!’

Mike Workman: ‘Perhaps what’s scary is just how clean that is – given the site it came from!

DG… Balls… – Not happening Gordon, remember Salford Quays is the future with it’s plethora of studios – but hang on, studio productions have decreased that’s why they closed Pebble Mill! Oh right. It was just a cop out, it upset TVC and London offering similar and better resources and working spaces for cheaper rent and they didn’t like that! Politics.

I’ll also add the new ‘Studio’ BBC Breakfast is in (as well as North West Tonight) is smaller than Midlands Today’s space and is just the end of an office!’

Keith Brook: ‘I recognise that bit of mosaic. I regularly banged my head against it.’

Matthew Skill: ‘only in the course of work, or frustration about work, I hope ?’

Keith Brook: ‘Usually because of people who thought they were god’s gift to television, but actually shouldn’t have been allowed anywhere near a studio. Personnel also had that effect on me.’

Good Morning – Gallery C

Sue Robinson, Jane Mclean

Roger Sutton, Vision Mixer

Peter Knowles, Sound Supervisor

Photos from Sue Robinson, no reproduction without permission.

These photos are of Gallery C, probably from a ‘Good Morning with Anne and Nick’ show.

The first photo is of multi-camera director, Sue Robinson, and live PA, Jane Mclean.

The second photo is of vision mixer, Roger Sutton.

The third is of sound supervisor, Peter Knowles.

Children in Need walk through Birmingham

Photos from ‘Children in Need’ organiser, Marie Phillips.

The photos are from the  1996 ‘Children in Need’ Toddle through Centenary Square in Birmingham, outside the Hyatt hotel.  Included are ‘Midlands Today’ presenters Sue Beardsmore, David Davies, Shefali Oza and Gary Hudson, as well as director Merrick Simmonds, and cameraman Jamie Knights.

Marie Phillips is pictured with Aston Villa player, Shaun Teale, in the third photo.  Apparently she had her photo taken with Shaun to make her Villa supporting son, jealous!

Pebble Mill Auction Viewing

Photos by Tim Savage, no reproduction without permission.

Tim (VT Editor and Colourist), took these photos in the last days of Pebble Mill, during the viewing days for the auction selling off equipment not being taken to the Mailbox.  It was held in autumn 2004.  The photos feature many members of Pebble Mill post production including Chris Rowlands, John Burkill and Colin Fearnley, as well as production staff like Tony Rayner.  The number of bald heads fascinated by various items in the auction is notable!

Please add a comment if you can identify others.

Gallery A – photo by Sue Robinson

 

 

 

 

 

 

 

 

 

 

Photograph by multicamera director Sue Robinson, no reproduction without permission.

The photo is of the Gallery for Studio A, which was Pebble Mill’s largest television studio, used for dramas as well as entertainment shows, like ‘Pebble Mill’, ‘Going for a Song’, and ‘Call My Bluff’ .

Included are (left to right): Keith Knowles (vision engineer); Dave Bushell (lighting director); Pete Eggleston (vision engineer); Pete Hodges (vision supervisor).