East

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Copyright resides with the original holder, no reproduction without permission.

East was a topical factual magazine show about Asian affairs, with reports from Britain and abroad.  It went out on BBC 2 between 1990 and 2002.

The series tended to go our weekly in the spring or summer, in runs varying between 6 and 10 episodes.

Thanks to VT editor, Ian Collins, for making this grab available.

The following comments were added on the Pebble Mill Facebook group:

Peter Poole: ‘I often worked on the Studio B recordings. The music sessions ranged from traditional to electro-pop. A very interesting and enjoyable experience.’

Matthew Sly: ‘I did Audience Security when it was Network East, always found it very enjoyable.’

Dawn Trotman: ‘It was experimental as an editor they pretty much let you do what inspired you. Oh I yearn for those days.’

Lynn Cullimore: ‘Yes, I worked in what was known as The Asian Unit. I enjoyed it and i remember we never went without food! I wonder what happened to Nahrendra.’

Macbeth on the Estate

Macbeth, James Frain, Lady Macbeth, Susan Vidler

Macbeth, James Frain; Lady Macbeth, Susan Vidler

Macbeth, L. Jodow (Rosse), David Harewood (Macduff) JR

Rosse, L. Jodow; Macduff, David Harewood

Macbeth Susan Vidler (Lady Macbeth) JR

Lady Macbeth, Susan Vidler

Macbeth, Graham Bryan (Malcolm), Martin O'Brian (Seyton), Ray Winstone (Duncan) JR

Malcolm, Graham Bryan; Seyton, Martin O’Brian; Duncan, Ray Winstone

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

Thanks to costume designer, Janice Rider, for sharing these photos.

Macbeth on the Estate was a 1997 adaptation of Macbeth and set on the Ladywood Estate in Birmingham.

The director was Penny Woolcock, with Alison Gilby as the producer.

The following comment was left on the Pebble Mill Facebook group:

Julian Hitchcock: ‘Juliet Bravo: yes,- if I didn’t work on all productions, it was close.
The History Man: yes,- I was the floor assistant. And what a great cast, too: Anthony Sher, Michael Hordern, Geraldine James. I even appeared in it myself: as Michael’s hand swiftly shutting a blind or curtain.’

Signature Tunes – Midland Tonight, Juliet Bravo, The History Man

Copyright resides with the original holder, no reproduction without permission.

Thanks to Peter Poole for sharing the following Pebble Mill signature tunes.

The first sig tune is for Midlands Tonight. This was a late night regional opt out, broadcast live from Studio B. The programme covered news and current affairs.

The second sig is for the hosted drama series Juliet Bravo.

The final sig is for The History Man, and includes various versions. The History Man was a four part adaptation of the Malcolm Bradbury novel, transmitted in 1981. Michael Wearing was the producer.

Juliet Bravo 1989, no reproduction without permission

Juliet Bravo 1989, no reproduction without permission

Pebble Mill building – newly completed

 

Copyright resides with the original holder, no reproduction without permission

Copyright resides with the original holder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

Photo, February 1971. This digital resource is available under a Creative Commons CC-BY-SA 3.0 license, with kind permission of the Birmingham & Five Counties Architectural Association Trust, thanks to the Architectus project (part of the Jisc Content Programme 2011-13).

This photo of the newly finished Pebble Mill studies, was taken in February 1971, just as the building was finished. It was taken as a record by the architect John Madin’s company.

Tribute to Ian Dewar – Tim Scoones

Copyright resides with the original holder, no reproduction without permission

Copyright resides with the original holder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

(The following message has been sent out by Tim Scoones, exec producer, NHU, BBC Bristol in tribute to Ian Dewar, who sadly died recently)

It’s with great sadness that I have to advise you all of the death of Ian Dewar – legendary engineering manager of Springwatch, Big Cat Live, Bargain Hunt and many other Bristol outside broadcast productions.  We have lost a dear friend, an inspiring colleague and one our industry’s great forces for innovation and excellence.  They just don’t make them like that any more…..

Many of you, particularly those in the extended Springwatch Family, will already know this terrible and shocking news, as Ian was our engineering manager right up to the OB site build for this year’s Springwatch.  In the last few days I have come to realise just how far Ian’s influence has reached, so I am am writing to the whole BBC Bristol site to make sure everyone knows.  Do please feel free to forward this on into the wider media community – Ian has so many friends and colleagues around the industry – not just our stuff, but in BBC Sport and throughout the Pebble Mill era in BBC Birmingham.

The entire ‘Watches’ Family are struggling to come to terms with this great and sudden loss – Ian influenced and inspired the lives of so many people.  He has been such a huge character in the BBC, and particularly in the Natural History Unit through Springwatch and Big Cat Live.  Ian was a wonderful mentor to so many and a larger than life character – we always knew when he was in the building!  Who will ever forget that deep gravelly voice, that steely stare (when required…) or that infectious Sid James laugh?  He seemed to leave his mark wherever he went and he will be sorely missed at a really personal level by everyone here who knew him.

On a professional level, Ian contributed to – and often drove personally – the world-class innovation and production excellence that the BBC Natural History Unit is known for.  Ian’s incredible wealth of knowledge and experience, and his unswerving loyalty to the team and their mission, allowed Springwatch to break new ground in factual broadcasting time and time again.  He has played a major part in creating a well loved and hugely respected media brand that has become part of national life in this country.  This is an extraordinary legacy that all of those who worked closely with Ian will never forget.

As well as his unique presence and personality, Ian will always be remembered for his awesome expertise and unswerving professionalism in everything that he did – from creating seemingly impossible OBs in the Masaii Mara or the Isle of Rum to getting us all back on air within days of the great floods of Springwatch 2012 in West Wales – all utterly extraordinary achievements that only someone of Ian’s unique calibre could have even envisaged let alone achieved.  Ian taught so many people in the Natural History Unit so much about an area of broadcasting that relies on the initiative, the drive to innovate and the technical wizardry that “The Duke” – as he was known – had in spades.  This knowledge, now inherited by future generations of broadcasters, will be a lasting tribute to a man who became a Springwatch legend and who will always be synonymous with the shows’ excellence.

Ian always took great satisfaction that Springwatch inspired millions – including the next generation of young naturalists and conservation scientists – to care more about the wonderful wildlife we share this world with.  This is a profound legacy that will out last us all.  I know that when Ian and his team won the Special BAFTA award was one of the best days of his life, and rightly so – what better formal tribute to a man who led his team through thick and thin to achieve new and extraordinary things?

Ian will be sorely and profoundly missed.  We salute a great man, a friend and mentor to so many and an inspiration to us all.

Ian leaves a wife, Jo, and two children Milly and Henry.  His funeral will be held this Monday, 15th July, at St Philip & St James Church, Main Road, Hallow, Worcester at 11am.  There will be a big representation from Springwatch and the wider BBC as we pay our respects and celebrate his extraordinary life.   Jo, his wife, has requested that any donations be made to St Richard’s Hospice, Worcester or Macmillan Nurses.

TIM SCOONES

EXECUTIVE PRODUCER

BBC NATURAL HISTORY UNIT