Royal Navy Rescue Helicopter, Pebble Mill at One

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Photos by Bhasker Solanki, no reproduction without permission.

These photos are of a Royal Navy rescue helicopter appearing on Pebble Mill at One, and landing on the back lawn.

Thanks to Bhasker Solanki for sharing the photos.

The following comments were left on the Pebble Mill Facebook page:

Stuart Gandy: ‘Yes, I remember this, but this was not the only time we had aircraft at the mill. We also had a helicopter land on the font lawn, and the harrier on the club field, twice. These were the kind of big event things that put Pebble Mill and BBC Birmingham well and truly on the map.’

Jean Palmer: ‘It was all very exciting. The best was the harrier.’

David Gregory-Kumar: ‘The legend I was always told was it blew the garden shed clean over!’

Nick Owen: ‘My brother started playing Terry Barford in The Archers about 1979 – I think he did some publicity photos for his character being in the army arriving in a helicopter on the pebble mill lawn?’

Eurwyn Jones: ‘I remember them so well, the programmes were usually directed by John Smith.’

Stephen Adams: ‘I was a GPO apprentice based at Pebble Mill whilst all this was going on. I thought wow so this is what broadcasting is all about! Needless to say I changed careers into TV as soon as I could. Never looked back. Thank you PM!’

Richard Stevenson: ‘Before my time sadly, but I very much doubt it would be allowed these days. Believe Noel used to land at the club too?’

Gail Herbert: ‘Pebble Mill must have been the only office block where we would constantly have to say to people on the phone to hang on a minute ’cause there was a helicopter/plane/etc outside the window. Utter magic!’

Jason Donovan on Pebble Mill

Jason Donovan PM@1 RB

 

 

 

 

 

 

 

 

 

 

 

Photo of Jason Donovan at Pebble Mill, taken by Ruth Barretto, no reproduction without permission.

Ruth Barretto: ‘I loved Jason Donovan and so did my little girl Elena . She got to meet him and got to have her pic taken with him.’

Rosie Critchlow: ‘The day that Jason Donovan was due to appear on Pebble Mill, I begged my Dad, Stephen Critchlow, to get me his autograph, but he said no, he couldn’t – it just wouldn’t be the done thing, far too unprofessional. I was a very disappointed 10(ish) year old. When I went to bed that night though, the autograph was waiting for me on my pillow I believe he’d convinced a female colleague to get it for me!’

Steph Silk talks about Pebble Mill at One

Steph Silk talks about working on Pebble Mill at One from pebblemill on Vimeo.

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Video interview with Steph Silk talking about working on the lunchtime live magazine show, Pebble Mill at One in the 1970s. Steph worked on the series firstly as a researcher, then as an assistant producer, and later as a producer. By the end of Steph’s long career in television she was the Managing Editor of Daytime Television.

Steph

Kinsey – rubber numbers

Kinsey rubber numbers OW

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

This sheet shows the ‘rubber numbers’ for some of the 16mm film rushes for the 1991, Pebble Mill six part drama series, Kinsey. The ‘rubber numbers’ were added to the transferred sound, so that it could be synched up with the frames of film. This log shows how the ‘rubber numbers’ corresponded with the ‘key numbers’ on the film itself. Also included are the slate number, the episode and the scene, and a description of the shot.

Thanks to film editor of Kinsey, Oliver White, for sharing this sheet.

The following comments were left on the Pebble Mill Facebook page:

Adam Trotman: ‘Omg my bad hand writing. Seems I was very lazy with my shot descriptions. Bob Mitchell used to do the rubber numbering. The rubber numbers where added to both the film rushes and the sound after we had synched it up with the clapper boards….. The key numbers were noted down as a double check if we ever need to get new rushes printed for what ever reason. And finally I see a take 11. …. never seem to go beyond 4 these days….’

Dawn Trotman: ‘Is it your writing Adam? Great times at Elliot road.. and don’t forget the black spacing!’

Victoria Trow: ‘Blimey, rubber numbers – Adam, was that you? Oh Bob Mitchell…. And Oh Oliver White and Carol Parks who saved me….. I will never forget Oliver re-cutting a scene on that show that had seemed fairly routine and uninteresting. A master class, A few frames off here, a few added on there…. Memorable.’

Terry Powell: ‘I loved working on this show, looked after Lee Lawson who still to this day, and his wife Twiggy, I see.’

Pete Simpkin: ‘Could someone explain to an essentially radio bloke what on earth you are talking about??’

Adam Trotman: ‘Pete – this is a shot log used in the old film cutting rooms. It was to help assistants and editors keep tabs on what rushes they had and where they were. … rubber numbering was used to help keep the film in sync with the sound.’

More Vote for Them photos in Tenbury Wells

adjusting lighting RT Simon Tooley on camera RT Regal Cinema Roy Thompson Cast in cinema RT Cast relaxing in theTenbury Wells

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photos by Roy Thompson, no reproduction without permission.

These photos from the 1989 three part drama: Vote For Them, by David Edgar and Neil Grant, were taken in Tenbury Wells, Worcestershire. The Regal Cinema stood in for an Egyptian cinema.

Simon Tooley is seen on camera in the second photo, wearing the striped top, with Bob Few holding the tripod, and soundman Andy Redfern in the brown top, to the left, with his mixer on the seat.

Thanks to Keith Brook (Scouse), Peter Knowles and Richard Stevenson for identifying people.

The following comments were left on the Pebble Mill Facebook Page:

Mike Eastman: ‘Played a soldier on this show, but recorded my section at Pebble Mill Studio.’

Janice Rider: ‘Never seen these photos. Thank you Roy for sharing these. There were SO many extras on this show all in uniform!!! You can just see Paul Higton dealing with them in the second photo at the back on the left.’