April 2015 – Page 2 – What Was Pebble Mill?

Sheila Brown RIP

Sheila Brown sadly died on 14th April 2015, at the Queen Elizabeth Hospital, Birmingham. Sheila started work as a secretary in Personnel, and then later in the Press Office and PR department, organising visitor tours of Pebble Mill.

Sheila is shown in the right of this photograph, which was taken at the Friday Night at the Mill party in 2004. The party which marked the closing of the Pebble Mill building, prior to its demolition in 2005.

Clara Hewitt, Janet Collins, Margaret Barton, Sheila Brown. Photo by Ruth Barretto, no reproduction without permission

The following comments were left on the Pebble Mill Facebook page:

Andy Bentley: ‘Remember Shiela well, she received an MBE if I remember right. Lovely Lady.’

Malcolm Hickman: ‘We used to take parties around the Mill, including parties of staff newly arrived at Bush House. Sheila used to organise the catering and for some inexplicable reason, there was always one or two bottles of red wine left over. A very sweet lady and an accomplished ballroom dancer in her younger days.’

Jane Ward: ‘Wasn’t she a keen ballroom dancer?’

Conal O’Donnell: ‘I remember Sheila very well- quite mischievous on her way & always good fun .I am sorry to learn of her passing.’

Julian Hitchcock: ‘What a lovely, funny soul she was: her very memory brings a warm smile to all who knew her. I do hope she enjoyed her later years.’

Tim Manning: ‘I’m so sorry to hear the news about Sheila; she was – as others have said – a lovely lady, and someone who cared deeply about Pebble Mill. And yes, Jane Ward, she was a very keen and skilled ballroom dancer; when I was directing a film for The Golden Oldie Picture Show, she loaned me all her trophies and lots of memorabilia.’

Marie Phillips: ‘Sheila was very kind to me when CIN was regarded as something of a misfit in the Press Office. Very very efficient. A well deserved MBE.’

Andy Caddick: ‘We used to have long chats on the No1 bus on the way to Pebble Mill. So sad, lovely lady.’

Pebble Mill 2004

Pebble Mill 2004 from pebblemill on Vimeo.

This video was recorded on December 11th, 2004 by John Sarson. By this time production had moved to the new BBC Birmingham headquarters at the Mailbox, and the excess equipment had been auctioned off, prior to the building being demolished in 2005. The site is now being redeveloped as a dental hospital.

Thanks to John Sarson, and the VT Oldboys for sharing this video. There is plenty more interesting material on the VT Oldboys website, so do take a look: http://vtoldboys.com/.

The following comments were left on the Pebble Mill Facebook page:

Terry Powell: ‘I walked through those doors for many a happy year’

Andy Marriott: ‘Where was the tape storage area?’

Pete Simpkin: ‘The nagging question is what happened to all the tapes in that library?’

Janet Collins: ‘Tape storage area was down stairs in the basement.’

Matt Toomer: ‘Did all those tapes get rescued or were they binned?’

VTB Channel Record 1988

VTB ‘Channel Record’ 1988 from pebblemill on Vimeo.

The video is a bit of moving history, although it was shot mute for a music sequence. It shows VTB in 1988 doing a drama “channel record” from Studio A on a pair of 1” VPR2 machines. The programme is “Final Run” VTB1 is on the left, manned by series editor Steve Neilson, VTB2 is on the right manned by yours truly. Video drama on location was very much pioneered by Pebble Mill (“Blackstuff”) and it was practice that the recording engineer or editor would record both the studio and the location. The bottle of Bush Mills Whiskey suggests the studio was after our location shoot in Northern Ireland . The “main” recording would be on VTB1 and the “backing” on VTB2. This was a throw back to the days when VT recording was not that reliable and all studio recordings had a back-up in case of problems. The blank tapes were assemble edited from the studio allowing time code to be “time of tape” rather than “time of day “as was used in London. In the case of a drama series we used “multi-episodic” tapes which meant that we would change tapes to that of whichever episode was being recorded. So for a four episode series we would have four master and backing tapes being used at any one time. This saved a lot of time at the edit not having to change tapes, and relieved some of the inevitable boredom of awaiting rehearsals to turn into “takes”. The tape trolley had a four channel audio mixer in it for editing purposes, and if you wanted to add music at all during the edit, you had to order you vinyl disc from the library and have it transferred to ¼” tape in the transfer suite.

Colin Fearnley

Derek Smith – Obituary, from John Williams

Derek Smith, directing regional Top Gear. Photo from Jim Knights, no reproduction without permission

I have much to thank Derek Smith for. He was the one who gave me my career in the BBC with the chance to join the Film Unit in Carpenter Road. It was him who took me around the world to Singapore and a story on Bishop Wilson. A wonderful story of wonderful people that matched man’s inhumanity to man, with man’s humanity. On to Malaya and a brand-new army base cut into the middle of the jungle complete with married quarters, school, swimming pools and sixty bed hospital, now to be closed by the then Wilson government and left to be devoured by the jungle. When university students were getting very bad press of their happenings during vacations we followed them and found them in Andorra working on the Forna and then on to a farm, living above the cattle in a barn high up in the Austrian mountains giving a holiday to a group of German orphans. We got bored one night and climbed halfway down to a cafe which we expected to be empty, it was packed full of people on some sort of pilgrimage already well awash on the beer and in full song. There was no escape, we were dragged in and expected to sing. My song went well. Derek let us down by singing Lilly Marlene, which was greeted with stunned silence, and he was very seriously asked where did he learn that song. Evidently it was something to do with his time in the Eighth Army, Rommel and the desert during the Second World War. As penance we were each made to drink an enormous glass of beer where upon everyone cheered and laughed and joined in. I don’t remember the rest of the evening!! !!

Then there was Top Gear, not sure if one should mention that, because I think it was Derek who introduced ‘you know who’ and it was me who did the first story, but there is so much more. I like to think Now Get Out of That, was a programme based on a chat Derek and I had together on the reliability and initiative tests we faced whilst training in the forces, and was the forerunner of the many celebrity shows developed along the same lines that are now so successful. My chance to live and fly with the Harrier Jet fighters of One Squadron was all down to Derek, you don’t forget that in a hurry!

Plenty of us should have lots to tell of Derek’s contribution to broadcasting. He was a maverick that thought outside the box and I feel fortunate to have been allowed to work with him. My condolences to all the family.

John Williams

John Williams, cameraman

The following comment was left on the Pebble Mill Facebook page:

Murray Clarke:’Yes – a great director, never afraid to blow the budget and make interesting programmes that viewers really enjoyed watching. And yes, the original Top Gear was his creation.’

Tom Coyne RIP

Midlands Today presenters, 1977. Copyright resides with the original holder, no reproduction without permission

Former Midlands Today presenter, Tom Coyne (back row, right, in the photo), sadly died over the 2015 Easter weekend, in the Wolverhampton Nursing Home, aged 84.

Tom joined the Midlands Today team when the show started in 1964, at its Broad Street studios, before the building of Pebble Mill. He presented over 4,000 editions of the regional news magazine programme by the time he left the series in 1980. This video is of Tom’s last appearance on Midlands Today, in October 2014:

https://www.facebook.com/video.php?v=10152742761389761

Tom Coyne also presented on Pebble Mill at One in the 1970s, as well as Songs of Praise, Come Dancing, and was even one of the founding presenters on Top Gear, with Angela Rippon in 1977.

Tom also appeared in the Radio 4 drama series, The Archers, for three years, as a Geordie gamekeeper called Gordon Armstrong.

An obituary for Tom Coyne is on the ATV Today website: http://www.atvtoday.co.uk/66995-coyne/.