Broke TX Card

 

 

Copyright resides with the original holder, no reproduction without permission

Copyright resides with the original holder, no reproduction without permission

 

Thanks to Ann Chancellor-Davies for sharing this TX card for the drama Broke. Ann’s husband, Gavin, was the production designer on the production.

The drama was part of a series called ScreenPlay; it was transmitted on 10th July 1991, at 9pm on BBC2.

There is the entry from the Radio Times, courtesy of the BBC Genome project:

http://genome.ch.bbc.co.uk/8c31098b76534c8c8cd27660354c29be

“Starring
Timothy Spall
Winner of the Radio Times
Drama Awards, this week’s
ScreenPlay is a black comedy written by Stephen Bill. It is the story of a small businessman and a deal that is about to break his family.
Producer Barry Hanson, Director Alan Dossor”

 

The following comment was left on the Pebble Mill Facebook page:

Gregory M Hallsworth: ‘I went down to Leamington Spa one Sunday morning to do an OB for CWR from a film location for this production’

 

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Tenth Anniversary Envelope

Photo by Roy Thompson, no reproduction without permission

Photos by Roy Thompson, no reproduction without permission

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Thanks to Roy Thompson for posting these photos of the envelope designed to celebrate the tenth anniversary of BBC Pebble Mill. In the closer photo you can see the myriad of programmes made at the broadcast centre. Here’s the impressive list:

Network Television – Pebble Mill at One, Saturday Night at the Mill, New Life, Farming, Gardeners’ World, Kick Start, Top Gear, Pot Black, Pebble Mill Showcase, Day and Night, Dig This, Pop at the Mill, Top Sailing, 6.55 Special, Bypass, Shakespeare or Bust, The Fishing Party, Penda’s Fen, The Roses of Eyam, Three for the Fancy, The After Dinner Game, Gangsters, Glitter, Trinity Tales, Licking Hitler, Empire Road, Underdog, Vampires, Bull Week, The Muscle Market, The History Man, The Olympian Way, Artemis 81

Network Radio – On your Farm, Farming Today, Make Yourself at Home, Voice of the People, From the Grass Roots, My Music, My World, The Archers, Top Tunes, Alderburgh Festival, Cheltenham Festival, One Man One Voice, A La Carte

Local Radio – Coming Home, The 206 Team, Home James, Saturday Sport

Regional Television – Midlands Today, Look!Hear! Midlands Tonight, Straight Talk, Know Your Place, Spare Time, Day Out, The Garden Game, Weekly Echo, Buying Time, Action, The R & D Show

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Broadcasting in the Seventies

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Copyright resides with the original holder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(Broadcasting in the Seventies was a BBC policy document, which set out how the structure of the BBC could be updated to respond to audience needs, particularly around local radio provision, as well as television production and broadcasting in the regions. It preluded much of the production in both radio and television at Pebble Mill).

Transcript from the Broadcasting in the Seventies booklet

The Regions

The BBC’s broadcasting outside London is at present based on six large regions. Three cover Scotland, Wales, and Northern Ireland; the other three carve up England (North, Midlands, South and West). London acts as the centre for a South-East Region.

The three nations-regions serve homogeneous communities. On radio, they regard their present localised programmes, departing from the main Radio Four network at certain times of day, as in effect a national service for their respective countries. Whether or not they choose to divert some of their resources into local radio, it seems essential to sustain these national medium-wave programmes.

With the English regions, there is no such homogeneity. The boundaries were drawn some forty years ago not on any basis of community interest but to match the range of the transmitters. These are regions devised by engineers rather than sociologists. The Midland Region stretches from the Welsh border to the North Sea. The North Region has to cover Liverpool and Newcastle, Manchester and Hull, Lincoln and Carlisle. The South and West Region serves an area stretching from Land’s End to Brighton. Over the years we have sought to meet this problem by creating five additional areas within the regions, but we now feel that the time has come to replan the structure.

We respect the loyalties which the present English Regions have created but we now propose to replace them with eight smaller and more socially logical regions. These will be based on the existing regional and area centres:  Birmingham, Bristol, Leeds, Manchester, Newcastle, Norwich, Plymouth, and Southampton. In the longer term, as money permits, we would hope to set up further centres, with one in the East Midlands as a first priority.

In television, these new-style regions will be the basic unit of English broadcasting outside London. As with the present regions and areas, they will each produce daily news bulletins and new magazines, and they will also start their own Saturday sports reports. At the same time, we intend to expand their production of general programmes. These have been confined in the main to the existing three regions: a total of about 150 a year. Within the next two or three years, we intend that each of the new regions should produce a weekly general programme: a total of about 400 a year, over and above their daily news magazines.

We have been impressed by the insistence of our Regional Advisory Councils that the relationship between London and the rest of the country needs to be two-way. It is, of course, the responsibility of national networks to express the rich diversity of the national life and not simply the culture of the metropolis. This will continue. The national networks will remain deeply rooted in the life of the nation. We also intend that the facilities at the three big production centres in England outside London (Birmingham, Bristol and Manchester) shall be used increasingly to supply the national television services, partly by programmes initiated in London and partly by programmes created at these three centres. To ensure the full use of these production facilities, one studio in London will be closed down.

In television, the eight new Regions will all feed the national news and current affairs programmes; in radio, the local stations will also provide a more comprehensive news and current affairs coverage for the national networks, whilst the major centres outside London will continue to provide non-news programmes to the networks.

When we put these proposals to our Advisory Councils, however, they voiced certain anxieties. They feared that while there might be studio brawn in the regions, the creative brain would come solely from London.

To meet these doubts, therefore, we propose that the regional initiative should be sustained in two ways. First, at the production centres in Birmingham, Bristol, and Manchester there will be a senior executive, who will be in charge of the facilities and who will have a specific responsibility for nourishing creative talent on the spot. Second, a senior controller will be appointed to supervise the local output from the eight regions, and to represent the new regions and local radio stations to central management. He will have direct access to the Director-General and he will have a status similar to the Controllers of the National Regions.

This organisational structure will provide a useful additional safeguard, but we believe that the real guarantee for creative development outside London will lie in substantially increased production work: in the wide opportunities now offered in the plans for many more local stations in radio, for expanding television output in the new regions, and for increasing programme activity in the three big English centres.

 

 

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A Date with Fate

Photo by production designer Lynda Kettle, no reproduction without permission

Photo by production designer Lynda Kettle, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

(Thanks to Steve Weddle and Julia Versluis for the information here about A Date With Fate. The BBC1 Daytime series was transmitted in May and June 1998, at 9 or 10am).

“A Date With Fate is possibly the world’s only Astrology based Game Show, starring Jonathon Cainer and future [now former] Tory Minister, Esther McVey. Contestants used to get a consolation Date With Fate plate.

Jonathan Cainer, sadly passed away not that long ago. He was massively rich as a result of his astrology telephone lines, and at the time of recording was by his own admission searching for a new wife. One particular member of the production team was in his sights, but the planets obviously weren’t suitably aligned.”

Steve Weddle

“A Date With Fate was so funny. I remember we lost power in the studio. Jonathan Cainer was standing next to me while I was doing autocue and said something along the lines of, “well you know why we lost power? It was due to Saturn being in conjunction with Jupiter” – all I could think was it would have been helpful for him to have told us all before it happened but I just smiled and waited for the power to come back on!”

Julia Versluis

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More Midlands Yesterday photos – Jane Ward

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Brian Conway, Jane Ward, Kay Alexander

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Ann Banks & Liz Silver

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Mary Sanchez & Kay Alexander

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Photos from Jane Ward, no reproduction without permission.

These photos are from the Midlands Today reunion, entitled ‘Midlands Yesterday’, held at the Midlands Arts Centre on Saturday 3rd Sept 2016. A good time seems to have been had by all, judging by the smiles!

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