Norman Painting’s Piano

Photo by Martin Fenton, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

This photo by Martin Fenton, shows the piano in Pebble Mill’s Radio Studio 3. It was this piano which was played by Norman Painting, who played the role of Phil Archer, in The Archers. Norman Painting died in 2009, aged 85. He played Phil Archer from the start of the Radio 4 soap in 1950. Additionally, Norman wrote over 1,000 scripts for The Archers between the mid 1960s and early 1980s. He also wrote two books about the series: Forever Ambridge in 1975, and his autobiography, Reluctant Archer in 1982.

The following comments were posted on the Pebble Mill Facebook page:

Jane Partridge: ‘I remember Studio 3 – little cubby hole by studio standards (actually about the size of our living room) – rather like Studio B was for the TV lot (only needed to be big enough for a camera dolly and a presenter!). Pity the old building is no longer there, but the memories remain. (I worked in Communications & Engineering Services on the third floor before marrying one of the communications engineers (36 years ago in June!) and ending up in Props until our eldest daughter was born in 1984).’

Lynn Cullimore: ‘Norman was also very knowledgeable about plants etc. and I did a series with him called The Garden Game and Gardens of Delight. He was great to work with and I managed to see him just before he died. Yep, remember the piano too.’

Jane Ward: ‘Norman loved playing piano duets and duos for two pianos. I once went to his house for the day and we spent the entire time having a ball playing through loads of duet repertoire he had…it was such an enjoyable day!
I played the Studio 3 piano for the programme a few times when they needed a pianist and Norman happened not to be in…
Loved the Studio three stairs with various acoustic properties…and the kitchen sink!’

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Woman damages window

Copyright resides with the original holder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Thanks to Sue Sweet for sharing this press cutting.

I don’t know the date of this cutting, but it is either from the 1970s or very early 1980s, and is presumably from one of the Birmingham local papers, and by a journalist who can’t spell ‘Pebble’. The woman obviously came well armed with bricks, in case the first one failed to break the window! Was the woman an irrate viewer?

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Andy Payne filming on the roof

Photo by Andy Stowe, no reproduction without permission

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This photo shows cameraman, Andy Payne, filming the arrival of a harrier jump-jet at BBC Pebble Mill, from the roof of the building, for Pebble Mill at One. Andy’s great friend, Andy Stowe, was allowed up onto the roof by Security to take photos. They were accompanied by two sappers in case of any security issues!

Thanks to Andy Stowe for sharing the photo.

Andy Payne sadly died in the summer of 2016, he was a great cameraman, and a great bloke, and is sadly missed.

The following comments were left on the Pebble Mill Facebook page:

Pete Simpkin: ‘I recall no-one had told us at Local Radio that this was about to happen and as the noise got louder and louder we had to cut a live interview we were doing and play records until the dratted thing had landed!’

Julie Hill: ‘I remember it well. I was one of many “trapped” in the Pebble Mill Club (not that we minded of course) and watched it take off vertically on playing field. The whole building shook, the noise was incredible but awesome sight! There were often amazing other stunts too – who remembers the parachutists who landed all over the Bristol Road ha ha!!’

Philip Morgan: ‘I seem to recall leaning out of a fifth floor window to watch it land. What a way to spend lunchtime.’

Marie Phillips: ‘I remember that so well. I worked in Personnel on the sixth floor at the time and we watched the Harrier approach and then land. It was awesome and I can only describe the noise as making all my insides rattle !!’

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Going for a Song – titles

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Going for a Song was a long running popular quiz show about antiques. The original series went out between 1965-77, and was made in Bristol. John King directed on the original series, and it was him who was responsible for reinventing the show and bringing it to Pebble Mill, when he was executive producer of the Entertainment Department. The relaunch was between 1995-2001 for BBC1 Daytime, with presenters Michael Parkinson (1995-9), Anne Robinson (2000), and Michael Aspel (2001). Eric Knowles was the antiques expert.

The show was recorded in Studio A.

Sue Robinson directed many of the shows, with Helena Taylor being one of the series producers, as well as Claire Hobbs. Vicky Jepson and Kate Southcott (now Hillman) worked on the series, as did gallery PA, Jane Mclean.

Thanks to Ian Collins for making this titles grab available.

The following comments were left on the Pebble Mill Facebook page:

Dave Bushell: ‘I had the pleasure of not only working on the Pebble Mill series but also the original when it was produced in Bristol Studio A in the late 60s/early 70s.’

Mike Hayes: ‘There was an incident with a hand wound electrical generator that some guest put his finger in, his partner then just wound it up giving a shock and a good laugh for everyone else.’

Sue Johnson: ‘I did the autocue for this and remember Dave brazier telling us how happy Michael P was with the production team – very fond memories.’

Helena Taylor: ‘I was the Series Producer and great fun it was too and a great team both in front and behind the camera.’

Michael Wood: ‘First TV show I ever saw get recorded – Anne Robinson was presenting. Made me realise I really wanted to work in telly!’

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Faith in his future

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Copyright resides with the original holder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Here is the Radio Times interview with Adam Faith, talking to Gay Search, about his role in Pebble Mill’s The Husband, the Wife and the Stranger which went out in September 1986.

The drama was written by Adrian Henri, from a story by Ryunosuke Akutagawa. Peter Hodges was the vision control supervisor, Alec Robson the lighting supervisor, Michael Edwards the production designer, and Gerry Mill the director.

Thanks to the producer of the drama, Beth Porter, for sharing the article.

Beth Porter’s (long and amusing) autobiography Walking on my Hands, is available for a couple of pounds on Kindle, on the link below. Chapter 12 includes Beth’s adventures with the BBC.

https://www.amazon.co.uk/Walking-My-Hands-responsibility-Streisand-ebook/dp/B01DUWNSRQ/ref=sr_1_3?ie=UTF8&qid=1460027101&sr=8-3&keywords=kindle+Beth+Porter

The following comment was added on the Pebble Mill Facebook page:

Winnie O’Brien: ‘I worked on this drama, I did the opening title sequence and graphics, it was a fabulous project.’

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