Pebble Mill Reunion – Pimms in the Park 6th Sept 2011

Thanks to Annie Gumbley-Williams and Keith Ackrill for these photos of the Pebble Mill Reunion at the Midlands Arts Centre in Cannon Hill Park, on 6th September 2011.

The photos include: Steve Weddle, Annie Jenkins, Jane McClean, Jane Hyde, Bob Jacobs, John Couzens, James French, Howie Dartnall, Annie Gumbley-Williams, Julie Knee, Lis Walker. David Weir with Toni & Jenny Fortey & Sarah Costigan. Steve Weddle with Carol Sparrow and (back of) Nicky Barfoot/Savage. Also Sara-Jayne vision mixer, Robin Sunderland, Keith Froggatt, Kath Woolston, Laura McNeill, Neil Murray, Steve Saunderson, Dave Baumber, Dave Ballantyne, Sue Welch (Radio 2), Pete Johnson (Radio 2), Maureen Carter (ex Midlands Today presenter) Keith Ackrill, Cathy Houghton (Midlands Today journalist), Angela Jameson who was secretary to Dick Knigh before being Secretary to Radio Birmingham News, Ken Hodges and Simon Evens from engineering.

A Master of the Marionettes – photo from John Greening

Copyright resides with the original holder, probably Willoughby Gullachsen.

‘A Master of the Marionettes’ was  a 1989 ‘Play on One’ produced at Pebble Mill by Michael Wearing, with Pedr James directing.  The drama was written by Guy Hibbert, with Hilary Salmon the script editor.

L to R: Pedr James, behind Pedr is Guy Hibbert (writer), ?, Helen Smith, Rod Litherland (lighting. By the van (right) – Gareth Williams (AFM), Bobby Chapman (script supervisor). Eric Crouch (electrician) with the cloth cap at the back, Peter Wood-Fisher (Technical Manager) on the right.

The play starred Ken Cronham, John Duttine, Fiona Victory, Carol Drinkwater, David Bradley and Kenneth Colley.

The drama was about a group of salesmen, and their complicated and intertwined private lives.  The Radio Times billing read: “Teddy Rose’s passion is security – selling alarm systems to prosperous yet fearful suburban homes, one of which he and his family inhabit with conspicuous success. Then one Saturday morning a violent street encounter starts a chain of events which calls into question his every assumption and changes his life for good.”

Thanks to John Greening for making the photo available.

Lesley Weaver adds the following memories about working on the drama:

“I was the make up designer on this drama. It was shot around Oct/Nov 1988. It was the first production I worked on when I return to work after the birth of my eldest son.

I was really down about leaving my 5month old baby but there were mutiple great stab wounds ( by a chisel) for me to distract me. My assistant Helen Smith helped me keep them looking fresh on location. The exteriors were very cold so the injuries became hard & kept falling off the actors skin, then started to melt in once in the hospital scene because it was too hot! Filmed on locations around Solihull I think, in the studio at Pebblemill and the hospital scenes were shot at the Walsgrave Hospital in Coventry if I remember correctly. It had a great production crew with a nice cast, who were lovely to work with especially David Bradley & Kenneth Colley.  My 1st assistant was (Bafta award winning) Paul Gooch & the costume designer was called John Lynlard ( someone will prob correct his surname for me).”

Good Morning with Anne and Nick, Guernsey OB – Laura McNeill

Photos by Laura McNeill, no reproduction without permission.

The photos are from an outside broadcast episode of ‘Good Morning with Anne and Nick’, from the Channel Island of Guernsey.  I’m not sure of the year, but probably around 1993.  Alan Whicker was a guest.

The photos feature Anne Diamond and Nick Owen, Steve Pierson (Floor Manager), Sally (make-up), Eileen Hubball (wardrobe), Will Hanrahan (reporter), Sue Robinson (multi-camera director), Duncan Howell (design), Laura McNeill (sound).

Despite the hard work, it looks like a good time was had.

 

Studio C, Calrec Sound Desk – Peter Poole

Photos by Peter Poole, no reproduction without permission.

Studio C was the Foyer, made famous by ‘Pebble Mill At One’. In the early days of ‘Pebble Mill At One’, Studio C did not have a dedicated Production Gallery.  Studio A or B’s Galleries were used depending on which one was available. About 1982 Studio C had it’s own Gallery built. This enabled much greater use of the Foyer by other programmes. ‘Saturday Night At The Mill’ and ‘Good Morning With Anne And Nick’ were among many programmes to be broadcast from Studio C. In the final years of Pebble Mill the Foyer was used to record the daytime drama ‘Doctors’.

The photos show the Studio C, Calrec Sound Desk, which gave similar facilities to the Studio A desk, and offered more channels than the Studio B desk. It was very well designed for live broadcasting.

Peter Poole

The 206 team, Radio WM – Viv Ellis



Copyright resides with the original holder, no reproduction without permission.

This Radio Times article from 1981 promoted the relaunch of Radio Birmingham as Radio WM, and 206.  The station enjoyed much improved reception due to two new transmitters.

The article interviews Viv Ellis and Stuart Roper of the 206 Team, who were on air for four hours a day, Monday to Friday.

Thanks to Viv Ellis for making the article available.