The World of James Herriot – exhibition

Photos copyright of ‘The World of James Herriot’, no reproduction without permission.

‘The World of James Herriot’ in Thirsk in North Yorkshire celebrates the life of ‘James Herriot’ (James Alfred Wight).  It is currently staging a special exhibition about ‘All Creatures Great and Small’.  The series was filmed on location in Askrigg in the Yorkshire Dales, with the interiors recorded in Pebble Mill’s Studio A.

Several months ago the organiser of the exhibition asked permission to use some of the ‘All Creatures’ photos posted on this website – which the takers of those photos were happy to agree to.  Tim Savage had taken photos of the Studio sets, and Maggie Thomas of the locations.  Several people who worked on the series are also quoted in the exhibition, including make-up designer, Maggie Thomas and  sound technician, Paul Balmer.

The organiser of special exhibition sent me these photos of the display, and you can see Paul and Maggie’s contributions on one of the boards.


Radio Birmingham trip on the river – photo by Annie Gumbley

Photograph by Annie Gumbley, no reproduction without permission.

The photo shows a Radio Birmingham trip on the river Severn at Worcester, featuring Geoff Meade and Andrew Thorman. Geoff Meade now works for Sky News, and Andrew Thorman is executive producer of ‘Countryfile’ and the farming output on Radio 4.

End of Gardeners’ World Party 1991 – photos by Gail Herbert


Photographs by Gail Herbert no reproduction without permission.

These photos were taken at the end of ‘Gardeners’ World’ party 1991.  This was when ‘Gardeners’ World’ stopped being made in-house at Pebble Mill, and became an independent production, made by Catalyst Television. Ten years later the contract returned to BBC Birmingham.

The first photo includes left to right: Steph Silk (editor), Vanessa Jackson (researcher), Sophie Marsh (production secretary), Patti Evans (PA), Chris Hardman (PA).

The second photo includes Annette Martin (director), Alan Duxbury (cameraman).

Malcolm Stent – Radio WM Photocard

Copyright resides with the original holder, no reproduction without permission.

Malcolm presented on both Radio Birmingham and Radio WM, with ‘Folk Scene’ and ‘Malcolm Stent in the Barmaid’s Arms’.  He was often accompanied by his guitar, and never relied on scripts or running orders!  He was described on the BBC website as a ‘folk-singing humorist’.

Thanks to Stuart Gandy for making this Radio WM photocard available.

The following comments have been left by people who remember Malcolm’s show:

Lynn Cullimore: We were lucky enough to be able to pick up the Barmaid’s Arms from WM and do a TV version.  I
did several series with Malcolm Stent. He is still working and often does things with the comedian Don Maclean who I have only recently met up with again, as I also worked with Don. John Clarke was the producer for Regional TV. Malc is great fun and a lovely person.  I was the production assistant on barmaid’s arms for regional television and I loved it. The sets were fantastic – Mary Spencer was the designer and we had “customers” who had to have little tokens to get drinks as of course they were restricted! Malc and Rosie – yes her name was Mary Lloyd were brilliant. Oh happy days.

Andrew Langstone: Memories of ‘The Barmaid’s Arms’ with Malc and Rosie – those wonderful sound effects of a pub – clinking glasses and jolly background chatter. I think Rosie’s real name was Marie Lloyd [it was actually Mary Kendall]. The whole concept of a lunchtime in a pub with gentle banter and music ”from the juke box” was inspired – another of Mr Pickle’s ideas? It’s a pity BBC WM has such a different sound now – but that’s another story!

Tim Manning: The Barmaid’s Arms was a big success for Radio WM and for Malcolm, a daily chat show with its stereo pub sound effects in the background, and a cast of fictitious regulars (like Simon the Crisp Man). People used to turn up at Reception at the weekend asking for directions, and it’s one of very few local radio shows to have been turned into a regional opt-out TV series. All the music played was supposedly on the jukebox, although Rosie the barmaid did say she liked “those copulation albums”!  Yes, it was very much a John Pickles concept. He once said to me that he thought of that WM schedule as being “a bit like a street”, starting the day over the breakfast table with news and the papers, followed by coffee with friends and neighbours (The 206 Team), popping into the pub at lunch time (Barmaid’s Arms), then a quiet time after that before picking up the kids from school, or coming home from work in the rush hour. One of his most inspired ideas was the “romance” between Stuart Roper and Viv Ellis, which was only ever really mentioned in other programmes, until the surreal and wonderful fake OB of the wedding on April Fool’s Day.

Pete Simpkin: Malc bless him is still at work in his favourite medium the stage and regularly writes produces and stars in the Solihull Arts Centre Annual Traditional family pantomime. I was honoured to help him with the technical side of his early days at Pebble mill where he presented Folk Club on Radio Birmingham. We also shared some stage talent shows which I produced at the Old Rep theatre and I produced his famous album ‘Malc Stent is not a working class Millionaire.’ After the tragic axing of the Barmaid’s he went onto be the ‘Warm up’ man for ‘PM at One’.


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All Together Now – photo from John Greening

Copyright resides with the original holder (probably Willoughby Gullachsen), no reproduction without permission.

‘All Together Now’ was a play about a brass band (mildly comic) and a pre cursor to the Pete Postlethwaite film  ‘Brassed Off’.  Clive Swift, is the father of gardening presenter Joe Swift, and later went on to work on ‘Keeping Up Appearances’.  The play was originally a theatre piece, playing at the Nottingham Playhouse, amongst others.

Clive Swift has identified those in the photo, and makes the following comments: from left to right the actors are Ann Hockney (an amateur I think), Chrissy Roberts, ME, Alan Starkey, Michael Griffiths. The play, directed by Robin Midgley and written by Peter Buckman, was debuted at The Haymarket Theatre, LEICESTER, on 1979. (It later played at the Greenwich theatre, London, with Tony Steedman replacing me in the lead, and was televised on BBC 1 during the 1980′s, with me again). Director David Attwood’s debut.