Category: Building

The Pebble Mill Building

More spooky goings on at Pebble Mill – Kath Shuttleworth

Kath Shuttleworth with Johnny Ball

 

 

 

 

 

 

 

 

 

 

 

 

There are many tales of spooky goings on at Pebble Mill. I too had a slightly unexplainable experience in Studio 3. Whilst staying late one evening to prep some SFX I was working in the cubicle and the lights on the studio floor were off. I heard the sound of the studio door open as if being picked up via one of the mics and coming out of the speakers. I assumed it was security doing their checks but when I looked at the desk there were no mics faded up. Strange I thought and carried on working. I was at the back of the cubicle and several times turned round suddenly as I could have sworn someone came in through the door at the back. At this point I thought this was all getting a bit weird but put it down to being tired and went home.

The next day I mentioned this to a colleague who wasn’t surprised to hear my tale and told me more tales of mysterious moving props, rearranged furniture and similar bizarre goings on. A few months later another of my colleagues also had a weird experience of strange things happening with CD players and unexplained sounds coming from the speakers.

Before we left Pebble Mill we did a piece for Halloween for Late Night Currie. The programme was broadcast from the Mailbox but we still had the ISDN facilities in Studio 5 at the Mill so we did a little OB from there. We had various psychics and ghost hunters in studio 3 at Pebble Mill trying to fathom out all these ghostly tales and see if there was anything there!

After the TX the ghost hunting team said they’d love to do an all night ghost watch before the building was demolished. So we did! It was all very spooky and there were certainly some cold spots and unexplained feelings around Studio 3 and some of the basement areas.

I do have a copy of the report but it is not conclusive as to paranormal activity. All I know is that there are certainly some good tales of spooky goings on and having experienced something bizarre myself I have to admit I’m not quite as sceptical about ghosts as I once was!

Kath Shuttleworth

Strange Events at Pebble Mill – blog by Peter Poole

Archers' Studio, circa 1971

photo by Philip Morgan

This event was told to me about Radio Studio 3. This was the drama studio made famous by ‘The Archers’. One morning when the studio door was unlocked it would not fully open. This was due to several chairs that had been pushed against the door from the inside. This door was the only entrance so it’s a mystery how this happened. This may be a tall story told to new BBC staff. I can’t remember who told me. Has anyone else heard this story? I found another story about this studio on this website http://www.unexplained-mysteries.com/forum/index.php?showtopic=4602 .

This other event happened to me. It was the late 1970s and I was working alone one evening in the dubbing theatre. A little later Brian Telford came in with a tape recorded earlier in a village church. This was a recording of organ music for The Archers. The tape had a high frequency noise on it. Brian wanted to filter this noise using the dubbing theatre’s graphic equaliser. As we listened a very loud crash could be heard when the music had finished. But it sounded very strange, as if it was backwards. I played the tape backwards and the sound of a large door being slammed shut was heard. Brian said he was unaware of any such sound when the recording was made. I can’t remember what happened to the tape or if any investigations followed this event. The high frequency noise was probably due to RF induction. That is the microphone cable acting as an aerial and picking up a signal from a radio transmitter. If the church was near to the Droitwich transmitter  this could happen. Maybe Brian faked the tape and it was all a practical joke. If this was the case he did a great job. But I feel this was unlikely. I’m very sceptical about the paranormal but can’t explain how this backwards door slam was recorded. Anyone have any ideas?

Peter Poole
(It is Roger Slater being the spot operator, knocking on the door, in the background of the Archers’ Studio photo)

Nagra – photos by Ian Collins

Photos by Ian Collins, no reproduction without permission.

Video editor Ian Collins took photos of various pieces of post-production technical kit before the fixtures and fittings of Pebble Mill were sold off in auction in Autumn 2004.

These photos are of a Nagra audio recorder. They were used in the PSC (portable single camera) edit suites until the 1990s. They were very rugged and reliable.

Please add a comment if you can add information about how the Nagras were used.

 

 

 

The following comment was made by recordist Murray Clarke about location Nagras: ‘Of course the Nagra 3 and 4s were the standard sound recording machine for location recordists for many many years before DAT became more common. I bought my mono Nagra 3 in 1971 for a cost of around £3200. I took it up to Yorkshire for a couple of episodes of all Creatures Great and Small – and it rained solidly for a fortnight!!!. My ‘over-qualified’ boom op and assistant was Dave Baumber, then the Dubbing Mixer at the newly-built Pebble Mill studios.’

Christopher Hall adds the following information: ‘This is a Nagra T. T for twin capstan. They had a computer controlled synchroniser which could chase timecode from the VT machine in an edit suite at high speed. I went on a factory course for these in the late 1980s. We spent a whole day learning how to repair the motors, and when we asked how long they usually lasted for a discussion in French and German revealed that they didn’t know because none had stopped yet!’

Paul Vanezis: ‘I tracklayed 10 episodes of ‘Chalkface’ and 8 episodes of ‘Specials’ on a Nagra T…’

Peter Poole: ‘This must be the finest tape recorder ever made. I spent ages trying to get film unit to buy one for the transfer suite. It never happened. But after seeing the price I could see why!’

Pete Simpkin: ‘Totally agree with you Peter……I used one to great effect recording a nightingale for a Radio Birmingham programme in the 70s. The standard reporter’s Uher was not up to the job and the simple version Nagra gave level control, mixing of two mics AND ‘off tape’ monitoring!’

BBC Birmingham Studio Centre, Broad Street -Philip Morgan

The BBC Birmingham Studio Centre was at 282 Broad Street if I recall correctly. When Pebble Mill opened it was left derelict until the 1980’s and then demolished along with the adjoining buildings to make way for the new night life developments along Broad Street.  The building was not on the site of the Hyatt Hotel but somewhat further down towards Five Ways.

One Saturday morning during the demolition I went along and asked the foreman if I could take a look and grab a souvenir.  Despite the precarious nature of the site (as it was already being obliterated) he cheerfully let me go in – without a hard hat or high-vis jacket either!

I went through the half-timbered glass doors from Broad Street and up the staircase. The whole place was damp and musty and I explored various rooms and areas including what I believe was the former main control room.  I managed to salvage a battered little wooden box with two studio warning lights which had presumably been above an entrance to one of the technical areas.  It was sad to see the building in such a sorry state.  I certainly never expected I would make a similar visit to its successor in the dying days of Pebble Mill.

Philip Morgan

 

 

 

 

 

 

 

 

 

 

 

Brian Johnson adds the following comment on the Facebook page:  ‘I worked in the TV control room at Broad Street (then called Switching Centre) at the time that BBC 2 was just starting colour transmissions. At that time the Sound Control Room was separate and on a different floor. The two were combined into the Communications Centre when it was all moved to Pebble Mill.’

Shibaden Tape Recorder – photos Ian Collins


Photos by Ian Collins, no reproduction without permission.

Before the Pebble Mill auction in 2004 and the demolition, VT Editor, Ian Collins decided to take record photos of much of the post production kit, particularly obsolete items which were being disposed of.

These photos are of the Shibaden 1/2 Video Tape recorder – model SV 700, which was the most popular model in the range.  These machines came out in the late 1960s and were used well into the 1970s.  They were open reel to reel videotape recorders, recording in black and white.  The tapes moved at 7.5 inches per second.  Shibaden also made cameras, sync generators and monitors, and were a rival to Sony.

Apparently this tape recorders are very rare now.