Photos from Kathryn Shuttleworth, no reproduction without permission.
We went through a phase of putting signs on the studio doors of the productions that were currently being recorded.
I spent a lot of time in Studio 3. Always busy with The Archers and Radio Drama. Should I mention that I have the door signs at home!
Kathryn Shuttleworth
(Here are some memories from Paul Vanezis of Pebble Mill film editor, Peter Snow who died recently).
You know, I knew Peter so long ago it’s weird looking back and remembering the man. He always seemed older than he was for some reason. I can tell you he was a very accomplished film editor. But like many of the editors in the early days of portable single camera, he adapted to videotape editing faster than some of the VT guys who started as engineers. He had a pony tail and we would often meet up in the canteen for lunch at 1pm with everyone else. In those days, lunch was lunch. If you worked in VT you’d spend it in the bar. If you were Film Unit, you’d be in the canteen from 1pm, have lunch and then have a walk over in Cannon Hill park (spending Friday lunchtimes in the bar).
I used to race Peter up the main stairs at Pebble Mill; it was his idea. He reckoned that if you started suddenly, raced as fast as you could and didn’t stop until you reached the top, you wouldn’t feel tired. He was right… the tiredness in the legs kicked in around 3pm if you weren’t careful (and there was no way I could do it if I’d been in the pub the night before). It of course we were first in the queue for the best the canteen had to offer…
One thing that he worked on which I think people have forgotten about was the Kegworth air crash coverage. At the time flight safety was very much in the news because of the Lockerbie crash three weeks earlier. I am sure Peter told me that he was working at BBC Nottingham in news at the time (January 1989) and he had to travel to the crash site, walking over fields so he could retrieve tapes from the cameraman; or he was with the cameraman and had to walk the tapes back. The M1 motorway was shut, the tail of the plane had clipped the ground as it tried to make an emergency landing at East Midlands airport.
I recall he was very intelligent, well spoken with a dry sense of humour and a really very nice man.
Paul Vanezis
The following comment was left on the Pebble Mill Facebook page:
Liz Munro: ‘What a Lovely tribute to Peter. He was a very accomplished editor, softly spoken, and lovely to work with. I’d arrive in the edit suite completely frazzled from a mad dash down the M6 to get the lead story to air. He’d be a sea of calm and all smiles.’
Pebble Mill car park 1980
View of the Quadrangle 1980
Pebble Mill Garden 1980
Photo by Stuart Gandy, no reproduction without permission.
The second photo shows the view into the quadrangle. Notice that this is before the sliding roof was installed and before the space was generally used as a studio area.
In the garden picture that bit of the garden that you can see I think was known as Peter Seabrook’s Garden. It was the studio garden for ‘Pebble Mill at One’.
The following comments were added on Facebook:
Pete Simpkin: ‘The ‘garden’ picture also shows three of the Radio studios, a great loss to the Birmingham area. The sky shot of the Quad shows the first floor wall of Comms Centre and on the ground level the Reception ‘bypass’ corridor, which came into it’s own when PM@1 arrived! ‘
Lorraine Randell: ‘Can’t remember the times I searched the car park for my car, then remembered I had parked on the street. Sun bathing in the quad – and oh the controversy over the sliding roof.’
Peter Poole: ‘I remember Midlands Today being broadcast from the Quad area one summer. Diane Kemp looked great in her summer dress! ……Studio 1 had excellant acoustics but did suffer from traffic noise at rush hour. After producer choice it became too expensive for radio use. It was then used as a TV studio but it’s acoustics were not ideal for TV programmes. Studio 2 in it’s final setup was a very well equipped music studio. Audio unit had the staff to produce top quality recordings.’
John Fincham: ‘I used to love recording there’
Diane Kemp: ‘I remember dancing through the Quad with Simon Bates for the top of one of our ‘Take a Break’ programmes. Worryingly I also remember John Craven and I discussing who’d take part in the live Guillotine demonstration we had in one of the programmes. Whose idea WAS that?’
Photo by John Burkill, no reproduction without permission.
The photo takes from October 1980. It looks like part of an outside broadcast set up.
The portable 2″ quad recorder, in the briefcase on the side is an Ampex VR 3000. It was a specialist piece of kit designed for field recording, when it wasn’t possible to take a full 2″ machine. Even so, it was pretty heavy to carry around – weighing 55 pounds! It was capable of high or low band recordings, used 20 minute reels, and could be powered by battery or on AC. Visit this link for more information: http://www.oldradio.com/archives/hardware/TV/Ampex/VR3000.htm
The men in the photo are John Smith (multi camera director), Peter Hodges (sitting down) and Derek Price (engineering manager).
The shoot was almost certainly for a ‘Pebble Mill at One’ programme, since John Smith was one of the principal directors on the show.
Paul Vanezis added on the Facebook page that the ‘Pebble Mill at One’ titles, with the fisheye look, were in fact recorded on an Ampex VR 3000, as were some of the opening titles of ‘Look! Hear!’.
Please add a comment if you can add any information.
(Norman McLeod remembers the following incident involving the VPR20, a portable 1″ recorder)
Nigel Evans and Ian Dewar spent 3 days and nights trying to repair the beast in Raffles Hotel Singapore – a ‘Pebble Mill at One’ Summer shoot in 1984 with Donny MacLeod, Paul Coia, Peter Seabrook. Eventually, an Ampex engineer was diverted from Malaysia with chips. The then Video Manager refused to let us take one of the new-fangled Beta portables as back up, so we had to borrow a Singapore TV VHS for the first part of the month. Don Cooper was camera, Roger Casstles directed, Arthur Binnie producer, Nicky Barfoot prodn. asst. Dick Bentley E.M. All our credit cards (especially Dick’s) were hammered to pay for facilities not covered by production – especially the Tiger beer.
Also used on Loch Ness on a Scottish adventure with John Smith – Whisky distillery at dawn: and the “Sealink Cycle Race” with Norman Steemson sitting in the boot of a Rover hatchback from the Isle of Wight to Sheffield.
Norman McLeod