Category: Television

‘All Creatures Great & Small’ – Make Up Artist, Maggie Thomas

Maggie Thomas Make-up Artist

The First Series Of ‘All Creatures’

Christopher Timothy, Peter Davison and Carol Drinkwater were with us all the time, since most of the storylines required them to be ready for their scenes all day. My main responsibility was Chris and Carol. How lucky was that? They soon became my dearest friends and keeping Chris’s period haircut neat was really the most make-up I needed to do for him. We were really aiming for the totally natural country look and with Carol it was a matter of controlling her beautiful natural curls into a slightly more old- fashioned look. So, apart from hats on and off and making sure that wind-blown pieces of hair were in the same place for continuity, the actual make-up job seemed pretty minimal, until we realised that every storyline had an injured animal in it and that my Designer and I would, as far as possible, be doing them!

What we didn’t know was that every animal injury in the storyline would require a lot of attention from the Make- up Department. It soon became very clear that we were going to have our work cut out to achieve some believable looking animal injuries and other problems that I will now relate to you. Another lovely job that came our way was mud – on and off at all relevant times, i.e. when an artiste slipped over in a cowshed or an animal had a sudden and unexpected movement that made the artiste get dirty. So, at the start of every day we had to mix up our bucket of artificial mud that went everywhere with us, just in case! That was not the worst thing we had to produce. Every day the script would throw up things like puss in the horse’s hoof which had us propositioning the catering wagon for a mixture of mustard and mayonnaise which we then put into the hole in the horse’s hoof that the real vet Jack Watkins had cut out in readiness and then we put some of the horny hoof bits back over it so that when Chris (Mr. Herriot) started to use the hoof implement the puss would ooze out.

Excerpt from ‘Dishing the Dirt’ by Maggie Thomas, available from Amazon, authors on line

Weekend Live – Keith Ackrill’s photos

Photos taken by Ketih Ackrill, not to be reproduced without permission.  ‘Weekend Live’ was a live entertainment show, staged in the courtyard behind Studio 3.

Sophia & Constance – Maggie Thomas’s photos

These photos were taken by Makeup Artist, Maggie Thomas, on location in France (Paris and Rouen), in the Black Country Museum in Dudley, and in Studio A at BBC Pebble Mill.  ‘Sophia & Constance’ was a 6 part period drama, transmitted by the BBC in 1988.  It was an adaptation of Arnold Bennett’s novel: ‘The Old Wives’ Tale’.  It is set in 1964 in the town of Bursley in the potteries.  It is the tale of 2 sisters: Sophia and Constance.  Constance is the older and quieter sister, and is content to live and work in the family’s draper’s shop, whilst Sophia is more adventurous and outrages the family by becoming a schoolteacher.  The series was directed by Allison Romey and David Hugh, and produced by John Harris.  The Executive Producer was Colin Rogers.  The cast included: Catherine Cusack, Melissa Greenwood, Patricia Routledge, Alfred Burke, Nigel Bradshaw, Freda Davies and John Scott Martin.

Pebble Mill at One – Keith Ackrill’s photos

Most of these photos of Pebble Mill at One were taken by Director Keith Ackrill, and must not be reproduced without his permission.  They include photos of Donny Mcleod interviewing Ron Moody and Jimmy Saville, George Hamilton IV and Andy Williams in rehearsal, as well as a black and white photo from 1975 of the Pebble Mill film crew on location in Burnley.  This photo features, left to right: Richard Ganniclift (cam), Sam Hanna (contributor), Peter Casselberg (sound), Keith Ackrill (director), Tim Johnson (cam).