Oliver White (Editor) – his unreliable memoirs: ‘Shakespeare or Bust’

Shakespeare or Bust by Peter Terson, directed by lovely Brian Parker


I’d cut ‘The Fishing Party’, directed by Michael Simpson, who was at that stage director of the Birmingham Repertory Theatre.  So it was great to return to such excellent material, working with Brian Parker.  A party of us went to see Brian Glover wrestle in Wolverhampton.  Now Brian had had trouble being allowed to ‘have a go’, until one night the continental Super Star didn’t turn up, so they said, ‘You’re on! But you’re not Brian Glover, you are Leon Arras!’  So that’s the name Brian fought under, until one dreadful night a great Frenchman turned up, poked him in the chest, and said, ‘Vous est NOT Leon Arras, pour moi est le REAL Leon Arras!’  After that it was ‘Brian Glover’ who took to the ring!  The night we went was the most hilarious of my life.  When Brian was on top NO ONE could have looked more smug and arrogant!  How we boo-ed!  Then with one flick, he was on the floor, being squashed! NO ONE could have looked more abject, and hard done by.  We were weeping with laughter…….

When Peter Terson came to see the rough cut.  He was covered in blood.  We didn’t like to ask what had happened.  Had he murdered someone?


Memories of Pebble Mill

Pete in WM Studio 1

From PETE SIMPKIN  – Radio Birmingham/WM producer and presenter 1970-1988

Pebble Mill was a pioneering Broadcasting Centre custom built to house the cream of the BBC’s non metropolitan broadcasting and its staff. It unified under one roof several premises in Birmingham and so brought together all the talent and technology for Broadcasting in the 70s and 80s. It also was the headquarters of the BBC’s non London Organisation.  Others will tell the story of the building, of it’s multitude of programmes both on TV and Radio. There was a high profile Radio operation including drama and Music of all kinds, not forgetting of course the fact that it was the home of ‘The Archers’, the Radio soap opera.

For my part it was a terrific place to work. Local Radio was the first part of the operation to be homed here as it went ‘On air’ as the Mill was being commissioned. Wherever there are local radio broadcasters there are thousands of tales to tell and so I have collected here just four personal memories which pull together the magic of working at Pebble Mill and the ways in which this extraordinary building operated for good or ill!

New Writers

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IT CAME FROM PEBBLE MILL 2-4 July at mac, Birmingham

Long before shows like The Wire and The Sopranos ripped up the television rule-book, a corridor of the BBC’s Birmingham studio was rivalling HBO in the range and riskiness of its output. Over the course of a decade from 1972 onwards the unpromisingly-named English Regions Drama department created a unique culture where young writers and directors could flourish,  where sci-fi and cop-show were taken in strange new directions, and where contemporary Britain in all its glory and messiness was reflected on the small screen. Last month the UK was represented at the Cannes Film Festival by Mike Leigh and Stephen Frears, two acclaimed filmmakers who developed their craft on that very corridor. It Came From Pebble Mill offers a rare opportunity to rediscover some of the best work from that period and to find out how those who made it got away with it.

Highlights include:

Licking Hitler – David Hare’s first film, about a World War 2 propaganda unit

Nuts in May – cult Mike Leigh comedy about class warfare on the campsite

Empire Road – Britain’s first (and last) black soap opera, set in Handsworth

The Muscle Market – a precursor to Boys From the Blackstuff, starring Pete Postlethwaite and Alison Steadman

GangstersThe French Connection comes to Spaghetti Junction

Plus landmark films from writers including Ian McEwan, Alan Plater and David Rudkin, and the half-hour play which featured British television’s first lesbian kiss.

Just like HBO, the department built its reputation by allowing writers to experiment. Having scored a hit in the 60s with police series Z Cars, producer David Rose established an environment with as little interference as possible from London. Cast and crew were all based in Birmingham during rehearsals and shooting, and in smoky corners of the BBC social club ideas were thrown around and new alliances were forged. Often shooting film on location – as opposed to the video-shot studio drama which dominated at the time – Pebble Mill produced gritty realism but also surreal comedy, sharp satire and the enduring poetic visions of films like Penda’s Fen and Red Shift.

Remarkably enough Rose went on to repeat this feat in the 1980s at Film Four, and recently his achievements were recognised with a Fellowship of the British Film Institute. Along with many of his colleagues from that time David Rose will be returning to Birmingham for this very special weekend of screenings and discussions at the newly refurbished mac, just around the corner from where Pebble Mill once stood.


Friday 2 – Sunday 4 July, 2010


Mac, Cannon Hill Park. Edgbaston, Birmingham B12 9QH


Call 0121 446 3232, or buy online at www.macarts.co.uk.

Full programme information also available at www.7inch.org.uk.

It Came From Pebble Mill is presented by Birmingham City University and 7 Inch Cinema, with support from the National Lottery through ScreenWM. Additional support provided by the BBC, British Film Institute and Aquila TV.