Performer at Pebble Mill

Photo by Bhasker Solanki, no reproduction without permission

Harold Rich at the piano and John McCulloch on bass.

Colin Pierpoint added the following information on the Pebble Mill Facebook page:

Harold Rich was a great broadcaster, and a nice guy. I remember him in Studio 6 at Carpenter Road. He knew the Type A studio equipment so well that he was passing useful information in private back to the control cubicle, by putting on cans and speaking quietly into the piano mic. He knew that the SM (Dave Welsby) could reply on Transmission Talkback and nobody else would hear the conversation. That way he was talking about the vocalist, and suggesting how to improve her performance.

Showaddywaddy

Photos by Bhasker Solanki, no reproduction without permission

These photos by cameraman Bhasker Solanki are from a Showaddywaddy performance at BBC Pebble Mill.

The camera operator in the lower photo is the late Bob Hubbard, and seated next to him is Robin Sunderland, also a camera operator, probably then an assistant.

Robin has kept the hat safe all these years, and here he is with it in 2021.

Great Expectations photos by Bhasker Solanki

Photos by Bhasker Solanki, no reproduction without permission

‘Great Expectations’ 1981, made at Pebble Mill. It would have been recorded in Studio A, for the interiors and on 16mm film on location, for exteriors. Actor Philip Joseph playing Joe Gargery the blacksmith. The editor was Oliver White, assisted by Ian Bellion.

Here is the link to more information on the BBC Genome project: https://genome.ch.bbc.co.uk/search/0/20?q=Great+Expectations++Phillip+Joseph#top

Below is the listing for episode 1 from the Radio Times

‘Great Expectations’ by Charles Dickens, dramatised in 12 parts by James Andrew Hall
Starring Gerry Sundquist as Pip, Stratford Johns as Magwitch, Joan Hickson as Miss Havisham, Phillip Joseph as Joe Gargery, John Stratton as Uncle Pumblechook

A lonely little figure hurrying home across the marshes… The sudden terrifying appearance of a brutal escaped convict – and Pip is launched on an adventurous journey that changes him from blacksmith’s apprentice to snobbish young gentleman.

 

Author:Charles Dickens
Dramatised by:James Andrew Hall
Music composed by:Paul Reade
Film Cameraman:John Kenway
Script Editor:Terrance Dicks
Designer:Michael Edwards
Producer:Barry Letts
Director:Julian Amyes
Pip:Gerry Sundquist
Magwitch:Stratford Johns
Miss Havisham:Joan Hickson
Joe Gargery:Phillip Joseph
Uncle Pumblechook:John Stratton
Pip, aged 9:Graham McGrath
Mrs Joe:Marjorie Yates
Compeyson:Peter Whitbread
Mr Wopsle:Peter Benson
Mr Hubble:Walter Sparrow
Mrs Hubble:Christine Ozanne
Sergeant:Adrian Bracken
Orlick:Linal Haft
Estella:Patsy Kensit
Pip, aged 12:Paul Davies-Prowles
Camilla:Janet Henfrey
Raymond:Edmund Kente
Sarah Pocket:Mollie Maureen

 

Inside Out 1985

Photos by Bhasker Solanki, no reproduction without permission

Jim Gray, being assisted by Simon Bennett, on the jib camera in the first and third photo.

The following comments were added on the Pebble Mill Facebook page:

Gareth Williams: It’s Inside Out from 1985 – Floor Assistant yours truly. Directed by Pedr James and Tony Smith. Costume by Janice Rider and Sally Nieper, produced by Sally Head, Script Ed a very young Caroline Oulton , theme tune Phil Collins. It all goes a bit hazy from there…!

Janice Rider: Lou Wakefield ( bottom R ) seated with back to us , played the lead

Gareth Williams:And Gwyneth Strong, standing, later ‘Cassandra’ in OFAH.

Heron Crane – Bhasker Solanki

Photo from Bhasker Solanki. Copyright resides with the original holder, no reproduction without permission

 

The following comments were left on the Pebble Mill Facebook page:

Robert Meikle: Its a Heron. Great fun to drive in a studio with little in the way of a set. I tracked one for a series of dance shows, basically The Black and White Minstrels, but not with the black make up. Very fast crabs all over the floor, with Ron Greene being very cool on the front. Also good for very, very slow creep in, before zooms were commonplace. Example, also with Ron, Pete and Dud in ‘Not Only but Also’. Happy memories of obsolete ways of working. For the anoraks, powered by hydraulic motors, compressor powered by 3 phase AC, could go for a distance with electrical power off, in silence.

Ian Keown: It was a very scary machine to drive, as it could crab (all 4 corner wheels moving), or steer, with just the two rear wheels moving. It went forward and reverse, and in crab mode if you went all the way round with the wheels, they became reversed, as quite a few studio walls and sets could testify! On the front, the left foot pedal was for craning up and down, and the right pedal moved the seat left and right, but if you had your whole foot on the pedal, and pushed your toe down, the seat moved to the left!It was a monster whichever end you sat on!!

Mark Smithers: Once did a play called ‘The Fallout Guy’ with Dave Bushell as the LD. There was a longish scene with a drive through the desert, so to show movement we mounted a 5k lamp where the camera usually is and I sat on the front to point the lamp with the camera supervisor Paul Woolston driving.

Laura McNeil: That was the only drama I did from start to finish, sound from pre to post-production. I loved working on it. Then I didn’t get a credit on it but the runners did. I almost cried it was awful as I found out when the end credits rolled in the edit suite.

Richard Stevenson: Looks like it’s still in the camera store. All the cable coiled up on the back. As far as I know it never went up to [Studio] B – no height in that studio anyway.

Simon Tooley: It used to come out of the store for ‘Crimewatch Midlands’. There was one mark on the floor, and I used to sit on the back of it in the same place for the whole show! If I remember rightly.

Alan Hussey: Very versatile dolly in the hands of an expert tracker – you could slip it from track to crab on the move. On the front both feet and both hands had individual jobs.