Camera crew in the Club

Photos by cameraman Bhasker Solanki of the camera team relaxing in the BBC Club after a recording. The photos were taken on 17th August 1984. The event was Bhas Solanki’s leaving do. He was going to work in London.

Photos by Bhasker Solanki, no reproduction without permission

Jim and Julia Gray, John Moorcroft, Simon Bennett

Keith Schofield, Jane Weir, Philip Thickett, Bhasker Solanki

Inside Out 1985

Photos by Bhasker Solanki, no reproduction without permission

Jim Gray, being assisted by Simon Bennett, on the jib camera in the first and third photo.

The following comments were added on the Pebble Mill Facebook page:

Gareth Williams: It’s Inside Out from 1985 – Floor Assistant yours truly. Directed by Pedr James and Tony Smith. Costume by Janice Rider and Sally Nieper, produced by Sally Head, Script Ed a very young Caroline Oulton , theme tune Phil Collins. It all goes a bit hazy from there…!

Janice Rider: Lou Wakefield ( bottom R ) seated with back to us , played the lead

Gareth Williams:And Gwyneth Strong, standing, later ‘Cassandra’ in OFAH.

Bob Meikle and Jim Gray

Photo by Richard Stevenson, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

This photo is of cameramen, Bob Meikle and Jim Gray, sitting in the Crush Bar, outside Studio A, enjoying a break and a snack. It was taken by Richard Stevenson in February 1990, when Bob and Jim were presumably working on a show in Studio A.

The following comment was left on the Pebble Mill Facebook page:

Stuart Gandy: ‘This was when the servery for the crush bar was downstairs, before eventually moving to the corridor above.’

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Going for a Song cast and crew

Copyright resides with the original holder, no reproduction without permission

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Thanks to Gill Thompson for sharing this photo of the cast and crew of Going for a Song,  the antiques panel game show.

Included are: Michael Aspel (presenter), Eric Knowles (antiques expert), Claire Hobbs (producer, front, black jacket), Helena Taylor (series producer, sat on the camera), Dave Wilkins (camera), Toby Horwood (camera), Mark Scott (director), Gill Thompson (audience organiser, pink top behind camera), Adam Schoon (antiques consultant), Dave Bushell (lighting director), Keith Knowles (engineer) in orange top next to Dave Bushell, Pete Eggleston (with beard, engineer), Dave Ballantyne and Keith Salmon (cameras) on the right, Sue Russell (production secretary and hospitality, left-handside, beige patterned top), Dave Brazier (blue shirt and tie, floor manager), Ron Poston from the BBC Club is next to Dave. Back row, top left in pink is Chris Reely (sound), Jim Gray (camera, back row, black jumper, moustache), James French (camera, black top, centre back), at the back on the left is Dave Savage (black top with white stripes) and Chris Reeley in the red t-shirt is at the top left – both Senior Audio Supervisors

Thanks to the following for their help in identifying people: Shareen Worthington, Dave Bushell, Jane Mclean, Jan Poston, Steve Admans,

 

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Resources booklet mid 1990s

IMG_4455 IMG_4456 IMG_4457 IMG_4458 IMG_4459 IMG_4460

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission. This booklet was produced in the mid 1990s, as Resources were sold off from the rest of the BBC by John Birt, and had to commercialise activities.

The following comments were left on the Pebble Mill Facebook page:

Dave Bushell: ‘The David Suchet production was ‘Bingo! by Edward Bond. David was a brilliant actor to work with – he always found his light!

The betacam cameraman is Jim Gray and in the left hand image it looks like Sue Cook interviewing with cameramen Paul Woolston and Doug ? and FM Steve Pierson.’

Stuart Gandy: ‘Although I can’t put a name to the productions, that little picture bottom right of the Aston brings back memories for me from the time I was engineer for graphics. The keyboard is for the Aston 4 character generator, which was a step up from the stalwart Aston 3’s we had. It could of course do more and fancier captions and the hands seen there would have been those of one of the specialist Aston operators working in the graphics department. The little box above it was one of the 6 or so homebuilt talkback boxes that allowed communication between the studio gallery and the aston desks in the graphics area. A era of turbulent change.’

Peter Poole: ‘Studio 3, the late Mark Decker and Archers producer. Dubbing Theatre, Neve mixer.’