Copyright resides with the original holder, no reproduction without permission
Thanks to Ann Chancellor-Davies for sharing this promotional film poster, and the front page of the rehearsal script, (Ann’s huband Gavin, was the production designer on the film). It never ceases to surprise and delight me, how many script front pages have been kept by people – they are such a mine of useful information!
Fellow Traveller was the only cinematic feature film to be made at Pebble Mill, it was transmitted on 10th February, 1991 on BBC2.
Below is the entry from the Radio Times, courtesy of the BBC Genome project:
“Starring Ron Silver, Imogen Stubbs, Daniel J Travanti, Hart Bochner
1950s Hollywood: the McCarthy senate committee is conducting a witch-hunt for supposed communists in the entertainment industry and betrayal is in the air. For three friends this proves to be a disaster – for the writer who must work incognito for the emerging ITV in England; for the musician now living in England, a painful renewal of old wounds; and for the star a final performance.
Producer Michael Wearing, Director Philip Saville”
The following comments were left on the Pebble Mill Facebook page:
Roger Slater: ‘I was Sound Mixer, ably assisted by the late great Tim Everett as Boom Operator and Benedict Peissel as Sound Assistant. Shot in Bray Studios and on location in the UK and Miami.’
Lesley Weaver: ‘I was the Hair & Make Up Designer, a privilege to work on this artistically challenging film as it covered historically wonderful periods for make & up and hair.
It took me to New York for photo shoots, Miami, The Keys glorious sea shore and numerous UK locations including Bray Film studios.
The fun recreation of 1950’s Robin Hood, Maid Marian, Sheriff of Nottingham and all the Merry (Stunt) Men.
Fighting scenes shot in Gavin Davies’s amazing huge forest built at Bray Film Studios.
Sue O’Neill was my lovely able Senior Assistant in the UK, amongst a team of talented make up girls and the late Peter Shepherd in the US.
We did 20’s 40’s & 50’s wigs, cut throats, pumping wounds and black blood for early 1950’s black & white TV make up… I remember Sue O’Neill baking her prosthetics around the country in various hotel ovens over night! Such dedication!
From Art Deco offices to post war austere London bedsits and disagreeable landladies. Then over to the warmth & glow of Hollywood party life with dazzling costumes glamorous film stars & cars, the McCarthy Committee cloud over Hollywood and suicide in coral swimming pools. It had it all for make up & costume!
Always a great laugh to work with Al Barnett Costume Designer extraordinaire and all the other talent technicians on the production ….. And let us not forget costume design assistant, Amin Hassan who we sadly lost a few week ago!
Writer Micheal Eaton was enthusiastically on set everyday and excited to be ‘wigged up’ for his Hitchcockesque cameo scenes! …
….. it was always a pleasure to find yourself working on one of Micheal Wearing’s productions as you knew all your hard work would contribute to something worthwhile.
How lucky was I?
Oh Happy Happy Days !!’