Maggie Thomas – Page 2 – What Was Pebble Mill?

The World of James Herriot – exhibition

Photos copyright of ‘The World of James Herriot’, no reproduction without permission.

‘The World of James Herriot’ in Thirsk in North Yorkshire celebrates the life of ‘James Herriot’ (James Alfred Wight). It is currently staging a special exhibition about ‘All Creatures Great and Small’. The series was filmed on location in Askrigg in the Yorkshire Dales, with the interiors recorded in Pebble Mill’s Studio A.

Several months ago the organiser of the exhibition asked permission to use some of the ‘All Creatures’ photos posted on this website – which the takers of those photos were happy to agree to. Tim Savage had taken photos of the Studio sets, and Maggie Thomas of the locations. Several people who worked on the series are also quoted in the exhibition, including make-up designer, Maggie Thomas and sound technician, Paul Balmer.

The organiser of special exhibition sent me these photos of the display, and you can see Paul and Maggie’s contributions on one of the boards.

Costume and Design – photos by Laura McNeill

Photographs copyright of Laura McNeill, no reproduction without permission.

These photos feature various costume and design staff at Pebble Mill, amongst others – mostly taken at parties. They include: Terry Powell, Paul Gooch, Ray Holman, Peter Lloyd, John Ellis, Jacqui Pratt, Maggie Thomas, Diane Lester, Al Barnett, Tracey, Sally Holden, Cathy Ayerst, Lesley Thomas, Carl Dolan, Conrad Fletcher.

‘The Brothers’

'The Brothers' Cast & Crew

The Brothers was a long running series about a family in the road haulage business.

There were 8 series in all, going out between 1970 and 1976, including 92 x 50 min episodes.

The final series was directed by Mary Ridge, and produced by Bill Sellars.

The drama starred Jean Anderson as Mary Hammond, Richard Easton as Brian Hammond, Robin Chadwick as David Hammond, Jennifer Wilson as Jennifer Kingsley, Derek Benfield as Bill Riley, Margaret Ashcroft as Gwen Riley, Patrick O’Connell as Edward Hammond, Colin Baker as Merroney, Carole Mowlan as Claire Miller, and Kate O’Mara as Jane Maxwell.

It was a hosted drama at BBC Pebble Mill. The final series was recorded at Pebble Mill, I’m not sure if any of the earlier ones were – please add a comment, if you can give more information.

Lynda Kettle was the production designer http://www.lynda-kettle.com and make up artist Maggie Thomas also worked on the series.

Poldark Cast and Crew

Thanks to Paul Balmer for this photo of the cast and crew of Poldark, taken in Pebble Mill Studio A circa 1975. Pushing the sound booms around on Poldark was Paul’s first job in television; he is on the back row on the extreme right. The series was filmed on both location and in studio, where it was recorded ‘as live’. It was produced in London, but ‘hosted’ by Pebble Mill, using Birmingham crews and facilities. The crew included designers Gavin Davis and Michael Edwards, cameraman Michael Williams, John Gilbert on sound and make-up artist Maggie Thomas.

The series went out between 1975-77, and starred Angharad Rees, Robin Ellis, Jill Townsend, Paul Curran, Mary Wimbush, Judy Geeson, Ralph Bates, Clive Francis, Hugh Dickson and Richard Morant. The drama was set in Cornwall and included mining, smuggling and shipwrecks!

‘All Creatures Great & Small’ – Make Up Artist, Maggie Thomas

Maggie Thomas Make-up Artist

The First Series Of ‘All Creatures’

Christopher Timothy, Peter Davison and Carol Drinkwater were with us all the time, since most of the storylines required them to be ready for their scenes all day. My main responsibility was Chris and Carol. How lucky was that? They soon became my dearest friends and keeping Chris’s period haircut neat was really the most make-up I needed to do for him. We were really aiming for the totally natural country look and with Carol it was a matter of controlling her beautiful natural curls into a slightly more old- fashioned look. So, apart from hats on and off and making sure that wind-blown pieces of hair were in the same place for continuity, the actual make-up job seemed pretty minimal, until we realised that every storyline had an injured animal in it and that my Designer and I would, as far as possible, be doing them!

What we didn’t know was that every animal injury in the storyline would require a lot of attention from the Make- up Department. It soon became very clear that we were going to have our work cut out to achieve some believable looking animal injuries and other problems that I will now relate to you. Another lovely job that came our way was mud – on and off at all relevant times, i.e. when an artiste slipped over in a cowshed or an animal had a sudden and unexpected movement that made the artiste get dirty. So, at the start of every day we had to mix up our bucket of artificial mud that went everywhere with us, just in case! That was not the worst thing we had to produce. Every day the script would throw up things like puss in the horse’s hoof which had us propositioning the catering wagon for a mixture of mustard and mayonnaise which we then put into the hole in the horse’s hoof that the real vet Jack Watkins had cut out in readiness and then we put some of the horny hoof bits back over it so that when Chris (Mr. Herriot) started to use the hoof implement the puss would ooze out.

Excerpt from ‘Dishing the Dirt’ by Maggie Thomas, available from Amazon, authors on line