Jerry Clegg talking about the Scanner CMCR 9


Jerry Clegg in CMCR9 from pebblemill on Vimeo.

Specially recorded video with Jerry Clegg, who used to be a sound assistant on North 3, the outside broadcast scanner, which was Pebble Mill’s original CM1. The scanner was built in 1969, and I think started life in London, before coming to Pebble Mill. Jerry describes how some of the equipment on the truck works.

The scanner was restored recently by its owner, Steve Harris, and a group of enthusiasts in Manchester, including Jerry. The truck was on display as part of a history of technology exhibition in October 2012, at Salford University.

Pye Camera Demonstration


Pye Camera demonstration from pebblemill on Vimeo.

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Specially recorded video of former BBC Manchester cameraman, Malcolm Carr, demonstrating the Pye outside broadcast camera.

The video was recorded at a history of technology exhibition in Salford in October 2012. The restored outside broadcast scanner, CMCR9, built in 1969, which was Pebble Mill’s original CM1, before becoming BBC Manchester’s, North 3, was on display at the exhibition, and the Pye camera was part of this exhibit.

Keith Brook (Scouse) posted the following comment on the Pebble Mill Facebook Group:

‘Great to see Malcolm again. Last time I saw him he was gainfully employed with 360 media, the joint venture between Granada and BBC Manchester. We were in the canteen at GTV and he was keeping his head down to reach retirement without any problems!! My memory of those Pye cameras was that on really hot days, the sides had to stay up to give ventilation, otherwise they’d overheat!!’

CM1 Outside Broadcast

 

 

 

 

 

 

 

 

 

 

Photo by John Burkill, no reproduction without permission.

This photo dates from December 1985.  It is of an outside broadcast with the scanner CM1.  It may be from a drama production.

Please add a comment if you can add any more information.

John Kimberley blog

OB Scanner CM1 (1980s)

 

 

 

 

 

 

 

 

 

 

 

I joined Pebble Mill in 1974 and was a staff Studio and O.B. engineer until we lost the O.B. fleet in 1992, after which I became a freelance engineer. I did do some contract work at the Mill afterwards until 1997, then I became a full freelancer working for Sky, BBC and ITV via various O.B. facilities companies. I retired this year, but if offered an O.B. which appeals to me, I guess I’ll take up the offer! Regional Engineers, as we were known were expected to work in Telecine and Videotape as well and we were trained to work in Communications (‘Comms Centre’ and Radio Links) if required.

During my first few years at the Mill, Studio A was usually working 6 days a week, with 2 sets of 2 day dramas and 2 days of Pebble Mill at One; during the latter there would be a complete scenery and lighting reset for the following production. I worked on the last series of Poldark, various series of All Creatures Great and Small, Angels, Juliet Bravo and countless Plays for Today. Amongst memorable Studio A productions were a series of live dramas for BBC 2 around 1980. We were using the very first colour cameras, EMI 2001s, and the first incarnation of the studio technical facilities. Despite the age of the equipment, all the plays went out without a hitch, and much alcohol was consumed afterwards as we all came down from the adrenaline ‘high’. A great breakthrough came with the inclusion of Light Entertainment programmes in the late ’70s, a welcome change from a constant diet of drama productions. I thoroughly enjoyed the specials with Showaddywaddy, Elky Brookes and Don McLean and have very fond memories of doing Basil Brush shows on Saturdays. Oh, and I nearly forgot Saturday Night at the Mill! In the 80s, drama became a single camera operation, usually on location rather than in the studio. However, the studio seemed to be just as busy doing many other productions like Telly Addicts, The Adventure Game and Young Scientist of the Year. When London decided to kill off Pebble Mill at One, there were many spin off daytime programmes involving D.I.Y., fashion (The Clothes Show), and cooking, mainly done using Gallery C. A house was built in the back quadrangle for some productions! Studio B shouldn’t be remembered as only doing Midlands Today – I worked regularly in there on Farming Today and various programmes for Asian immigrants. There were often innovative ideas for the regional opt-out programmes, some of which went on to be networked – Top Gear being a good example. We even did a rock music show in there, and on one occasion, the sound travelled through the building and was picked up on the microphones in Studio A which was doing a Play For Today at the time.

I worked briefly with CMCR9 during my first ever O.B. stint in 1980, but it was moved to Manchester to become ‘North 3’ during that time, and we had CMCR10 for a few months until our new scanner, CM1 arrived. An O.B. stint then was very varied in programme type. It would include football, rugby, swimming, cycling, snooker, horse racing, cricket, party political conferences, inserts to Pebble Mill at One or to drama productions. After I went freelance, all I seemed to do was football!

I have so many lovely memories of my life at Pebble Mill, and it’s great to see that everyone else remembers it fondly and that we are all keeping in touch. I remember that when I left in 1992 I felt like I had suffered a divorce and a bereavement at the same time and it took a long time for me to come to terms with the fact that I no longer worked there. I must say that I don’t feel that way about retiring now as the industry has changed so much and has completely different principles from those with which I’m familiar. I completely agree with the idea that we saw the Golden Age of Television in the 70s and 80s!

John Kimberley

More CMCR 9 articles from Jerry Clegg

published in Prospero November 2009

published in Prospero June 2010

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with Jerry Clegg, no reproduction without permission.

Here are two further articles from Prospero about the restoration of CMCR9, Pebble Mill’s original CM1, and Manchester’s North 3. They predate the articles posted up last week.

Thanks to Jerry Clegg for agreeing for the articles to be posted up here.