Mary Kendall RIP

From Pebble Mill News 1984. Copyright resides with the original holder, no reproduction without permission.

From Pebble Mill News 1984. Copyright resides with the original holder, no reproduction without permission.

 

 

 

 

 

 

 

 

 

 

 

 

Mary Kendall, better known as Rosie from Radio WM’s long running 80’s series, The Barmaid’s Arms, and my Mum, died yesterday, 21st January 2015, after a short illness.

Mum had been living quietly in Worcestershire over the last few years, before moving to Shropshire last year. She passed away peacefully yesterday afternoon at the Princess Royal Hospital, Telford.

Steven Lloyd-Gonzalez (Son)

The following comments were left on the Pebble Mill Facebook page:

Pete Simpkin: ‘So sad to hear this news. Always enjoyed working with her and remember her reporting for my afternoon show which followed the Barmaids. She was a very individual and lively lady from a talented family. I remember her Dad recording a couple of programmes for me featuring his wartime memories. Outside of work my wife Pat and l would often meet up with her on holiday in Mid Wales where she had an ancient caravan which was her beloved escape from work. In fact we inherited her lovely van when she moved in to a newer one. Always remembered. RIP Mary.’

Sue Welch: ‘Such a friendly lady.’

Andrew Thorman: ‘I’m glad we are able to share such sad moments while remembering the good times.’

Lynn Cullimore: ‘Yes I worked with Mary and Malcolm Stent on Barmaids Arms and I am so sad to hear this. She was such a lovely lady and a delight to work with. Oh yes Ann I remember you and Ivor getting together! I loved working on the series and the Producer was John Clarke.’

Viv Ellis: ‘Sad indeed, “The Barmaid’s” was on immediately after my show they were both such fun to work with.’

Steve Woodhall: ‘Very sad news. I fondly remember the show, the banter, the pub fx (obviously live!) & the sig tune (Malt & Barley Blues), etc. RIP Mary.’

Maggy Whitehouse: ‘Aw … well I’m sure there are quite enough lovely watering places in heaven which need someone like Mary. I remember her well from my time at WM. Never heard a bad word spoken about her. Ah yes, Steve, the live fx! Would that we actually could have popped in for half an hour on our lunch breaks…’

Ann Gumbley-Williams: ‘Such sad news. Ivor and I first got together on the Barmaids Arms when it was being recorded in Studio A. The rest is history. Such a lovely lively lady.’

Gill Thompson: ‘I worked with Mary when I first joined the BBC, she was a lovely lady, such sad news.’

Andy Bentley: ‘Remember Mary well always up for a laugh.’

Ed Billington: ‘Sad news she was always happy’

Carole Lowe: ‘Sad news remember the show well it was great condolences to her family’

Lorraine Randell: ‘So very sad…I worked with Malc and “Rosie” in the 1980s…she was great to work with..I have many fond memories of those days.’

Belinda Essex: ‘Ah that’s really sad. She used to look after the audience for Daytime Live when Malcolm was the warm up guy.’

Stephen Lloyd-Gonzalez: ‘I just wanted to take this opportunity to thank you all most sincerely for your kind comments about my mother, Mary ‘Rosie’ Kendall. I know that she would have been genuinely surprised to see that she was still remembered so fondly and by so many. Your comments have fuelled my already immense pride in my Mum, so my deep thanks to you all for that.
I recognise many of your names and faces, from my time as a grubby teenager hanging around the lengthy corridors of Pebble Mill. Happy days indeed!
My very best wishes to you all and thanks again.’

Basil Brush Front Page

Basil Brush front page

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holders, no reproduction without permission.

This is the rehearsal script front page for The Basil Brush Show from 1975.

The rehearsals took place in a church hall in west London, whilst the recording would have taken place in Studio A at Pebble Mill. Basil Brush was a London production, hosted at Pebble Mill.

Thanks to sound supervisor, Roger Guest, for sharing the front page, and keeping it safe since 1975.

The following comments were left on the Pebble Mill Facebook page:

David Crozier: ‘I was that designer. Was it really forty years ago? Good grief.’

Peter Trevena: ‘I worked on this,great fun’

Susan Astle: ‘Really enjoyed working on this. Used to have breakfast on the train with design on the way to rehearsals in London. Charlie Bond on Bloody Mary’s and lovely Ian Fisher and Nigel Jones. ‘

Philip Morgan: ‘Through the kindness of Roger Nash I got a radio interview with “Basil”. I also sat in at one of the Saturday afternoon dress rehearsals in Studio A. As part of the banter the sidekick (Mr Derek?) asked Basil if he had any friends. “Of course I’ve got friends” replied Basil “I’ve got friends I haven’t even used yet!” That certainly drew a hearty laugh from the crew…’

Children in Need 2000

CIN 2000 running order front page, Chris Harris CIN 2000 vision gallery Chris Harris on racks CIN 2000 Studio 1 Chris Harris

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

These stills are from the regional Children in Need output from November 2000.

The still with Pudsey is the front page of the running order for the evening show. The second photo is of the Vision Gallery controlling Studio 1. Chris Harris is on racks. The third photo is of the floor in Studio 1, which was usually a radio studio, but could be converted to TV, and was so during any re-fitting of Studio A.

Thanks to Chris Harris for sharing the stills.

 

The Pickwick Papers

Pickwick Papers, Neil Wigley

 

 

 

 

 

 

 

 

 

 

 

Photo by Neil Wigley, no reproduction without permission.

The Pickwick Papers was a twelve part BBC London drama serial, hosted at Pebble Mill, and transmitted in 1985. The interiors would have been recorded in Studio A.

The series featured Ray Brooks, Nigel Stock, Clive Swift, Jeremy Nicholas, Alan Parnaby and Phil Daniels (shown here, whispering).

The director was Brian Lighthill, Bob Chaplin was lighting director, Myles Lang the designer, Sue Peck the costume designer, and Gill Hughes the make-up designer.

Thanks to the BBC Drama Village for sharing the photo.

The following comments were left on the Pebble Mill Facebook Page:

Ray Holman: ‘This was my very first job at Pebble Mill. I was a dresser in the costume department through the filming and then all the studio days, I looked after Phil Daniels, pictured here.’

Patricia Hodge Robinson: ‘Ditto, Ray! I helped to dress the female extras on studio days or Supporting Artistes as they were called then. My first telly job too!’

 

 

 

Occupation Democrat – Tech Reqs

Occupation Democrat 1 Occupation Democrat 2 Occupation Democrat 3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

These Technical Requirements (Tech Reqs) documents are for a studio drama, called Occupation Democrat, recorded in July 1984. This was the working title of the drama, and it was changed before transmission to Murder of a Moderate Man.

The drama was set in an airport hostel, and a prison, and recording was also going to take place in the men’s toilets! It was being recorded on 1″ videotape, with VHS viewing copies being run off at the same time. Although the recording was taking place in Studio A at Pebble Mill, the Tech Run was taking place at Elstree, so presumably the rehearsals took place in London.

Robert Tronson was the director, John Bowen the producer, Jenny Brewer was the production associate, with William Hartley the production manager. Charles Bond was the designer, with Al Barnett the costume designer and Susie Bancroft the make-up designer. Dave Bushell was technical manager, with Annette Martin as vision mixer and Ivor Williams and Leigh Sinclair were the VT editors.