Studio Operations (part 10) Conditions of Service – Ray Lee

Conditions of service

A quirk of the conditions of service at that time, was the ability to take overtime as time in lieu, so that if you worked an hour’s overtime which would normally be payable at 1.25 T you could take the 1T as time in lieu, and just be paid the 0.25T.  I made quite extensive use of that option when I was not short of money, as one cannot be taxed on time in lieu, but later with a growing family money became quite important. However I cannot compare to the master of the system Elson Godbolt. As he was part of the O.B. rotation he tended to get a lot more overtime than I did based largely in the studio, and he managed to amass weeks of leave, and around every 2 years, put this together with his annual leave and PHL leave, and took 3 months off during the winter season, on full pay. It was a good job no-one else wanted much leave at that time or it would have broken the system. If all the staff had taken all overtime as time in lieu, there would not have been enough staff to cover all the requirements, as no-one would ever have been working for more than their basic hours in any one year, and the staffing levels were such that some overtime was almost inevitable, especially as some studio sessions would overrun.

Other payments included extra payment if you worked on a public holiday, 2T for working on Christmas day, payments for working over 12 hours, payment for a less than 10 hour break between duties. All of these were intended to discourage scheduling staff for unreasonable duties, but for occasions like Election Night, where staff quite often ended up working though for 24hours at some O.B. sites, they were laughing all the way to the bank!

The engineering staff both in operations unit, and engineering services, were (as far as I am aware) all on irregular hours working conditions, which attracted a 15% lift on basic salary. In some areas many of the staff worked quite regular shift patterns and some even worked days patterns, but to maintain flexibility in moving staff around all were given the same irregular hours conditions. This may have caused some disquiet among some staff they worked alongside who were on normal days conditions and therefore flat rate salary, but I was never aware of it becoming an issue, it was just seen a a quirk of the system. The downside was that non of these extra payments counted towards pensions, so people used to receiving a lot of them, could, on retirement, see quite a cut in their income. From what I have seen since leaving the BBC, pensions have got a whole lot worse!

Ray Lee

Ray Lee

Ray Lee

 

 

 

 

The following comments were left on the Pebble Mill Facebook group:

Stuart Gandy: ‘Commenting on Ray’s mention of Elson Godbolt, I do remember that in my first weeks at pebble Mill at the start of 1980, I wondered who he was. By the time I had been there a few weeks I had probably met all the ops engineers except Elson. His name being on the rota as showing weeks and weeks of leave. Other allowances I remember back then were the MHW, or meal hour work-through. This was when you could get an extra payment if your meal time was disturbed. Then there was the sssa, soft soul shoe allowance which was meant to pay for footwear for people who had to walk on the studio floor. I think this was the massive sum of £4 when I started, and as far as I know, didn’t increase at all right up until it was abolished. It was quite a time consuming task though, filling in all the forms if you wanted to claim these things.’

Peter Poole: ‘And don’t forget meals over five at base. It was a small allowance with a luncheon voucher.’

Brian Johnson: ‘Wow, Elson Godbolt stirred a memory. Sorry this might be slightly off subject………however……When I transferred from London to my home town of Birmingham as a Technical Assistant in 1969, (pre-P.Mill) I had to do a few weeks in every engineering section. One of those was the film processing area at Gosta Green that dealt with all the News film each day. It was an unusually hot summer and we could not get the processing tanks down to the right temperature. I was being supervised by Elson and we had to buy in lots of ice to put into the huge tanks of developer and fixer to enable us to process the film. Midlands Today (I think it was called that then although I might be wrong) sent a camera crew to film us doing it and it went out on the news programme as part of the item on the unusual heat. We obviously managed to develop it ok!’

Pete Simpkin: ‘Brian as a former worker in News film processing in the BBC I can sympathise…we also had an annual maintenance weekend where we stripped the processor down and cleaned every tank and roller having to get it all up and working again by 9am Monday. Informal arrangements were made to cover any emergencies by having film processed at the local ITV studios should the need arise…it never did!’

Alternative Midlands Today Sig.Tune

Copyright resides with the original holder, no reproduction without permission.

This signature tune was an alternative ending for Midlands Today from around 1992, composed by David Lowe. It was almost certainly never used.

Thanks to Peter Poole for sharing this signature tune.

Photo of Pebble Mill Newsroom by Ivor Williams

Photo of Pebble Mill Newsroom by Ivor Williams

CMCR9’s Outings 2013 – Jerry Clegg

CMCR9 at Onslow, photo Steve Harris

CMCR9 at Onslow, photo Steve Harris

 

 

 

 

 

 

 

 

 

 

 

 

 

CMCR9 at Onslow, photo by Steve Harris

CMCR9’s cameras at Onslow, photo by Steve Harris

 

 

 

 

 

 

 

 

 

 

 

 

 

The restored heritage TV outside broadcast truck CMCR9 successfully completed all the summer commitments with its appearance at the Shrewsbury Steam Fair on 25th/26th August. The vehicle itself has run without a problem all summer long. This year’s shows were at Kelsall, Astle park, Wilmslow and Onslow Park with an additional private demonstration for the Rolls Royce Enthusiasts Club. Steve Harris and Steve Jones restored a little more of the ancient equipment to operation for each show and most of the sound desk is now working quite well, although the PPMs are still giving some trouble at the moment.

The Wilmslow Show took place in the middle of the July heatwave with the temperature reaching 30 degrees. Fortunately the show organizers provided us with a large 45 Kva generator which more than met our needs and enabled the air conditioning to be used for the first time. Having received some recent attention, the two aircon units over the cab worked faultlessly all day and people were coming into the scanner to cool off. This was very unlike the previous outing at Kelsall on 23rd June when folk were coming inside to get out of the cold squally wind!

The last three shows all took place in good weather which attracted lots of visitors, keen to see how we were getting on. A number of former staff visited us who had not been to see us before.  We were fortunate in getting excellent pitches for all the shows with plenty of room for our static display which included PC 80 and EMI 2001 cameras. The main problem now is that the power demand of the working equipment exceeds the power available from Steve’s 6.5Kva generator. He’s looking around for something more substantial!

Thanks to all those who sent reminiscences of the Anglsey Climb OB back in 1970, produced by Alan Chivers. What a pity we don’t see shows like that any more.

The only remaining scheduled public appearance of North3 this year is to an exhibition at Salford University Media Centre towards the end of October.

The pictures (from the Onslow Park Rally) are by Steve Harris.

Jerry Clegg

For more details about North 3 see: http://www.vintageradio.co.uk/htm/about.htm

For details about the Salford Technology Fair on 19th and 20th Oct, use this link:

http://www.cntr.salford.ac.uk/comms/familyday.php

Pebble Mill – First Floor Plan 1971

D0126_John Madin

 

 

 

 

 

 

 

 

 

 

 

Negative, First Floor Plan, 1971. This digital resource is available under a Creative Commons CC-BY-SA 3.0 license, with kind permission of the Birmingham & Five Counties Architectural Association Trust, thanks to the Architectus project (part of the Jisc Content Programme 2011-13).

This plan of the first floor of Pebble Mill is from the building architect, John Madin’s office. It shows the upper part of Studio A, and the Scene Dock, as well as the News Studio.