Occupation Democrat – Tech Reqs

Occupation Democrat 1 Occupation Democrat 2 Occupation Democrat 3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

These Technical Requirements (Tech Reqs) documents are for a studio drama, called Occupation Democrat, recorded in July 1984. This was the working title of the drama, and it was changed before transmission to Murder of a Moderate Man.

The drama was set in an airport hostel, and a prison, and recording was also going to take place in the men’s toilets! It was being recorded on 1″ videotape, with VHS viewing copies being run off at the same time. Although the recording was taking place in Studio A at Pebble Mill, the Tech Run was taking place at Elstree, so presumably the rehearsals took place in London.

Robert Tronson was the director, John Bowen the producer, Jenny Brewer was the production associate, with William Hartley the production manager. Charles Bond was the designer, with Al Barnett the costume designer and Susie Bancroft the make-up designer. Dave Bushell was technical manager, with Annette Martin as vision mixer and Ivor Williams and Leigh Sinclair were the VT editors.

 

Sir Hugh Greene cuts the first sod

2013-07-03 10.33.28 2013-07-03 10.33.44 2013-07-03 10.35.03 2013-07-03 10.34.06

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

This article about the Director General of the BBC, Sir Hugh Greene, cutting the first sod for the BBC Pebble Mill building was published by the Birmingham Post in April 1967.

I’ve re-typed the article here, to make it easier to read:

Sir Hugh Greene points the way for BBC in Midlands

Sir Hugh Greene, Director-General of the BBC, said yesterday that the new £4m headquarters for the Midland Region on a nine acre site in Pebble Mill Road, Edgbaston, Birmingham, was a very practical demonstration of the BBC’s faith in regional broadcasting as a whole and in Midland Broadcasting in particular.

He was speaking on the site after cutting the first turf at a ceremony attended by the Lord Mayor and Lady Mayoress of Birmingham, Ald. and Mrs Harold Tyler and many other guests.

After forecasting that the new building, designed by John H.D. Madin and Partners would become an international showpiece, Sir Hugh went on: “This puts on us the obligation to make the best possible use of it in sound and television.

I see the role of this and the other regions as a double one. First, to serve it’s own region with ideas, news and current affairs, and to ensure that the other networks should be purely national and not metropolitan.

It is absolutely essential that good programmes for the nation should emerge from the fine new studios, including colour, which we are providing.

High Costs

We still have a lot of thinking to do about the role of the regions as part of the national service, especially in television, where capital expenditure and costs are high.”

It was a good thing that Mr Pat Beech, Midland Region Controller, should be playing a big part in the new thinking, he said.

“I know he is confident that the new headquarters will be the focus for regional talent which tends to drift away to London.”

Referring to the proposed increase in the cost of radio licences, he said he was hopeful that before very long, the BBC would have the assurance which would help it to plan ahead, which was something it had not been able to do in recent years.

Scattered

The new headquarters will bring together sound and television broadcasting facilities at present distributed over 11 different buildings in Birmingham.

There will be six sound broadcasting studios, one major television studio equipped for colour, facilities for a self-contained regional news service in sound and television, together with production, engineering and administrative accommodation.

The building should be in full operation by 1971.

At a Press Conference, Sir Hugh answered a wide variety of questions. Among the point he made were:

Local sound broadcasting stations. He was pleased with the progress.

The corporation itself was carrying the capital expenditure involved and would retain the equipment being used.

Local advisory councils had been in touch with various bodies and had had promises of financial support so that by no means all the cost would fall on the rates.

He suggested that industry might find it helpful if there was a kind of “Labour Exchange of the Air,” in which it might be said that “jobs of such and such a character were available in such and such industries.”

Critics

Repeat programmes. Sir Hugh said that the only people who did no like repeats were Press critics. Cathy Come Home had about as many viewers – 12m – when it was repeated.

“I can assure you that the public likes repeats,” he said. “I am not sure that we do not repeat enough. If you don’t repeat, television becomes a cery ephemeral thing. If you have something really brilliant, it should be seen more than once.

Licenses. “We are hoping for £6 licence fees from the beginning of 1968. This would not include a major service of local sound radio because we do not know if we are going to have it.

Colour

“We are allowing for colour, popular music programmes and everything else, and we estimate that another increase would not be required for four years after 1968.”

BBC2. He could not say what possibility there was for showing The Forsyte Saga on BBC 1. The only way to make BBC 2 popular was to give it some of the best programmes.

Documentaries. On the question of televising people in documentaries without their permission, Sir Hugh said that the same objection might be made about televising a football match because someone who was ostensibly at his aunt’s funeral was seen to be present.

“I would hop to have more and more programmes taken on location,” he said.

“Clean-up TV.” “There is some criticism which is so extreme as not to be taken seriously. We do not dismiss criticism. Social habits change. There is a great deal said in private, as well as on the stage and in films which would not have been said 30 years ago,” he said.

Asked if the BBC was not, in fact, setting the trend, he said it aimed at naturalness. Words would not be used merely to shock.”

 

Vanity Fair

Photo by Neil Wigley, no reproduction without permission

Photo by Neil Wigley, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

This press photo is of Sian Phillips, playing Miss Matilda Crawley, in William Makepeace Thackery’s: Vanity Fair.
The sixteen part series was was transmitted in 1987.

The drama series was a London production, hosted at Pebble Mill. Terrance Dicks was the producer, Michael Owen-Morris the director, with Gavin Davies as the production designer, Joyce Hawkins the costume designer, and Lesley Perry as make-up designer.

Thanks to the BBC Drama Village for sharing the photo.

 

 

 

Bev Dartnall’s memorial

Scan 141680003 Scan 141680005 Scan 141680007 Scan 141680009 Scan 141680011 Scan 141680013 Scan 141680015

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

This afternoon was the memorial for former BBC Doctors series producer, Bev Dartnall, who died in February. The service was a celebration of Bev’s life, and everyone was encouraged to wear bright colours, rather than black. Peter Lloyd, one of the current series producers of Doctors led the memorial – and it was a fitting tribute that I’m sure Bev would have appreciated. The tone was finely judged – there were tears, laughs, poignant memories, and even some singing.

We were told about how Bev saw herself as ‘just a poor girl from Nechells’; she rose through the BBC ranks from a clerk to drama series producer, and then took voluntary redundancy and went to live her dream, in Spain. Bev was a life-long Birmingham City fan, and woe betide any Doctors’ storyline that might make mention of any other West Midlands’ team!

Mike Hobson, also from Doctors, recounted a number of email exchanges with Bev, that he had recently looked over – many revolved around wrap parties and the need for nuts and nibbles to supplement the drinks! Other themes involved actors, and threatened that if any more actors complained about their dressing rooms, then Doctors would have to storyline a bus crash and kill them all off! There were also threats of dismissal if the costume department ever dressed a character in a Manchester United scarf again!

Writer, Claire Bennett talked about Bev’s directing of a theatre group in an upstairs room, above the Old Joint Stock pub in Birmingham – the success of which caused the pub to install a permanent theatre room there, and close friend Bobbie Chapman read a poem she’d written to Bev, when she moved to Spain. There were also poems read by two of Bev’s god children.

It was a bitter-sweet event, very moving at times, and funny and uplifting at others. The room at Kings Heath Cricket Club was packed with friends and colleagues. The service had been brilliantly organised by Bev’s friends: Bobbie Chapman, Sarah Costigan and Michelle, with valiant technical support from Ian Collins and Neil Roberts.

 

CMCR9 – appearances summer 2014

CMCR9 at Onslow 2013, photo Steve Harris

CMCR9 at Onslow 2013, photo Steve Harris

 

 

 

 

 

 

 

 

 

 

 

 

North 3 [Pebble Mill’s first CM1, CMCR9] (possibly accompanied by Unit 23) is all set to appear at the Kelsall Steam Fair near Tarvin, Cheshire next weekend (22nd, 23rd June). Also in the offing are the Wilmslow Show (appearance to be confirmed) on Sunday, 13th July, Astle Park Steam Fair, near Chelford, Cheshire, on Sat/Sun 9th and 10th August and Shrewsbury Steam Rally, Onslow Park, on Sun/Mon 24th and 25th August. We hope to meet up with some of you (especially the crew!!) at one or other of these events.

Jerry Clegg