Category: Blog

Gardeners’ World – Andy Meikle in Heligan

Andy Meikle holding back the undergrowth

Photo by production assistant Gail Herbert.

In 1990 Gardeners’ World changed from being a programme usually produced from a two camera outside broadcast unit to one recorded on a portable single camera.  In the new format the programme consisted of inserts from a number of locations linked by Geoff Hamilton from his home garden of Barnsdale in Rutland.  Geoff would also do all the topical practical gardening, as well as some of the location stories.

One of the insert stories that was followed in Gardeners’ World in 1991 was about the restoration of Heligan Gardens in Cornwall, which had been badly neglected over a number of years.

This photo shows producer Andy Meikle holding back the undergrowth to allow the cameraman a good shot!

Andy sadly died earlier this week, after a long battle with cancer.

Original Dubbing Theatre – Photos by Peter Poole

I took these photographs around 1978. They show the original dubbing theatre. In this area the Dubbing Mixer mixed speech, effects and music to produce the final mix. Behind the glass is an area housing the Perfectone  SepMag recorders and playback bays. Behind the BBC “Type D” mixing desk are Peter Poole and Liz Nicholls.

Peter Poole

original dubbing theatre

original dubbing theatre: Liz Nicholls & Peter Poole

Andy Meikle – who sadly died today

Gardeners' World Christmas Lunch 1990

It was with great sadness that I heard that Andy Meikle died this morning, after a long battle with cancer.

Andy worked for many many years at Pebble Mill, first of all in the drama department on series like Gangsters and then as a director and producer on factual series like On the House and Gardeners’ World.

Andy was an extremely generous, and incredibly practical man – he was brilliant at DIY!

I worked with him on the DIY series On the House , when I joined an established team as a brand new researcher.  He taught me a lot about researching for factual television, as well as about working with contributors.

I remember him being really supportive when I directed my first insert on Gardeners’ World in 1990.  He said jokily, ‘don’t you hate it when someone can just do it?’ – I certainly hadn’t been able to ‘just do it’, but knowing that he thought I’d done a good job was really important to me, and really helped my confidence.

This photo is from the Christmas lunch for the Gardeners’ World production team from 1990.  It includes, left to right: Andy Meikle, Denis Adams, Mark Kershaw, Kulvinder Chudge, Nick Patten, Steph Silk, next might be me (Vanessa Jackson) or Ann Holmes, I can’t see enough of the next two girls to identify, then Patti Evans with the blonde hair, Howard Perks, and Gail Herbert (whose photo it is).

Andy will be much missed, and our thoughts go out to his loved ones.

‘The Kiss of Death’ interview with Bob Jacobs


Untitled from pebblemill on Vimeo.

In this interview Bob Jacobs (1st Assistant Director) talks about working with Mike Leigh on the 1977 ‘Play for Today’ The Kiss of Death.

The drama follows the story of a young undertaker, Trevor, played by David Threlfall, as he grows up and explores issues around relationships and commitment.  John Wheatley plays the role of Ronnie, Kay Adshead plays Lindie and Angela Curran plays Sandra.

Bob Jacobs

Why the ‘6.55 Special’ came from a Radio Studio – Mark Kershaw

Why was “6.55 Special” made in Radio Studio 1?

When the lunchtime programme Pebble Mill at One was first broadcast it was “serviced” by the galleries and cameras of the two proper TV studios at Pebble Mill. Studio A on a Tues and Friday, while the studio was being reset between dramas etc (“All Creatures”, “Basil Brush”, “Great Expectations” etc) and Studio B on a Mon, Wed and Thurs, because its cameras could be re-rigged back from the Foyer in time for the evenings “Midlands Today”.

PM@1 was only on the air Sept to mid May, so for the whole summer the production staff were potentially under-utilised. So in 1982? (not sure when) 6.55 Special was sold to BBC2, a weekday early evening live entertainment and chat show, 6.55-7.30 (I think).

But it couldn’t use the existing studios which were incredibly busy in the evenings.

And that is why Radio Studio 1 (the one used for classical recitals etc) was turned into a TV studio, with an audience rostra and a permanent set with a sofa chat area (seen in the photo for the 6.55 Special post) and a stage as performance area. The sound was mixed in the radio sound control room, where the mobile lighting control desk was also rigged. The “lightweight” OB scanner CM2 was parked outside just off the fire track and used as production and vision control, with VT as well played from the scanner, but also connected up to Pebble Mill’s VT area.

Eventually when the Standby TV Network Continuity Suite needed refurbishing, the area was re-modelled as a full TV gallery – Gallery C (not sure the date but early 80’s).From then on Pebble Mill @ One or any of it’s spin offs came from that discreet gallery, but before then the studio equipment at Pebble Mill was some of the most utilised kit in the whole of the BBC!

6.55 Special moved into the courtyard after the famous movable roof was installed. And that is why for the first series, at least, 6.55 Special came from a radio studio.

Mark Kershaw

Mark Kershaw directing Pebble Mill at One