Colin Pierpoint blog – part 15, Comms on Location

Visiting Droitwich with Martin Watkins, who was later Quality Monitor. Copyright, Colin Pierpoint, no reproduction without permission.

Visiting Droitwich with Martin Watkins, who was later Quality Monitor. Copyright, Colin Pierpoint, no reproduction without permission.

 

 

 

 

 

 

 

 

 

 

 

 

Part of the comms work was out on the road. I did many Sound Lines Tests. These were on the day before a broadcast, which was usually live, but lines were also used for VTR (Videotape recording in London or other regions). From my diary, I tested lines in Birmingham Cathedral, Cheltenham Racecourse, Rugby, Wolverhampton Football Ground, Nottingham Forest Football Ground, Coventry, Ipswich {which at the time was of course in the Midland Region. (Only the BBC could do it this way)}, Hereford Cathedral, Hanley Queens theatre, Villa Park, Moseley Football Ground, Edgbaston Cricket Ground, and Birmingham City. Most of these I tested many times. I liked to take the “self drive car” then if it broke down it was not my fault. (see below!). At that time the lines were provided by the Post Office, later to separate as British Telecom. For a lines test the BBC engineer met a PO man usually with a cable coming down a telegraph pole, or from a hole in the ground. We did have some comms engineers who were not too good on the Comms switchboard (EMX); in one lines test I suddenly heard Stan Smith’s voice (the ACSE in the Comms Centre). He had been talking on the phone to someone else in Birmingham, so I said “Hello Stanley”. He asked  Where are you? I said “Would you believe, standing in a flowerbed in Peterborough?”

As I mentioned above, we also did the radio links to get the television signals out from the OB to a BBC centre. Amongst others I did Coventry Locano, Derby FA cup, Dunstable mid-point (where you receive the signal and pass it on to the next radiolink site). Ipswich Town, Norwich City, Moseley Rugby Ground. The Comms Supervisor was often in the Sutton Coldfield OB room receiving signals from dishes on the top of the mast. There was a lovely catering woman there, who would ring me at Pebble Mill to take my order for the next day, and then bring my meal into the OB room on a tray!

When reporting on site at Sutton Coldfield, I often had a chat to the transmitter staff and got to know some of them quite well. They had a monitoring problem there because it was difficult to get a quiet signal with all the RF (Radio Frequencies) around at high level. At the time their Radio 3 transmitter drive occasionally made a low frequency rumbling noise, so we had an arrangement that it was all right for them to ring me at home to listen and check for them. My equipment was nothing special, but I did have a clean signal. They also encouraged me to ring their MIC (Monitoring Information Centre) whenever I heard the fault.

 

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Colin Pierpoint blog – part 14 Working at Pebble Mill, Comms

This is part 14 of Colin Pierpoint’s blog about his BBC career:

I transferred into Communications in Birmingham in 1971 after completing the Grade C Engineering Course, and a year’s attachment to the Engineering Training Department at Wood Norton. In 1975 I got another secondment as a Lecturer for a year, and then after returning to Comms, a vacancy arose in 1977 for Communications Supervisor and I applied and got it. This was the job I really wanted in Manchester. I also had my sights on ETD, but at the time they wanted memberhip of an Engineering Institution on applications for Lecturers. I had been studying for an Open University degree with this in mind, but the OU at that time did not give the required qualification of “CEng” (Chartered engineer) at the time.

So from 1977 until 1980 I continued working as Communications Supervisor in the Comms Centre at Pebble Mill. An exciting evening was when the “Song for Europe” programme was broadcast live, with voting around the British Isles to choose the entry for the Eurovision Song Contest. Vision circuits from Manchester, Glasgow and Norwich were passing through the Birmingham Comms Centre. There was tie for first place so the regions had to vote again at short notice. Just as this was announced , I saw the Norwich picture lose sync (start breaking up on the screen). I said to one of my staff, put an extra equaliser in the circuit, and just twiddle the knobs until the sync pulse look square. He did this quickly and seconds later they cut to Norwich for their vote.

It was nice to be trusted by TAR staff (Television Apparatus Room, who adjusted the camera channels for studios A, B and C). Comms were often the only engineers in Pebble Mill in the evening and David Stevens would sometimes ask me to clear a fault. Usually I could do a tweak of the camera control unit, which I always reported to TAR staff the next day. One fault I failed to rectify: there was shading across the Midland Symbol C (the rotating world). No matter what I adjusted; iris or target volts, I could not get the image over the whole field, [for the technical readers, the monocrome output went into an inlay switcher, and parts of the image would disappear as I adjusted]. So next day the TAR staff told me what the problem was. The bulb lighting the bottom of the symbol had blown! Too technical for me I am afraid.

Colin Pierpoint

TV Apparatus Room (TAR) ST B Line Up Desk with John Macavoy & Maurice Darkin

TV Apparatus Room (TAR) ST B Line Up Desk with John Macavoy & Maurice Darkin. Photo by Ivor Williams, no reproduction without permission.

BBC Birmingham Pen

Photo by Suzie Curtlin, no reproduction without permission

Photo by Suzie Curtlin, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

Thanks to Suzie Curtlin for sharing this photo of the BBC Birmingham pen which was given to all staff moving from Pebble Mill to the Mailbox, when the Pebble Mill building was closed, prior to being demolished in 2005.

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Colin Pierpoint blog, part 13 – Pebble Mill at One pilot

 

CMCR9, photo from John Abbott, no reproduction without permission

CMCR9 (on Gardeners’ World), photo from John Abbott, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

[Here is the thirteenth part of Colin Pierpoint’s blog about his BBC career]

I think the Pebble Mill at One programme needs no explanation to our readers, but I was asked by the  Deputy Manager Comms and Engineering Services, John Stark, to be the communications co-ordinator for the pilot programme, which was to try out the system. The mixing point or gallery was the Birmingham scanner CMCR6 or 9. This was parked in the garage area where there was a wallbox with tielines to the Communications Centre. I was rushing round from here to VT and Comms Centre trying to get circuits established. I don’t think everyone in Operations knew that I had actually been allocated to do this, perhaps I should have explained to those I came into contact with. The reason for using the scanner was that Studio A at Pebble Mill must have been in use. On other days the scanner was at Gosta Green to give colour facilities on a drive in basis. (Gosta Green studio was never converted to colour, and was eventually sold as a black and white studio).

Colin Pierpoint

 

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Midlands Today Reunion – Midlands Yesterday

1977 regional news presenters Guy Thomas, Kay Alexander,Peter Windows, David Stevens B.Row Michael Hancock,Tom Coyne AG

1977 regional news presenters Guy Thomas, Kay Alexander,Peter Windows, David Stevens B.Row Michael Hancock,Tom Coyne

 

 

 

 

 

 

 

 

A reminder of Midlands Today Reunion – MIDLANDS YESTERDAY.

The reunion is for anyone who worked on Midlands Today, as Presenters, Journalists, Production, Engineers, Cameras, Sound, VT, Film, Lights, etc.

The date, time and venue: Saturday, 3rd September 2016, 1pm – 6pm, Deloitte room at the Midlands Arts Centre.

Everyone who worked on the programme is invited.

Buffet tickets will cost £10 which covers finger food and room hire.

If you would like a ticket please email Roy Saatchi: roy.saatchi@iwishicouldmakethiswork.com  and he will let you know how to get a ticket and pay for it.

Any more details email Maureen Carter (maureencarter@gmail.com) or Cathy Houghton (cathy@houghton.net).

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