OB truck audio equipment

Self op studio sixes MF

 

 

 

 

 

 

 

 

 

 

 

Photo taken in 2003 by Martin Fenton in the radio area at Pebble Mill, no reproduction without permission

This jumble of decommissioned equipment is probably the inside of one of the radio stereo control vehicles.

 

Radio Studio 3 Tape Library

Photo by Martin Fenton, no reproduction without permission

Photo by Martin Fenton, no reproduction without permission

Photo by Martin Fenton, no reproduction without permission

Photo by Martin Fenton, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This photo is of the Radio Studio 3  tape library at Pebble Mill (used on The Archers, and many other radio dramas). All of the bird sound effects were verified by the RSPB, with explicit notes as to the times of year they could be used. We’d get letters otherwise…

Martin Fenton

The following comments were left on the Pebble Mill Facebook page:

Andy Walters: I think a lot of the tapes are now in the basement store at the Mailbox. I’ve definitely seen a master tape of the Archers signature tune down there along with the Midlands Today film archive.

Kath Shuttleworth: ‘The tapes were all transferred to CD for the move to The Mailbox. Those CDs have since been transferred onto hard drive and the sound effects are still used today, it’s just all a bit more high tech than a bank of tape machines! The original tapes were junked, apart from a few which I discovered contained missing episodes and rare Archers cast recordings. These were sent to archive and copies retained with The Archers team. Andy Walters, I don’t know what the tapes are in the basement. There were plenty of master tapes of the sig and vinyl copies too. Maybe someone brought them to The Mailbox as a momento! All the effects are now on a local server or hard drives of specific machines along with many other SFX collections. Well over 1TB when I last looked! We use two playout systems in studio (Spot On & Ableton Live). A lot of effects are still played in “live” for The Archers. All SFX are available to use at the click of a button and looping sounds is so much easier than it was in the days of 1/4″ tape!’

Andy Walters: ‘Possibly. There are a lot of programme tapes in the basement with codes that mean nothing to me. Or at least there were last time I was down there.’

Kath Shuttleworth: ‘If they’re still there we should take a look at them before they get junked as part of the current clear up regime! You never know, there could be a gem of a programme down there that’s missing from archive.’

Morning Story – Bob Monkhouse

Bob Monkhouse Morning Story

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

The photo shows Radio Studio 5 in action recording a Morning Story for Radio 4, circa 1976. Bob Monkhouse performing in the studio, with writer, Punch cartoonist, Noel Ford, cam left.  The SM is Peter Belham ? with David Shute cam right.

Thanks to David Shute, for sharing the photo, and to Roger Slater for adding information.

The Archers – Adam is Gay, recycling bin

Photo by Martin Fenton, no reproduction without permission

Photo by Martin Fenton, no reproduction without permission

Radio Studio 3 main exit. Note the paper recycling bin. There was something of a hoo-ha when the “Adam is gay” storyline from The Archers was leaked to the press. Pebble Mill had had one of its community open days the previous weekend. Nobody had thought to remove the big cardboard box full of yet un-broadcast scripts!

Martin Fenton

The Archers’ stairs

3 different staircases, wardrobe MFPhoto by Martin Fenton, no reproduction without permission.

This photo was taken in 2003 in Radio Studio 3 at BBC Pebble Mill. It shows three differently textured staircases – carpet, concrete and metal, so that the sound effects on The Archers and other radio dramas were authentic.

Martin tells me that it was usually the technical staff doing ‘spot’ sound effects on radio drama who would walk up the stairs, rather than the actors themselves, but sometimes the actors also used them.

The following comments were left on the Pebble Mill Facebook page:

Richard Abraham: ‘Once did spot for a single episode of the Archers. When you’ve jiggled four belts to emulate bridle noise behind Sara Coward & Judy Bennett then you’ve really lived. Largely because to get their voices right for riding they shifted from one Foyt to the other. Their bottoms were a joy to behold!’

Carolyn Davies: ‘Definitely both the spot fx person and actors used them….think there was a fake door at the top….and it wasn’t just the Archers, ST3 did tonnes of radio drama..’

Peter Wild: ‘It was a bit of both. If you can it’s always best to get the actor to do it for real. Sometimes that just isn’t practical. I directed many scenes on those stairs – which offered four surfaces. Take the carpet off and you have bare wood.’

Maggie Humphries: ‘My claim to fame is my ‘laughing’ dubbed onto a girl in a market in Israel with Topol for a documentary made by the Pebble Mill at One team…….’

Hedli Nik: ‘My great claim to fame is being Juliet Stevenson’s feet running down the stairs in Jane Austen! I did have a part as well…’