Alec Robson

Thanks to Alec’s son, Michael for sharing these photos. They are of cameraman Alec Robson’s retirement party at BBC Pebble Mill. Alec sadly died in 2020.

L-R: Jim Dumighan, Glyn Elledge, Ruby Robson, Alec, Fred Hale (house services), Don Cooper in glasses on the right.

L-R Chris Howard (studio sparks), Alec Robson, Keith Moreton

Alec Robson with Derek Price

Walking on My Hands excerpt – The Husband, the Wife and the Stranger

Sayo Inaba and Adam Faith, in The Husband, the Wife and the Stranger. Copyright resides with the original holder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

This is an excerpt from Beth Porter’s autobiography, Walking on My Hands, Chapter 12, My Life in Comedy: Comedy in My Life, about her production of the drama:

The Husband, the Wife and the Stranger, BBC2 1986

“Waiting for me back in Birmingham was the chance to produce my first piece of drama. It was a studio piece based on an idea to adapt two Japanese stories by the actress who was to play the lead. I had no idea whether the head of department, Robin Midgley, had already explored the development of the piece, but I wasn’t shown any pre-existing material.

I did, of course, know that the stories had been filmed by one of my cinematic heroes, Akira Kurosawa as Rashomon. The premise is that a tale of love and betrayal is told from three separate points of view. The first challenge was to find a suitable writer. I fixed on the idea of asking Adrian Henri, one of the famer Liverpool poets whom I’d known for decades. It seemed to me that his sensibilities would be just the approach needed to confront the moral ambiguities of the premise as well as presenting the implied sex and violence without any prurient overtones.

I was delighted when Adrian agreed, and while he was writing I got on with finding a director. Robin suggested teaming up with Roger Graef, the brilliant American documentary maker who was keen to get into drama. But as much as I admired him, I wanted a safety net of a director whom I knew could juggle schedules, actors, and unforeseen trouble, should there be any. I really thought this would be a great opportunity to create a bonded company feel, and when Robin agreed to my suggestion that Andy Roberts take oversight of the music, I felt we were on the way.

I asked Gerry Mill who directed me so brilliantly in Howard Schuman’s Anxious Anne. He had a great reputation with actors and was familiar with the demands of drama. Because the whole project had been the idea of the Japanese actress, we were committed to her. So Gerry and I drew up independent lists of the two actors who’d complement each other on screen. On both our lists was Derrick O’Connor whom I’d appeared with all those years ago in the James O’Herlihy plays at The Bush Theatre. He was available and keen to be involved.

We wanted to try to get a name that audiences would recognise to raise the profile of a studio piece, and we hit on a great idea. At the time the ever-popular singer, Adam Faith, was appearing in the West End, having publicly declared he wanted to do more acting. He’d had a big success some years previously with his TV series Budgie. Both Gerry and I liked his open fresh-faced appeal which had the potential to turn a bit nasty. Whereas Derrick could do nasty in his sleep, but we knew he could also play the victim.

We went to see Adam’s play and took him out for a meal. Happily, he agreed to do Adrian’s play. Now, all we needed was the play! For whatever reason Adrian was stalling. Uh-oh!

Gerry and I set out for Liverpool as on a military mission. Come back with the script, lads, and don’t get caught by the enemy! Actually, it was a scene from a sit-com. I sat with Adrian talking through the next scene, and he set to work typing. As soon as he had a few pages, I’d take them to the next room for Gerry to read. On we went like that, through the night, till the script was ready.

Actually, it was bloody good! Adrian did know exactly what to do. I guest his reluctance was down to nerves and insecurity. Yes, folk, artists – even great ones – get insecure. It’s only despots who think they know everything. The trick is to acknowledge the vulnerability and work through it, trusting your instincts and experience.

Gerry was terrific with the cast, allowing them the space they needed to inhabit the characters. The crew were keen to enter into the spirit of this unusual studio piece. I was keen to incorporate some of the more recent digital effects that were being developed for cinema, and Gerry trusted me to liaise with the editor to ensure our vision was melded with Adrian’s. We also had the bonus of Andy Roberts in control of the music.

We got lots of publicity, mostly due to Adam’s presence. The Radio Times devoted a full page to him. The half-hour play went out at 10.15pm on BBC2 on Monday, 8 September 1986. We got lots of feedback. And I was probably having a mini-breakdown trying to adust to life as a reluctant singleton. An ageing reluctant singleton. An overweight ageing reluctant singleton.”

 

Thanks to the producer of the drama, Beth Porter, for sharing this excerpt.

Beth Porter’s (long and amusing) autobiography Walking on my Hands, is available for a couple of pounds on Kindle, on the link below. Chapter 12 includes Beth’s adventures with the BBC.

https://www.amazon.co.uk/Walking-My-Hands-responsibility-Streisand-ebook/dp/B01DUWNSRQ/ref=sr_1_3?ie=UTF8&qid=1460027101&sr=8-3&keywords=kindle+Beth+Porter

 

Below is the Radio Times entry for the drama, from the BBC Genome project:

http://genome.ch.bbc.co.uk/a0ac4ec29e33434fb1ad17ff13426474

“The Husband, the Wife and the Stranger

by ADRIAN HENRI after a story by RYUNOSUKE AKUTAGAWA
Sunlight. Strawberries. Champagne. The perfect lover’s tryst. Or is it?
A stranger intrudes. A mysterious business deal.
Passions run high and a man dies. Who is innocent and who is telling the truth? Who do you believe?
Vision control supervisor PETER HODGES
Lighting supervisor ALEC ROBSON
Composers ANDY ROBERTS, JOJI HIROTA Designer MICHAEL EDWARDS Producer BETH PORTER Director GERRY MILL BBC Pebble Mill
Contributors

Author: Adrian Henri
Director: Gerry Mill
Producer: Beth Porter
From Stories By: Ryunosuke Akutagawa: The Roshomon Gate
Vision Control Supervisor: Peter Hodges
Lighting Supervisor: Alec Robson
Musical Supervisor/Composer: Andy Roberts
Designer: Michael Edwards
Husband: Adam Faith
Wife: Sayo Inaba
Stranger: Derrick O’Connor”

 

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Faith in his future

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Copyright resides with the original holder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Here is the Radio Times interview with Adam Faith, talking to Gay Search, about his role in Pebble Mill’s The Husband, the Wife and the Stranger which went out in September 1986.

The drama was written by Adrian Henri, from a story by Ryunosuke Akutagawa. Peter Hodges was the vision control supervisor, Alec Robson the lighting supervisor, Michael Edwards the production designer, and Gerry Mill the director.

Thanks to the producer of the drama, Beth Porter, for sharing the article.

Beth Porter’s (long and amusing) autobiography Walking on my Hands, is available for a couple of pounds on Kindle, on the link below. Chapter 12 includes Beth’s adventures with the BBC.

https://www.amazon.co.uk/Walking-My-Hands-responsibility-Streisand-ebook/dp/B01DUWNSRQ/ref=sr_1_3?ie=UTF8&qid=1460027101&sr=8-3&keywords=kindle+Beth+Porter

The following comment was added on the Pebble Mill Facebook page:

Winnie O’Brien: ‘I worked on this drama, I did the opening title sequence and graphics, it was a fabulous project.’

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The Husband, the Wife and the Stranger, Radio Times

Copyright resides with the original holder, no reproduction without permission

Below is the entry from the Radio Times for 1986 drama The Husband, the Wife and the Stranger, from the BBC Genome project: http://genome.ch.bbc.co.uk/a0ac4ec29e33434fb1ad17ff13426474

‘Synopsis:

by ADRIAN HENRI after a story by RYUNOSUKE AKUTAGAWA
Sunlight. Strawberries. Champagne. The perfect lover’s tryst. Or is it?
A stranger intrudes. A mysterious business deal.
Passions run high and a man dies. Who is innocent and who is telling the truth? Who do you believe?
Vision control supervisor PETER HODGES
Lighting supervisor ALEC ROBSON
Composers ANDY ROBERTS, JOJI HIROTA Designer MICHAEL EDWARDS Producer BETH PORTER Director GERRY MILL BBC Pebble Mill

 

Contributors

Author: Adrian Henri
Director: Gerry Mill
Producer: Beth Porter
From Stories By: Ryunosuke Akutagawa: The Roshomon Gate
Vision Control Supervisor: Peter Hodges
Lighting Supervisor: Alec Robson
Musical Supervisor/Composer: Andy Roberts
Designer: Michael Edwards
Husband: Adam Faith
Wife: Sayo Inaba
Stranger: Derrick O’Connor’

Thanks to the producer of the drama, Beth Porter, for sharing her Radio Times copy.

Beth Porter’s (long and amusing) autobiography Walking on my Hands, is available for a couple of pounds on Kindle, on the link below. Chapter 12 includes Beth’s adventures with the BBC.

https://www.amazon.co.uk/Walking-My-Hands-responsibility-Streisand-ebook/dp/B01DUWNSRQ/ref=sr_1_3?ie=UTF8&qid=1460027101&sr=8-3&keywords=kindle+Beth+Porter

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Under the Skin

Under the Skin 1 JR

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

This photo is from the 1982 Pebble Mill Play for Today, Under the Skin. Peter Ansorge was the producer and Tony Smith the director. Janey Preger wrote the script, with lighting by  Alec Robson and Sally Engelbach as production designer.

The play was about three women involved in different ways in the women’s movement.

The drama starred: Frances Tomelty, Barbara Rosenblatt, Imogen Bickford-Smith, Jacqueline Tong, Bill Nighy, Michael. J. Jackson, George Costigan, and Michele Winstanley.

Janice Rider was the costume designer.

Thanks to Janice Rider for sharing the photograph.

The following information was added on the Pebble Mill Facebook Page:

Peter Ansorge: Janey Preger wrote three wonderful TV dramas for us at Pebble Mill. The other two were Fattening Frogs For Snakes and the glorious Bobby Wants To Meet Me. The latter about a journo meeting his god – Bob Dylan – at Earls Court, also directed by Tony Smith.