Danger in the Ice – John Williams

danger-in-the-ice-jw danger-in-the-ice-1-jw

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright, John Williams, no reproduction without permission.

The article above is from John Williams memoirs, Shoot First, No Ordinary Life. It tells the story of a dangerous and highly memoriable shoot in Antarctica, for a Pebble Mill at One documentary, Langley South. It was published in the October 2016 issue of the BBC pensioners online magazine – Prospero. The link to the article is here: http://downloads.bbc.co.uk/mypension/en/prospero_oct_2016.pdf

The documentary was transmitted as inserts in 1981, as part of Pebble Mill at One, and as a four part documentary series on BBC2 in April 1982. Here are the Radio Times entries, courtesy of the BBC Genome project:

Monday 19th April 1982

“The first of four films in which
Bob Langley journeys to the White continent of Antarctica and examines its potential for mankind. The Falkland Islands are his first staging post. a last outpost of the British Empire in the South Atlantic. In recent weeks this tiny colony has been the centre of world attention as neighbouring Argentina has laid claim to the islands.
Against this background some of the 1,800 islanders talk of their hopes for the future.
Editor PETER HERCOMBE”

Tuesday 20th April 1982

“On the second leg of his journey to the Antarctic, Bob Langley embarks on the Royal Navy’s Ice Patrol Ship Endurance for the voyage from the Falkland Islands to the southern ice cap. The journey takes him across the notorious Drake Passage off the tip of Cape Horn, through a mine-field of icebergs and after a brief respite at an abandoned whaling station, onward to a dangerous and uncharted corner of the Antarctic peninsula.”

Wednesday 21st April 1982

“In the third film report from British Antarctica Bob Langley, aboard the Royal Navy’s Ice Patrol ship Endurance, becomes trapped in the ice in the Weddell Sea. It is like history repeating itself. In 1915 another Endurance, under the command of Sir Ernest Shackleton , was trapped in these very waters, triggering off a feat of survival which rates as one of the greatest of all escape stories”

Thursday 22nd April 1982

“In this final film report from Antarctica, Bob Langley visits British and American scientific bases and meets the. modern pioneers. Antarctica is known to contain vast mineral riches. Its seas are teeming with protein. It could be vital to our future as other continents exhaust their own resources.”

John’s book is A4, 216 pages full colour, 96,500 words; it is being sold at cost £14, plus postage or can be collected.If you would like a copy please contact John on john@willbriar.myzen.co

 

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Colin Pierpoint blog – Part 17

Pebble Mill canteen. Photo by Philip Morgan, no reproduction without permission

Pebble Mill restaurant. Photo by Philip Morgan, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

I remember sitting in Pebble Mill the top floor restaurant while a motor bike was flying round the top of the building. Seeing Gangsters recorded and transmitted. The daily Pebble Mill at One. In fact for a long time I appeared daily on BBC1 because the opening titles had a shot of me walking along a corridor. I didn’t know until my mother asked if it was me!  In the Comms Centre we had to set up the a circuit daily from Pres A studio at the Television Centre, for the weatherman to be used in Pebble Mill at One. This was normally fed on the BBC2 distribution vision line, with Sound-in-Syncs for the sound, because in those days BBC2 didn’t begin transmission until the late afternoon.

Birmingham Network Production Centre, as it was officially known, was just the right size by accident to make an environment where everyone works together to the same aim. I brought my sister and her family on a visit, and got here to see makeup, which I could not have done in London if my face was not known. There were no divisions between departments and different disciplines which I saw elsewhere, where television people do not understand radio, and studio sound staff were unaware of film sound techniques. These problem were absent at Pebble Mill because you had coffee and meals in the same restaurant and talked to each other. I once had my evening meal with the Midlands Presenter for television, I used to invite other presenters into the Comms Centre for a coffee. A production Assistant and I had an arrangement to see each others jobs. One TM (Technical Manager in television) suggested I follow him around and see his work on the set for Pebble Mill at One. I think the regions NPC working environment has been undervalue by the BBC.

Colin Pierpoint

 

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Pebble Mill at One titles from 1979

Titles sequence from the lunchtime magazine programme: Pebble Mill at One from 1979.

The following comments were left on the Pebble Mill Facebook page:

Jane Green: ‘The last PM@One!! Makes me sad 🙁 I was looking after Bob with the helicopters in the field. Couldn’t hear a darn thing – even with ear defenders on!’

Margaret Waine: ‘Oh what memories it brings back.’

Ann Gumbley-Williams: ‘What can I say!? ….,. My youth! My life! Nostalgia……! ? Counting out of titles…’

Jane Mclean: ‘God that music makes me cack myself!! Marian with the bike and think the sparks could be Keith Morton?’

Colin Pierpoint blog, part 13 – Pebble Mill at One pilot

 

CMCR9, photo from John Abbott, no reproduction without permission

CMCR9 (on Gardeners’ World), photo from John Abbott, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

[Here is the thirteenth part of Colin Pierpoint’s blog about his BBC career]

I think the Pebble Mill at One programme needs no explanation to our readers, but I was asked by the  Deputy Manager Comms and Engineering Services, John Stark, to be the communications co-ordinator for the pilot programme, which was to try out the system. The mixing point or gallery was the Birmingham scanner CMCR6 or 9. This was parked in the garage area where there was a wallbox with tielines to the Communications Centre. I was rushing round from here to VT and Comms Centre trying to get circuits established. I don’t think everyone in Operations knew that I had actually been allocated to do this, perhaps I should have explained to those I came into contact with. The reason for using the scanner was that Studio A at Pebble Mill must have been in use. On other days the scanner was at Gosta Green to give colour facilities on a drive in basis. (Gosta Green studio was never converted to colour, and was eventually sold as a black and white studio).

Colin Pierpoint

 

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Andy Payne’s funeral

Andy Payne cable bashing for Tony Wigley on Pebble Mill at One, crica 1980

Andy Payne, on the left, cable bashing for Tony Wigley on Pebble Mill at One, crica 1980. Photo by Eurwyn Jones, no reproduction without permission.

 

 

 

 

 

 

 

 

 

 

Andy Payne’s daughter, Jenni, has been in touch with the Father Brown production office to give them the funeral details.

They are going to have the celebration that ‘Andy would have wanted us to have’ on Friday, 5th August at 1pm, King’s Norton Church, B38 8RU. Then a gathering afterwards at the King’s Heath Cricket Club, B14 6DT. Jenni referred to this as ‘Dad’s second home’.

The family want anyone who would like to attend to know that they are welcome, and they’ve asked that we pass this information on.

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